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Third Inversion
The third inversion of a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it. In the third inversion of a G-dominant seventh chord, the bass is F — the seventh of the chord — with the root, third, and fifth stacked above it (the root now shifted an octave higher), forming the intervals of a second, a fourth, and a sixth above the inverted bass of F, respectively. In figured bass, it is referred to as a chord. : According to ''The American History and Encyclopedia of Music:'' Note that any voicing above the bass is allowed. A third inversion chord must have the seventh chord factor in the bass, but it may have any arrangement of the root, third, and fifth above that, including doubled notes, compound intervals, and omission (F-G-B-D, F-B-D-G', F-G-B-D-G', etc.) See also *Figured bass *Root position *Inversion (music) *First inversion *Second inversion *Fourth inversion In music theory, inversions highe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inverted Chord
In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidental (music), accidentals) indicate interval (music), intervals, chord (music), chords, and non-chord tones that a musician playing piano, harpsichord, organ (music), organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with #Basso continuo, basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque music, Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for Chord (music)#Notation, denoting or representing chords include plain staff notation, used in classical music; Roman numeral analysis, Roman numerals, commonly used in harmonic analysis (music), harmonic analysis; chord letters, sometimes used in modern music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Factors
Chord or chords may refer to: Art and music * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord, a chord played on a guitar, which has a particular tuning * The Chords (British band), 1970s British mod revival band * The Chords (American band), 1950s American doo-wop group * ''The Chord'' (painting), a c.1715 painting by Antoine Watteau * Andrew Chord, a comic book character who is the former mentor of the New Warriors Mathematics * Chord (geometry), a line segment joining two points on a curve * Chord (graph theory), an edge joining two nonadjacent nodes in a cycle People * Chord Overstreet, American actor and musician * Chords (musician), a Swedish hiphop/reggae artist Programming * Chord (concurrency), a concurrency construct in some object-oriented programming languages * Chord (peer-to-peer), a peer-to-peer protocol and algorithm for distributed hash tables (DHT) Science and technology * Chord (astronomy), a line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Inversion
In music theory, inversions higher than the third require extended chords; the fourth inversion requires a ninth chord, the fifth an eleventh chord, etc. Regarding these extensions, the writer Marcus Miller notes that: Fourth inversion The fourth inversion of a ninth chord is the voicing in which the ninth of the chord is the bass note and the root a minor seventh above it. In the fourth inversion of a G- dominant ninth, the bass is A — the ninth of the chord — with the third, fifth, seventh, and root stacked above it, forming the intervals of a second, a fourth, a sixth, and a seventh above the inverted bass of A, respectively. : Fifth inversion The fifth inversion of an eleventh chord is the voicing in which the eleventh of the chord is the bass note and the root a perfect fourth above it. In the fifth inversion of a G- dominant eleventh with eleventh, the bass is C — the eleventh of the chord — with the root, third, fifth, seventh, and ninth stacked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Inversion
The second Inverted chord, inversion of a Chord (music), chord is the Voicing (music), voicing of a Triad (music), triad, seventh chord, or ninth chord in which the fifth (chord), fifth of the chord is the bass note. In this inversion, the bass note and the root (music), root of the chord are a perfect fourth, fourth apart which traditionally qualifies as a dissonance (music), dissonance. There is therefore a tendency for movement and resolution. In notation form, it may be referred to with a c following the chord position (e.g., Ic. Vc or IVc). In figured bass, a second-inversion triad is a chord (as in I), while a second-inversion seventh chord is a chord. Note that any voicing above the bass is allowed. A second inversion chord must have the fifth chord factor in the bass, but it may have any arrangement of the root and third above that, including doubled notes, compound intervals, and omission (G-C-E, G-C-E-G', G-E-G-C'-E', etc.) Examples In the second inversion of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Inversion
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. Walter Piston, ''Harmony'', fifth edition, revised and expanded by Mark DeVoto (New York: W. W. Norton, 1987): p. 66. . In the first inversion of a C- major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively. : In the first inversion of G- dominant seventh chord, the bass note is B, the third of the seventh chord. : In figured bass, a first-inversion triad is a chord (not to be confused with an added sixth chord), while a first-inversion seventh chord is a chord. According to ''The American History and Encyclopedia of Music:'' Note that any voicing above the bass is allowed. A first inversion chord must have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inversion (music)
In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root Position
The root position of a chord (music), chord is the Voicing (music), voicing of a Triad (music), triad, seventh chord, or ninth chord in which the root (chord), root of the chord is the bass note and the other chord factors are above it. In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respectively. : In the root position of G-dominant seventh chord, the bass note is G, the root of the seventh chord. : In figured bass, a root-position triad has no symbol, while a root-position seventh chord is notated with a "7". According to ''The American History and Encyclopedia of Music:'' Note that any voicing above the bass is allowed. A root position, or uninverted, chord must have the root chord factor in the bass, but it may have any arrangement of the third and fifth above that, including doubled notes, compound intervals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Factor
In music, a factor or chord factor is a member or component of a chord. These are named root, third, fifth, sixth, seventh, ninth ( compound 2nd), eleventh (compound 4th), thirteenth (compound 6th), and so on, for their generic interval above the root. In harmony In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harm ..., the consonance and dissonance of a chord factor and a nonchord tone are distinguished, respectively.Ostransky, Leroy (1977). ''Understanding Jazz'', p. 91. . Chord factors are taken into consideration in voicing (music), voicing and voice leading. A chord contains exactly as many factors as it contains unique pitch names (octaves don't matter), while a voicing can have any number of voices that draw from and represent some or all the factors of a chord in various ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seventh Chord
A seventh chord is a chord (music), chord consisting of a triad (music), triad plus a note forming an interval (music), interval of a Interval (music), seventh above the chord's root (chord), root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added to a variety of triads, resulting in many different types of seventh chords. In its earliest usage, the seventh was introduced solely as an nonchord tone, embellishing or nonchord tone. The seventh destabilized the triad, and allowed the composer to emphasize movement in a given direction. As time passed and the collective ear of the western world became more accustomed to Consonance and dissonance, dissonance, the seventh was allowed to become a part of the chord itself, and in some modern music, jazz in particular, . Additionally, the general acceptance of equal temperament during the 19th century reduced the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidental (music), accidentals) indicate interval (music), intervals, chord (music), chords, and non-chord tones that a musician playing piano, harpsichord, organ (music), organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with #Basso continuo, basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque music, Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for Chord (music)#Notation, denoting or representing chords include plain staff notation, used in classical music; Roman numeral analysis, Roman numerals, commonly used in harmonic analysis (music), harmonic analysis; chord letters, sometimes used in modern music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Seventh Chord
Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual dominance involving individuals in a subset of BDSM behaviour * Hierarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory Albums * ''Domination'' (Cannonball Adderley album) or the title track, 1965 * ''Domination'' (Morbid Angel album), 1995 * ''Domination'', by Domino, 2004 * ''Domination'', by Morifade, 2004 Songs * "Domination" (song), by Pantera, 1990 * "Domination", by Band-Maid from ''World Domination'', 2018 * "Domination", by Symphony X from ''Paradise Lost'', 2007 * "Domination", by Way Out West from '' Way Out West'', 1996 * "Domination", by Within t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
