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Théâtre De L'Athénée (rue Scribe)
Théâtre de l'Athénée () or Salle de l'Athénée () was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris (near the new, but at the time unfinished opera house, now known as the Palais Garnier). The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.Wild 1989, pp. 45–46. History The Athénée was inaugurated on 21 November 1866 with a series of concerts conducted by Jules Pasdeloup. Concerts were generally given on Monday, Wednesday, and Friday, and conferences on Tuesday, Thursday, or Saturday. The conce ...
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Théâtre De L'Athénée
The Théâtre de l'Athénée () is a theatre at 7 rue Boudreau, in the 9th arrondissement of Paris. Renovated in 1996 and classified a historical monument, the Athénée inherits an artistic tradition marked by the figure of Louis Jouvet who directed the theatre from 1934 to 1951. During the period when he was director, it became known as the Athénée Théâtre Louis-Jouvet. History The current Théâtre de l'Athénée was constructed from a foyer (part of the former Éden-Théâtre), which was converted into an intimate theatre in 1893 by the architect Stanislas Loison with further modifications carried out by the architect Paul Fouquiau in 1894. It opened on 31 December 1894 under the name Théâtre de la Comédie-Parisienne. Oscar Wilde's play ''Salomé (play), Salomé'' (originally written in French) was premiered there on 11 February 1896 in a staging by Lugné-Poe's theatre group, the Théâtre de l'Œuvre. The location had become rather unsafe, as demolition work on ...
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Orchestra Pit
An orchestra pit is an area in a theatre (usually located in a lowered area in front of the stage) in which musicians perform. The orchestra plays mostly out of sight in the pit, rather than on the stage as for a concert, when providing music for forms of theatre that require it (such as opera and ballet) or when incidental music is required. The conductor or director typically stands at the front of the orchestra pit facing the stage. Construction In an orchestra pit, the walls are specially designed to provide good acoustics, ensuring that the sound of the orchestra flows through the entire venue without overwhelming the performance on stage. Many orchestra pits are also designed to feed back reasonably low decibel levels, allowing musicians to work without fears of hearing damage. Typically, a small platform in the pit accommodates the conductor, so that they can be seen by all of the musicians, who may be seated on chairs or on bleachers. A lift mechanism for the pit can ...
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Louis Varney
Louis Varney (; 30 May 1844, New Orleans, Louisiana – 20 August 1908, Cauterets, France) was a French composer. Biography Louis Varney was the son of Alphonse Varney, a French conductor at the Bouffes-Parisiens and at the Grand Théâtre de Bordeaux, he was also invited to conduct the "French Opera Season" abroad, notably in New Orleans, Louisiana, and this is how Louis came to be born there in 1844. He studied music with his father, and became first a conductor like him. He was conducting in a small theatre L'Athénée-Comique, while he began composing, he succeeded in having one of his work, ''Il signor Pulcinella'' presented there in 1876 with considerable success. He was then proposed by the director of the Bouffes-Parisiens, Louis Cantin, to write an operetta on a libretto by Paul Ferrier and Jules Prével, based on a comédie en vaudeville by St-Hilaire and Dupont from 1835, entitled ''L'habit ne fait pas le moine''. Louis accepted and under a new title ''Les mousque ...
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Montrouge (actor)
Montrouge (15 March 1825 – 22 December 1903), born Louis (Émile) Hesnard, was a comic actor in French musical theatre in the second half of the nineteenth century, as well as a theatre manager in Paris. Life and career He studied architecture at the École des Beaux-Arts in Paris but then became involved in amateur theatre work.Martin J., ''Nos artistes des théâtres et concerts'' (Paris: Paul Ollendorff, 1895. Montrouge's career began in earnest in 1855 at the Théâtre Batignolles, where he also acted as manager.Gänzl K.: "Marguerite Macé-Montrouge", in: ''The Encyclopaedia of the Musical Theatre'' (Oxford: Blackwell, 1994. In addition he variously managed the Théâtre Folies-Marigny from 1864 to 1869 (where he met his wife, and on leaving received a benefit of 500,000 francs), the Théâtre des Bouffes-Parisiens, the Théâtre du Châtelet and the Athénée-Comique. He performed together with his wife in Cairo from 1873 to 1875. At the Théâtre des Délassements-Co ...
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Paul Avenel
Paul Avenel (9 October 1823 – 14 April 1902) was a 19th-century French writer, poet, goguettier, playwright, chansonnier and journalist. He was the elder brother of historian . Graduated in 1840 from an école supérieure de commerce, Avenel started studying medicine in 1845 and was an ardent student of Roux, Orfila and Velpeau. After the 1848 Revolution led him into journalism, he collaborated with many literary and political newspapers. He established and directed ''le Daguerréotype théâtral'' ''Daguerréotype théâtral''
issues available on Gallica, BnF digital library. ', worked for the ''Lycée français'', ...
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Play (theatre)
A play is a form of drama that primarily consists of dialogue between Character (arts), characters and is intended for theatre, theatrical performance rather than mere Reading (process), reading. The creator of a play is known as a playwright. Plays are staged at various levels, ranging from London's West End theatre, West End and New York City's Broadway theatre, Broadway – the highest echelons of commercial theatre in the English-speaking world – to Regional theater in the United States, regional theatre, community theatre, and academic productions at universities and schools. A stage play is specifically crafted for performance on stage, distinct from works meant for broadcast or cinematic adaptation. They are presented on a stage before a live audience. Some dramatists, notably George Bernard Shaw, have shown little preference for whether their plays are performed or read. The term "play" encompasses the written texts of playwrights and their complete theatrical renditio ...
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Paris Commune
The Paris Commune (, ) was a French revolutionary government that seized power in Paris on 18 March 1871 and controlled parts of the city until 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard (France), National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the French Third Republic in September 1870 (under French chief-executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on 18 March. The Communards killed two French Army generals and refused to accept the authority of the Third Republic; instead, the radicals set about establishing their own independent government. The Commune governed Paris for two months, promoting policies that tended toward a Progressivism, progressive, anti-clericalism , anti-religious system, which was an eclectic mix of many 19th-cent ...
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Siege Of Paris (1870–71)
Siege of Paris may refer to: *Siege of Paris (845), the Viking siege by Reginherus, possibly Ragnar Lodbrok * Siege of Paris (885–886), the Viking siege by Rollo * Siege of Paris (978), by Otto II of Germany, and Holy Roman Emperor * Siege of Paris (1429), by Charles VII of France and Joan of Arc * Siege of Paris (1435–1436), by Charles VII of France * Siege of Paris (1465), by the League of the Public Weal * Siege of Paris (1590), the Protestant siege by Henry IV of France *Siege of Paris (1870–1871) The siege of Paris took place from 19 September 1870 to 28 January 1871 and ended in the capture of the city by forces of the various states of the North German Confederation, led by the Kingdom of Prussia. The siege was the culmination of the F ..., the German siege in the Franco-Prussian War Artworks * ''The Siege of Paris'', a 1884 painting by Ernest Meissonier See also * Battle of Paris (other) {{Disambiguation ...
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Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 January 1871, the conflict was caused primarily by France's determination to reassert its dominant position in continental Europe, which appeared in question following the decisive Austro-Prussian War, Prussian victory over Austria in 1866. According to some historians, Prussian chancellor Otto von Bismarck deliberately provoked the French into declaring war on Prussia in order to induce four independent southern German states—Grand Duchy of Baden, Baden, Kingdom of Württemberg, Württemberg, Kingdom of Bavaria, Bavaria and Grand Duchy of Hesse, Hesse-Darmstadt—to join the North German Confederation. Other historians contend that Bismarck exploited the circumstances as they unfolded. All agree that Bismarck recognized the potential for new ...
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