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Théo Van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century. Biography Early years Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Théo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there in total a year and a half. Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his ''Self-portrait with pipe'' (1880), painted in somber colours in the Belgian realistic tradition of the times. His ''Child in an open spot of the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent
Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a Municipalities of Belgium, municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in size only by Brussels and Antwerp. It is a Port of Ghent, port and Ghent University, university city. The city originally started as a settlement at the confluence of the Rivers Scheldt and Leie and in the Late Middle Ages became one of the largest and richest cities of northern Europe, with some 50,000 people in 1300. The municipality comprises the city of Ghent proper and the surrounding suburbs of Afsnee, Desteldonk, Drongen, Gentbrugge, Ledeberg, Mariakerke (East Flanders), Mariakerke, Mendonk, Oostakker, Sint-Amandsberg, Sint-Denijs-Westrem, Sint-Kruis-Winkel, Wondelgem and Zwijnaarde. With 262,219 inhabitants at the beginning of 2019, Ghent is Belgium's second largest municipality by number of inhabitants ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Essor (artist Group)
L'Essor was a Belgian artist group, which exhibited from 1876 to 1891. History L'Essor was created in 1876, within the "Circle of alumni and students of the Academies of Fine Arts in Brussels". The circle changes its name to L'Essor in November 1879, and no longer has any link with the Academy. The motto was "a unique art, one life", and therefore focuses on the relationship that should unite the Art to Life. The founders are seen as progressive and want to rebel against bourgeois and conservative Literary and Artistic Circles of Brussels. Members of L'Essor Louis Cambier, Léon Herbo, Henri Permeke (father of Constant Permeke), Louis Pion and Franz Seghers, are among the founders of L'Essor. When changing the name to l'Essor, Emile Hoeterickx, Julien Dillens, Amédée Lynen and Auguste-Ernest Sembach joined the group. Gradually, other artists joined l'Essor: Fernand Khnopff (participating for the first time at an exhibition of l'Essor in 1881), Frantz Charlet, James En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as '' The Thinker'', '' Monument to Balzac'', '' The Kiss'', '' The Burghers of Calais'', and '' The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félicien Rops
Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio (etching and aquatint). Although not well known to the general public, Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans, Stéphane Mallarmé, Joséphin Péladan, Paul Verlaine, Voltaire, and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period, he also produced oil paintings including landscapes, seascapes, and occasional genre paintings. Rops is recognized as a pioneer of Belgian comics.Robert L. Delevoy (1978) Symbol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Khnopff
Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) was a Belgian symbolist painter. Life Youth and training Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in the Vossenhoek area of Grembergen Flanders since the early 17th century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859–1864), he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864, the family moved to Brussels. In his childhood Khnopff spent part of his summer holidays in the hamlet of Tillet not so far from Bastogne in the Luxemburg province where his maternal grandparents owned an estate. He painted several views of this village. To p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willy Finch
Alfred William (Willy) Finch (1854 –1930) was a ceramist and painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... in the pointillist and Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland. Life and work Alfred William Finch was born on 28 November 1854 in Brussels, Belgium to British parents, Joseph Finch (a businessman) and Emma Finch (née Holach). He spent his youth in Ostende. When he was twenty-four he began studying for one year in Brussels at the Académie Royale des Beaux-Arts. On 28 October 1883 he became a founding member of Les XX, a group of twenty Belgian painters, designers and sculptors, who rebelled against the prevailing artistic standards and outmoded academism. He was impressed by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Ensor
James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) was a Belgium, Belgian Painting, painter and Printmaking, printmaker, an important influence on expressionism and surrealism who lived in Ostend for most of his life. He was associated with the artistic group Les XX. Biography Ensor's father, James Frederic Ensor, born in Brussels to English people, English parents, was a cultivated man who studied engineering in England and Germany. Ensor's mother, Maria Catherina Haegheman, was Belgian. Ensor himself lacked interest in academic study and left school at the age of fifteen to begin his artistic training with two local painters. From 1877 to 1880, he attended the Académie Royale des Beaux-Arts in Brussels, where one of his fellow students was Fernand Khnopff. Ensor first exhibited his work in 1881. From 1880 until 1917, he had his studio in the attic of his parents' house. His travels were very few: three brief trips to France and two to the Netherlands in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academism
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave Maus
Octave Maus (12 June 1856 – 26 November 1919) was a Belgian art critic, writer and lawyer. Maus worked with fellow writer/lawyer Edmond Picard, and they together with Victor Arnould and Eugène Robert founded the weekly ''L'Art moderne'' in 1881. He was also uncle of Vincent Van Gogh. In 1884 Maus was elected the secretary of the recently formed Les XX, and his responsibilities included the organization of the annual exhibitions. In 1893 Maus advocated the dissolution of Les XX. In 1894 he founded La Libre Esthétique. The composer Poldowski (daughter of Henryk Wieniawski) was a neighbour and lifelong friend of Maus's. She dedicated some of her song settings to Maus and his wife Madeleine, and her 1923 series of midday recitals at the Hyde Park Hotel in London, known as ''The International Concerts of La Libre Esthétique'', attracted Arthur Rubinstein, Jacques Thibaud and the London String Quartet The London String Quartet was a string quartet founded in London i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les XX
''Les XX'' ( French; "''Les Vingt''"; ; ) was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective). ''Les XX'' was in some ways a successor to another group, L'Essor. The rejection of Ensor's ''The Oyster Eater'' in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of ''Les XX''. In 1893, the society of ''Les XX'' was transformed into "'' La Libre Esthétique''". History ''Les XX'' was founded on 28 October 1883 in Brussels and held annual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Merritt Chase
William Merritt Chase (November 1, 1849October 25, 1916) was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons School of Design. Early life and training William Merritt Chase was born on November 1, 1849, in Williamsburg (now Nineveh), Indiana, to the family of Sarah Swain and David H. Chase, a local businessman. Chase's father moved the family to Indianapolis in 1861, and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists Barton S. Hays and Jacob Cox. At the age of 19 he decided to become a sailor and travelled with his friend to Annapolis where he was commissioned to a merchant ship. After a brief three-month stint in the Navy, Chase understood that it wasn't for him and his teachers urged him to travel to New York to further his artistic training. He arrived in New Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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