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Three Chorale Fantasias, Op. 52
Three chorale fantasias (''Drei Choralphantasien''), Max Reger works#52, Op. 52, are chorale fantasias for Organ (music), organ by Max Reger. He composed the fantasias on three chorales in September 1900: ', ' and '. They were all first performed individually by Reger's friend Karl Straube, and were first published by Breitkopf & Härtel. Straube and others regarded especially No. 2 highly, Straube called it "" (most extraordinary achievement). History Reger composed the works in September 1900 in Weiden in der Oberpfalz. He dated No. 2 on 15 September 1900, and sent the works to the publisher on 22 October 1900. Reger wrote dedications: * No. 1: (Most respectfully dedicated to the Very Reverend Professor Dr Julius Smend) * No. 2: (Dedicated to my friend Karl Straube, with cordial gratitude) * No. 3: (Most respectfully dedicated to Mr Friedrich L. Schnackenberg) No. 1 was first performed by Karl Straube in the summer of 1901 at the Wilhelm Sauer, Sauer organ of the in Wes ...
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Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and a music director at the court of George II, Duke of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in der Oberpfalz, Weid ...
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Motif (music)
In music, a motif () or motive is a short musical idea, a Salience (neuroscience), salient recurring Figure (music), figure, musical fragment or succession of notes that has some special importance in or is characteristic of a musical composition, composition. The motif is the smallest structural unit possessing theme (music), thematic identity. History The defines a motif as a "melodic, rhythmic, or harmonic cell (music), cell", whereas the 1958 maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject (music), subject. It is commonly regarded as the shortest subdivision of a Theme (music), theme or Phrase (music), phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". The New Grove Dictionary of Music and Musicians, Grove and Éditions Larousse, Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove a ...
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Universal Edition
Universal Edition (UE) is an Austrian classical music publishing firm. Founded in 1901 in Vienna, it originally intended to provide the core classical works and educational works to the Austrian market. The firm soon expanded to become one of the most important publishers of modernist and contemporary classical music. History 20th century Universal Edition was founded on 1 June 1901 in Vienna. It was formed by the publishers Bernhard Herzmansky (himself from the firm), and as an attempt to compete with the Leipzig-based publishers Breitkopf & Härtel and Edition Peters. UE itself describes this as an attempt to "simply to counter the predominance of the foreign music trade in Vienna with a domestic music publishing house". In a financial boost for UE, the Austrian Ministry of Education gave a 5 July 1901 decree that Austrian music schools should prefer UE editions over those by German publishers. The firm's creation was announced next month in the '' Neues Wiener Tagbla ...
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Max Reger - Hallelujah! Gott Zu Loben - UE 1248 (1901)
Max or MAX may refer to: Animals * Max (American dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (British dog), the first pet dog to win the PDSA Order of Merit (animal equivalent of the OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film * ''Max'' (2024 film), an Indian Kannada language film by Vijay Karthikeyaa Games * '' Dancing Stage ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ...
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Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ...
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Choral Halleluja! Gott Zu Loben
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of v ...
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Johann Georg Bätzler
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym * Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for ...
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Psalm 146
Psalm 146 is the 146th psalm of the Book of Psalms, beginning in English in the King James Version, "Praise ye the LORD. Praise the LORD, O my soul". In Latin, it is known as "Lauda anima mea Dominum". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate/ Vulgata Clementina, this psalm is Psalm 145. Psalm 146 is used as a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, paraphrased in hymns such as Paul Gerhardt's German "" (You my soul sing), and used in cantatas such as Bach's early (Praise the Lord, my soul). Background Psalm 146 is the first of five final concluding praise Psalms in the Book of Psalms. These psalms are not attributed to David; in the Septuagint, Psalms 145 (this psalm) to 148 are given the title "of Haggai and Zechariah". Kirkpatrick, A.Cambridge Bible for Schools and Collegeson Psalm 146, accessed 6 July 2022 Psalms ...
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Hans Klotz
Hans Klotz (October 25, 1900 – May 11, 1987) was a German organist and musicologist. Life and career Hans Klotz was born on October 25, 1900 in Offenbach am Main. He graduated from the Hoch Conservatory in 1922 with a diploma in piano. He later earned a doctorate from that same school in musicology in 1927 where he trained in that subject under Moritz Bauer. He then entered the Leipzig Conservatory where he trained as an organist under Karl Straube and continued piano studies with Anna Teichmüller. He also studied music theory there with Hermann Grabner. In 1933 he went to Paris to train further on the organ with Charles-Marie Widor. Hans Klotz was organist at the Evangelical Church in the Rhineland and director of the Aachener Bachverein from 1928 through 1942. He then served as director of church music at St. Nikolas' Church, Flensburg from 1946 through 1952. He was a professor of the organ at first the Lübeck Academy of Music (1950-1953) and then the Hochschule für M ...
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Cemetery
A cemetery, burial ground, gravesite, graveyard, or a green space called a memorial park or memorial garden, is a place where the remains of many death, dead people are burial, buried or otherwise entombed. The word ''cemetery'' (from Greek language, Greek ) implies that the land is specifically designated as a burial ground and originally applied to the Ancient Rome, Roman catacombs. The term ''graveyard'' is often used interchangeably with cemetery, but a graveyard primarily refers to a burial ground within a churchyard. The intact or cremated remains of people may be interred in a grave, commonly referred to as burial, or in a tomb, an "above-ground grave" (resembling a sarcophagus), a mausoleum, a columbarium, a niche, or another edifice. In Western world, Western cultures, funeral ceremonies are often observed in cemeteries. These ceremonies or rites of passage differ according to culture, cultural practices and religion, religious beliefs. Modern cemeteries often inclu ...
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Grave
A grave is a location where a cadaver, dead body (typically that of a human, although sometimes that of an animal) is burial, buried or interred after a funeral. Graves are usually located in special areas set aside for the purpose of burial, such as graveyards or cemetery, cemeteries. In some religions, it is believed that the body must be burned or cremated for the soul to survive; in others, the complete decomposition of the body is considered to be important for the rest of the soul (see Grief, bereavement). Description The formal use of a grave involves several steps with associated terminology. ;Grave cut The excavation that forms the grave. Excavations vary from a shallow scraping to removal of topsoil to a depth of or more where a vault or burial chamber is to be constructed. However, most modern graves in the United States are only deep as the Coffin, casket is placed into a concrete box (see Burial vault (enclosure), burial vault) to prevent a sinkhole, to en ...
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