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Torii Kiyonobu
Torii Kiyonobu I (; – 22 August 1729) was a Japanese painter and printmaker in the ukiyo-e style, who is renowned for his work on kabuki signboards and related materials. Along with his father Torii Kiyomoto, he is said to have been one of the founders of the Torii school of painting. Known in childhood as Shōbei, young Kiyonobu was the second son of the established Osaka kabuki actor and painter Torii Kiyomoto, born in 1664. He moved, with his father, to Edo (modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of Hishikawa Moronobu (d. 1694), the father of ukiyo-e; Kiyonobu would also have been well-versed, as most major artists were at the time, in the styles of the Kanō school, Kanō and Tosa schools. Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship between th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu II
Torii Kiyonobu II ( ''Nidaime Torii Kiyonobu''; active 1725–1760) was a Japanese ukiyo-e artist. He headed the Torii artistic school from possibly as early as 1725, when its founder Torii Kiyonobu I retired. Kiyonobu II was a prolific designer of actor prints, principally in the narrow ''hosoban Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblo ...'' format, of which he produced at least 300 examples for about 20 different publishers. He and Torii Kiyomasu II were the main Torii artists of their time and have been rumoured to be the same person. Kiyonobu II's last known work is an actor print dated to 1760. References Works cited * * External links Ukiyo-e Prints by Torii Kiyonobu II* 18th-century Japanese artists Torii school Ukiyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Japanese Artists
The 18th century lasted from 1 January 1701 (represented by the Roman numerals MDCCI) to 31 December 1800 (MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the Atlantic Revolutions. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures. The Industrial Revolution began mid-century, leading to radical changes in human society and the environment. The European colonization of the Americas and other parts of the world intensified and associated mass migrations of people grew in size as part of the Age of Sail. During the century, slave trading expanded across the shores of the Atlantic Ocean, while declining in Russia and China. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Japanese Artists
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1729 Deaths
Events January–March * January 8 – Frederick, the eldest son of King George II of Great Britain is made Prince of Wales at the age of 21, a few months after he comes to Britain for the first time after growing up in Hanover. For 23 years, Frederick is heir apparent to the British throne, but dies of a lung injury in 1751. * January 19 – At the age of 14, Joseph (José), Prince of Brazil, son of King John V of Portugal, is married to the 10-year-old Princess Mariana Victoria of Spain, eldest daughter of King Philip V of Spain. In 1750, the couple become King Joseph I and Queen Consort Mariana Victoria of Spain. * February 14 – King Philip V of Spain issues a royal '' cedula'', directing an effort to offer incentives to families from the Canary Islands for settlements in New Spain north of the Rio Grande in the modern-day U.S. state of Texas (→ Canarian Americans). * February 24 (February 13 O.S.) – In the city of Resht in Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1660s Births
Year 166 ( CLXVI) was a common year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * The Lombards invade Pannonia (modern Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Artists
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works emerged in the 1670s, with Hishikawa Moronobu's paintings and monochromatic prints of beaut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu II
Torii Kiyonobu II ( ''Nidaime Torii Kiyonobu''; active 1725–1760) was a Japanese ukiyo-e artist. He headed the Torii artistic school from possibly as early as 1725, when its founder Torii Kiyonobu I retired. Kiyonobu II was a prolific designer of actor prints, principally in the narrow ''hosoban Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblo ...'' format, of which he produced at least 300 examples for about 20 different publishers. He and Torii Kiyomasu II were the main Torii artists of their time and have been rumoured to be the same person. Kiyonobu II's last known work is an actor print dated to 1760. References Works cited * * External links Ukiyo-e Prints by Torii Kiyonobu II* 18th-century Japanese artists Torii school Ukiyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyomasu
was a Japanese painter and printmaker of the Torii school, in the genre of ''ukiyo-e''. Like the other Torii artists, his primary focus was on Kabuki billboards, advertisements, actor prints, and other related material. Many scholars believe Kiyomasu to have been the younger brother or son of Torii Kiyonobu I, one of the founders of the school, or to have been an alternate art-name (''gō'') for the same man. In the 1710s, prints signed with Kiyomasu's name far outnumber those with the signature of Kiyonobu. If the two were distinct artists, this could indicate that the elder artist, the head of the school, devoted more time to the kabuki billboards and other works which were more the official province of the workshop, while the younger was left to do prints. On the other hand, even if the two were the same person, this could simply be explained by the use of different names on different types of work. Though his style is said to be somewhat more graceful than Kiyonobu's, they a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintō
, also called Shintoism, is a religion originating in Japan. Classified as an East Asian religion by scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. With no central authority in control of Shinto, there is much diversity of belief and practice evident among practitioners. A polytheistic and animistic religion, Shinto revolves around supernatural entities called the (神). The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshipped at household shrines, family shrines, and ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony between humans and and to solicit the latter's blessing. Other common r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu - Courtesan Painting A Screen
A is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred, and a spot where kami are welcomed and thought to travel through. The presence of a ''torii'' at the entrance is usually the simplest way to identify Shinto shrines, and a small ''torii'' icon represents them on Japanese road maps and on Google Maps. The first appearance of ''torii'' gates in Japan can be reliably pinpointed to at least the mid-Heian period; they are mentioned in a text written in 922. The oldest existing stone ''torii'' was built in the 12th century and belongs to a Hachiman shrine in Yamagata Prefecture. The oldest existing wooden ''torii'' is a ''ryōbu torii'' (see description below) at Kubō Hachiman Shrine in Yamanashi Prefecture built in 1535. ''Torii'' gates were traditionally made from wood or stone, but today they can be also made of reinforced concrete, stainless steel or othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa School
of Japanese painting was founded in the early Muromachi period (14th–15th centuries),,p.988 and was devoted to '' yamato-e'', paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced by Chinese art, notably the Kanō school (狩野派). Tosa school paintings are characterised by "areas of flat opaque colour enclosed by simple outlines, where drawing is precise and conventional", with many narrative subjects from Japanese literature and history. However, by the 17th century both Tosa and Kanō artists broadened their range, and the distinction between these and other schools became less clear. The origins of this school of painting can be traced to (fl. first half 15th century), ''Encyclopedia of World Art'', pp. 1032–3 who first used the professional name of Tosa, though unverified claims to earlier origins were made later by Mitsunobu (1434?–?1525) who formally founded the school. Mitsunobu served as the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
