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The World's Greatest
"The World's Greatest" is a song written and performed by American R&B singer R. Kelly. The song was originally featured on the soundtrack to the film ''Ali'', and also appeared on bootleg copies of Kelly's unreleased album, ''Loveland'', which later became a bonus disc to ''Chocolate Factory''. Released as a single in November 2001, "The World's Greatest" became a hit in Europe, reaching number two in the Netherlands, number four in the United Kingdom, and the top 20 in nine other European countries. In the United States, it peaked at number 34 on the ''Billboard'' Hot 100. Chart performance The song reached number 31 on the ''Billboard'' R&B chart. In the UK, it peaked at number four. Music video The music video was directed by Bille Woodruff. Kelly is a boxer in this video, playing the part of Muhammad Ali Muhammad Ali (; born Cassius Marcellus Clay Jr.; January 17, 1942 – June 3, 2016) was an American professional boxer and social activist. A global cultural i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Soundtrack
A soundtrack is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track, and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the foreign distributor in the native language of its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GfK Entertainment
The GfK Entertainment charts are the official charts for music, home video, and video games in Germany and are gathered and published by GfK Entertainment (formerly Media Control and Media Control GfK International), a subsidiary of GfK, on behalf of . GfK Entertainment is the provider of weekly Top 100 single and album charts, as well as various other chart formats for genres like compilations, jazz, classical music, schlager, hip hop, dance, comedy, and music videos. Following a lawsuit in March 2014 by Media Control AG, Media Control GfK International had to change its name. Dissemination of the charts is conducted by various media outlets, some of which include MTV music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and Mix 1, both of which are online associations that post almost all the charts published by GfK Entertainment on a weekly basis. Furthermore, GfK Entertainment also runs a dedicated website providing chart-relate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music Japan
, often abbreviated as SMEJ or simply SME, and also known as Sony Music Japan for short (stylized as ''SonyMusic''), is a Japanese music arm for Sony. Founded in 1968 as CBS/Sony, SMEJ is directly owned by Sony Group Corporation and is operating independently from the United States–based Sony Music Entertainment due to its strength in the Japanese music industry. Its subsidiaries include the Japanese animation production enterprise, Aniplex, which was established in September 1995 as a joint-venture between Sony Music Entertainment Japan and Sony Pictures Entertainment Japan, but which in 2001 became a wholly owned subsidiary of Sony Music Entertainment Japan. It was prominent in the early to mid 1990s producing and licensing music for animated series such as '' Roujin Z'' from acclaimed Japanese comic artist Katsuhiro Otomo and Capcom's ''Street Fighter'' animated series. Until March 2007, Sony Music Japan also had its own North American sublabel, Tofu Records. Releases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (CHR, also known as contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 Record chart, music charts. There are several subcategories, dominantly focusing on rock music, rock, pop music, pop, or Urban contemporary, urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary music, adult contemporary, Urban contemporary music, urban contemporary, Contemporary Christian music, contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to ''Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop rap, quiet storm, urban adult contemporary and hip hop; Latin music such as Latin pop, Chicano R&B and Chicano rap; and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; Houston; Oa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 20, Rhythmic Top 30, Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip-hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or an urban contemporary gospel hit. Essentially, the format is a cross between the mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airplay Monitor
''Billboard Radio Monitor'' was a weekly music trade publication that followed the radio industry and tracked the monitoring of current songs by format, station and audience cumes. The magazine was a spinoff of ''Billboard'' magazine and was mostly available through subscription to people who worked in the radio industry as well as music chart enthusiasts. It was developed in Columbia, Maryland, initially by Alan Smith and Jonas Cash, principals of the music company called AIR. AIR created music listening competitions for radio programmers in five different musical genres and were looking for a "qualifier" for the contests. The contests involved testing new songs' potential by having radio programmers listen to and respond to each song's hit potential using a national chart as the qualifier. After using Radio and Records chart for the first 10 years of the competition, AIR developed the BAM, and went into partnership with ''Billboard Magazine'' to produce and market the magazine. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the UK, as compiled by the Official Charts Company. It began after ''Hit Music'', a sister publication of ''Music Week'', ceased publication in May 2001. The new newsletter was established totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially, the newsletter covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of the success of forthcoming rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sverigetopplistan
Sverigetopplistan (, lit. "the Sweden top list") is the Swedish national record chart, based on sales data from IFPI Sverige. It was formerly known as Topplistan (1975–1997) and Hitlistan (1998–2007) and has been known by its current name since October 2007. Before Topplistan, music sales in Sweden were recorded by Kvällstoppen, whose weekly chart was a combined albums and singles list. History For the period of 1976 to 2006, the official Swedish music charts were published by Sveriges Radio P3, a station owned by Sveriges Radio. At the end of 2006, it stopped publishing the general charts, which were entrusted to Swedish Recording Industry Association in the beginning of 2007. However, Sveriges Radio P3 continued to publish the most downloaded music charts, according to the statistics compiled by Nielsen SoundScan. The new strictly-download chart was called DigiListan. Since late 2006, the chart has included legal Music downloading, downloads. The charts became the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
