Théodore Baudouin D'Aubigny
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Théodore Baudouin D'Aubigny
Jean-Marie-Théodore Baudouin also d’Aubigny, born in Paris 19 August 1786 - died 1866, was a French playwright. Theatre * ''La Pie voleuse'', a play in collaboration with Louis-Charles Caigniez, based on an authentic event. Théâtre de la Porte Saint-Martin, 29 April 1815. The play later served as the base for the 1817 opera ''La gazza ladra'' by Rossini. * ''Le Barbier de la cité ou Un pied dans l'abîme'', melodrama in 3 acts and in prose, ballets by Frédéric-Auguste Blache, music by Louis Alexandre Piccinni, Théâtre de la Porte Saint-Martin, 22 August 1816; * ''Les Paratonnerres ou les Bulles de savon'', comedy in 1 act and in prose, with Boirie, Théâtre de la Porte Saint-Martin, 21 November 1821; * ''Chacun son numéro ou le Petit Homme gris'', comédie en vaudevilles in 1 act, with Carmouche and Boirie, Théâtre de la Porte Saint-Martin, 6 December 1821; * ''Le Lépreux de la vallée d'Aoste'', melodrama in 3 acts, with Hyacinthe Decomberousse and Jean-To ...
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Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ...
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Louis Alexandre Piccinni
Louis Alexandre Piccinni (variously Louis Alexandre, Luigi Alessandro or Lodovice Alessandro) (10 September 1779 – 24 April 1850) was a prolific music composer born in Paris of Italian ancestry. Alexandre Piccinni was born in Paris. The grandson of the Italian composer of symphonies, sacred music, chamber music, and opera, Niccolò Piccinni, and the son of Giuseppe Luigi Piccinni, Louis was already giving piano lessons at age 13. He studied piano, and later attended the Conservatoire de Paris, Conservatoire where he studied composition from Jean-François Le Sueur. He was accompanist at the Théâtre Feydeau, and from 1802 at the Opéra-Comique. From 1803 to 1816, he was conductor of the Théâtre de la Porte Saint-Martin, and from 1804 to 1818 accompanist in the chapels of Louis XVIII of France, Louis XVIII at the court. Piccinni taught singing and piano at Paris until 1836, when he moved to Boulogne to teach and direct at the National Conservatory in Toulouse. He later ...
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Writers From Paris
A writer is a person who uses written words in different writing styles, genres and techniques to communicate ideas, to inspire feelings and emotions, or to entertain. Writers may develop different forms of writing such as novels, short stories, monographs, travelogues, plays, screenplays, teleplays, songs, and essays as well as reports, educational material, and news articles that may be of interest to the general public. Writers' works are nowadays published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society. The term "writer" is also used elsewhere in the arts and music, such as songwriter or a screenwriter, but also a stand-alone "writer" typically refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media such ...
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19th-century French Dramatists And Playwrights
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was Abolitionism, abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems an ...
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Maurice Alhoy
Philadelphe-Maurice Alhoy (1802 – 27 April 1856) was a 19th-century French journalist, writer and playwright, born and died in Paris. As journalist Under the Restauration and the July Monarchy, when "every day saw the birth of a new paper" ( Eugène de Mirecourt), Maurice Alhoy founded ''Le Philanthrope'' (1825), "newspaper devoted to charity, morality and the public good.", ''Le Dandy'', ''Le Pauvre Jacques'' (1829), the ''Journal des familles'', the ''Gazette des enfants'', the ''Moniteur des gourmands'', ''L’Ours'' (1834), a newspaper written "by a company of beasts with beaks and nails". He was involved in the writing of several other journals, including a ''journal-vaudeville'', ''La Foire aux idées'' (1849). But he will remain above all as the creator, with Étienne Arago, of ''Le Figaro'' on 14 janvier 1826. The beginnings were difficult; the newspaper was sold two months later to Auguste Le Poitevin de L'Égreville, then to Victor Bohain who took over the respon ...
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Pierre-Augustin Caron De Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a French playwright and diplomat during the Age of Enlightenment. Best known for his three Figaro plays, at various times in his life he was also a watchmaker, inventor, musician, spy, publisher, arms dealer, and revolutionary (both French and American). Born a Parisian watchmaker's son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor and music teacher. He made a number of important business and social contacts, played various roles as a diplomat and spy, and had earned a considerable fortune before a series of costly court battles jeopardized his reputation. An early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and financial assistance to the rebels i ...
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The Two Sergeants (play)
''The Two Sergeants'' (French:''Les Deux Sergents'') is an 1823 play by the French writer Théodore Baudouin d'Aubigny. It is a melodrama set during the Napoleonic Wars {{Infobox military conflict , conflict = Napoleonic Wars , partof = the French Revolutionary and Napoleonic Wars , image = Napoleonic Wars (revision).jpg , caption = Left to right, top to bottom:Battl .... Numerous versions were made of it including an 1831 British play '' Comrades and Friends'' by Isaac PocockNicoll p.385 and an Italian novel. Film adaptations The play has been made into four films: * ''The Two Sergeants'' (1913 film), an Italian silent film directed by Eugenio Perego * ''The Two Sergeants'' (1922 film), an Italian silent film directed by Guido Brignone * ''The Two Sergeants'' (1936 film), an Italian film directed by Enrico Guazzoni * ''The Two Sergeants'' (1951 film), an Italian film directed by Carlo Alberto Chiesa References Bibliography ...
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Jean-Toussaint Merle
Jean-Toussaint Merle (10 June 1785– 27 February 1852) was a French playwright and journalist. Biography Merle had a good education at the Central School of the department of Hérault before arriving in Paris in 1803. At first an employee at the Ministry of Interior, he soon left the position for military service, and returned to Paris only towards the end of 1808. He then made his debut in literature. His amiable character and easy spirit made him a reputation for indolence which seems in little agreement with the activity of his literary life. He put his name to more than one hundred and twenty plays, almost all of them made in collaboration. In turn attached to various newspapers, he has written numerous articles in the ''Mercure de France'', '' la Gazette de France'', , '' Le Nain jaune'', etc. For a long time he wrote the dramatic serial of . A spiritual critic and pleasant writer, he was among those who were appreciated by their contemporaries and whose name tend to di ...
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Pierre Carmouche
Pierre Carmouche (9 April 1797 - 9 December 1868) was a French playwright and chansonnier. He wrote more than 200 successful plays, comedies, comédies en vaudevilles and texts for opéras comiques, in collaboration with diverse authors - Brazier, Dumersan, Mélesville, de Courcy, etc. In 1824 he married the actress Jenny Vertpré. He also collected a rich library, bequeathed in part to marshal Canrobert. Theatre * ''Les Poissons d'avril, ou le Charivari'', comédie en vaudevilles, with Émile Cottenet, Théâtre de la Porte-Saint-Martin, 1 April 1816. * ''Le Bateau à vapeur'', comedy in one act, mingled with couplets, with Émile Cottenet, Philibert Rozet, Théâtre de la Porte Saint-Martin, 1816. * ''L'Heureuse Moisson, ou le Spéculateur en défaut'', comédie en vaudevilles in 1 act mingled with couplets, with Jean-Toussaint Merle and Frédéric de Courcy, Théâtre de la Porte-Saint-Martin, September 1817. * ''La Cloyère d'huitres, ou les Deux Briquebec'', com ...
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Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ...
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Eugène Cantiran De Boirie
Eugène Cantiran de Boirie, real name Jean-Bernard-Eugène Cantiran de Boirie, (22 October 1785 – 14 December 1837) was a French dramatist. Boirie was the son of a chief clerk of the stewardship of Paris, who at the time of the Revolution, spent the remainder of his fortune buying the Théâtre des Jeunes-Artistes. Boirie's first play was produced when he was 20 years old. Unable to write these tragedies he conceived well and combined with a perfect understanding of the scene, he could not do without employees. Among the seventeen authors who were kind enough to work with him, several spirited men achieved many successes in the world of theater. After his father died, Boirie became owner of the Théâtre des jeunes Artistes, but was stripped of his ownership by the imperial decree that abolished many theaters. He then was the dramaturge for four years of the théâtre de l’Impératrice, a position he lost at the time of the First Restoration. In 1822, he became dramaturge ...
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Comedy
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in Ancient Greek theatre, theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing ''agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which e ...
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