|
Train Kept A-Rollin'
"Train Kept A-Rollin'" (or "The Train Kept A-Rollin'") is a song first recorded by American jazz and rhythm and blues musician Tiny Bradshaw in 1951. Originally performed in the style of a jump blues, Bradshaw borrowed lyrics from an earlier song and set them to an upbeat shuffle arrangement that inspired other musicians to perform and record it. Johnny Burnette and the Rock and Roll Trio made an important contribution in 1956 – they reworked it as a guitar riff-driven song, which features an early use of intentionally distorted guitar in rock music. In 1965, the Yardbirds popularized the song as an early psychedelic blues rock song, due largely to Jeff Beck's fuzz-toned guitar work. Theirs soon became the most copied arrangement with recordings by a variety of musicians. After guitarist Jimmy Page joined the group, the Yardbirds recorded an updated version with new lyrics as "Stroll On" for the film ''Blowup'' in 1966. With a highly charged rhythm section and a dual lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Bradshaw
Myron Carlton "Tiny" Bradshaw (September 23, 1907 – November 26, 1958) was an American jazz and rhythm and blues bandleader, singer, composer, pianist, and drummer. His biggest hit was "Well Oh Well" in 1950, and the following year he recorded "The Train Kept A-Rollin'", a song that was pivotal to the development of rock and roll. Bradshaw co-wrote and sang on both records. Early years Myron Carlton Bradshaw was born in Youngstown, Ohio, the son of Cicero P. Bradshaw and his wife Lillian Boggess. Bradshaw graduated from high school in Youngstown.Mohr, Kurt. 1961. Discography of Tiny Bradshaw. Jazz-Publications. Reinach, Switzerland. 16pp. After graduating from Wilberforce University with a degree in psychology, Bradshaw turned to music for a living. In Ohio, he sang and played drums with Horace Henderson's campus oriented Collegians. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blowup
''Blowup'' (also styled ''Blow-Up'') is a 1966 Psychological thriller, psychological Mystery film, mystery film directed by Michelangelo Antonioni, co-written by Antonioni, Tonino Guerra and Edward Bond and produced by Carlo Ponti. It is Antonioni's first entirely English-language film and stars David Hemmings, Vanessa Redgrave and Sarah Miles. Model Veruschka von Lehndorff is featured as herself, and Jane Birkin makes her first film appearance. The film's non-diegetic music was Film score, scored by American jazz pianist Herbie Hancock, and the English rock group The Yardbirds are seen performing "Stroll On". The cinematographer was Carlo di Palma. The plot was inspired by Argentine-French writer Julio Cortázar's 1959 short story "Blow-up and Other Stories, Las babas del diablo", which was later retitled "Blow-Up" to tie in with the film. Set within the contemporary Mod (subculture), mod subculture of Swinging Sixties, Swinging London, the film follows a fashion photographer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipster (1940s Subculture)
The terms hipster or hepcat, as used in the 1940s, referred to aficionados of jump blues and jazz, in particular bebop, which became popular in the early 1940s. The hipster subculture adopted the lifestyle of the jazz musician, including some or all of the following features: Conk hairstyles, loose fitting or oversize suits with loud colors, jive talk slang, use of tobacco, cannabis, and other recreational drugs, relaxed attitude, love for Jazz or Jump blues music, and styles of swing dancing, especially Lindy hop. The zoot suit was the popular style amongst hepcats. It incorporated baggy or oversize suits sometimes with loud colors, thick chalk stripes, floppy hats, and long chains. Many zoot suiters would often wear a fedora or pork pie hat, color-coordinated with the suit. Occasionally they would have a long feather on the fedora or pork pie hat as decoration. When conversing, hepcats would communicate in jive talk. Jive talk (also known as Harlem jive or simply Jive) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Prysock
Wilburt "Red" Prysock (February 2, 1926 – July 19, 1993) was an American R&B tenor saxophonist, one of the early Coleman Hawkins-influenced saxophonists to move in the direction of rhythm and blues, rather than bebop. Career With Tiny Grimes and his Rocking Highlanders, Prysock staged a saxophone battle with Benny Golson on "Battle of the Mass". He first gained attention as a member of Tiny Bradshaw's band, playing the lead saxophone solo on his own "Soft", which was a hit for the Bradshaw band in 1952. Prysock also played with Roy Milton and Cootie Williams. In 1954, he signed with Mercury Records as a bandleader and had his biggest hit, the instrumental "Hand Clappin'" in 1955. During the same year, he joined the band that played at Alan Freed's stage shows. He also played on several hit records by his brother, singer Arthur Prysock, in the 1960s. Personal life Prysock was born in 1926 in Greensboro, North Carolina, United States, and died of a heart attack in 1993 in Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Singing
Originating in vocal jazz, scat singing or scatting is vocal Musical improvisation, improvisation with Non-lexical vocables in music, wordless vocables, Pseudoword#Nonsense syllables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice solely as an Musical instrument, instrument rather than a Speech, speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on Musical scale, scale and arpeggio fragments, lick (music), stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical Musical form, structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie Bass
Boogie-woogie is a Music genre, genre of blues music that became popular during the late 1920s, but already developed in African-American communities since the 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano to piano duo and trio, guitar, big band, country music, country and western, and Gospel music, gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive boogie-woogie (dance), dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson (musician), Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Rock
Classic rock is a radio format that developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, it comprises rock music ranging generally from the mid-1960s through the early-1990s, primarily focusing on commercially successful blues rock and hard rock popularized in the 1970s AOR format.Pareles, Jon (June 18, 1986)"Oldies on Rise in Album-Rock Radio" ''The New York Times''. Retrieved April 19, 2019. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s. Although classic rock has mostly appealed to adult listeners, music associated with this format received more exposure with younger listeners with the presence of the Internet and digital downloading. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station's sound, or by Heritage act (music), heritage acts which are still active and producing new music."New York Radio Guide: Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and Distortion (music), distorted electric guitars. Hard rock began in the mid-1960s with the Garage rock, garage, Psychedelic rock, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream (band), Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Creedence Clearwater Revival, Golden Earring, Steppenwolf (band), Steppenwolf, Grand Funk, Free (band), Free, and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Alice Cooper, Aerosmith, Kiss (band), Kiss, Queen (band), Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Your Wings
''Get Your Wings'' is the second studio album by American rock band Aerosmith, released on March 15, 1974. The album was their first to be produced by Jack Douglas, who also was responsible for the band's next three albums. Three singles were released from the album, but none reached the singles charts. The album has been released in stereo and quadraphonic, and certified triple platinum by the RIAA. Background In January 1973, Aerosmith released its debut album to little fanfare. As guitarist Joe Perry recalled in the 1997 band memoir ''Walk This Way'', "There was no nothing at all: no press, no radio, no airplay, no reviews, no interviews, no party. Instead the album got ignored and there was a lot of anger and flipping out." In response to the album's lack of success, the group toured extensively and built their fanbase, taking a break in December 1973 to record their follow up album. The group recorded the album at New York's Record Plant, with Jack Douglas serving as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
