|
The Wonderful World Of Puss 'n Boots
is a 1969 Japanese animated action comedy musical film produced by Toei Animation and directed by Kimio Yabuki. The screenplay and lyrics, written by Hisashi Inōe and Morihisa Yamamoto, are based on the European fairy tale character Puss in Boots by Charles Perrault, expanded with elements of Alexandre Dumas-esque swashbuckling adventure and cartoon animal slapstick, with many other anthropomorphic animals in addition to the title character. The Toei version of the character himself is named Pero, after Perrault. ''The Wonderful World of Puss 'n Boots'' was released in Japan on March 18, 1969. The film is particularly notable for giving Toei Animation its mascot and logo, and for its roll call of top key animators of the time: Yasuo Ōtsuka, Reiko Okuyama, Sadao Kikuchi, Yōichi Kotabe, Akemi Ōta, Hayao Miyazaki, and Akira Daikubara, supervised by animation director Yasuji Mori. They got relatively free rein and adequate support to create virtuosic and distinctive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimio Yabuki
is a Japanese animator. Known in Japan for his work on many early classic works by the Toei Animation studio, his best-known film in the West is '' Rainbow Brite and the Star Stealer'' from 1985, produced by the French-American company DiC with animation work done in Japan. In 1969, he teamed up with a young Hayao Miyazaki in the production of an animated version of ''Puss in Boots''. Yabuki was an employee of Toei Animation until going freelance in 1973, but did work on several Toei productions (including ''Dororon Enma-kun'', ''Ikkyu-san'', and ''The Kabocha Wine'') afterward. Filmography Director * 1963–1965: '' Ōkami Shōnen Ken'' (狼少年ケン, ''Wolf Boy Ken''; TV series) * 1968: '' Andersen Monogatari'' (アンデルセン物語) * 1969: '' Puss 'n Boots'' (長靴をはいた猫, ''Nagagutsu o Haita Neko'') * 1973–1974: '' Dororon Enma-kun'' (ドロロンえん魔くん) * 1975–1982: '' Ikkyū-san'' (一休さん) * 1980: '' Twelve Months'' (世界名作童話 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Division Of Labour
The division of labour is the separation of the tasks in any economic system or organisation so that participants may specialise ( specialisation). Individuals, organisations, and nations are endowed with or acquire specialised capabilities, and either form combinations or trade to take advantage of the capabilities of others in addition to their own. Specialised capabilities may include equipment or natural resources as well as skills. Training and combinations of equipment and other assets acting together are often important. For example, an individual may specialise by acquiring tools and the skills to use them effectively just as an organisation may specialise by acquiring specialised equipment and hiring or training skilled operators. The division of labour is the motive for trade and the source of economic interdependence. An increasing division of labour is associated with the growth of total output and trade, the rise of capitalism, and the increasing complexity of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasuji Mori
was an animator who worked with Toei Animation, while it was still known as Toei Doga. He was also a famous illustrator of children's books. Mori was responsible for one of the major animation styles within Toei Animation. In '' The Little Prince and the Eight-Headed Dragon'' Mori was the first to be credited as animation director in Japan, although Akira Daikubara had the same post on '' The Tale of the White Serpent'' but was not credited as that. As a senior animator he formed many of the great animators of the next generation (including Hayao Miyazaki, Isao Takahata, Yasuo Ōtsuka, and Yoichi Kotabe). He later left Toei Animation to work with Nippon Animation. Filmography *Key animator on '' The Tale of the White Serpent'' (1958) *Animation director on '' The Little Prince and the Eight-Headed Dragon'' (1963) *Key animator on '' Hols: Prince of the Sun'' (1968) *Animation director on ''Puss in Boots'' (1969) *Animation director on '' Rocky Chuck the Woodchuck'' (1973) *Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animation Director
An animation director is the director in charge of all aspects of the animation process during the production of an animated or television film, or an animated segment for a live-action film or television show. Alternatively, the animation director can be the animator in charge of correcting layouts and drawings for the above media. The difference between the two is largely in the difference between the Western and Eastern animation industries. The differences between the two models are similar to the differences in art directors. Responsibilities In Western animation, such as Disney, the responsibilities of an animation director include directing the storyboards, character designs, background animation, and other technical aspects of a project's animation. Some animated film productions may split the duties between an animation director, who focuses on the creation of the animation, and a director who oversees all other aspects of the film. A supervising animator is commonly in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayao Miyazaki
is a Japanese animator, filmmaker, and manga artist. He co-founded Studio Ghibli and serves as honorary chairman. Throughout his career, Miyazaki has attained international acclaim as a masterful storyteller and creator of Anime, Japanese animated feature films, and is widely regarded as one of the most accomplished filmmakers in the history of animation. Born in Tokyo City, Miyazaki expressed interest in manga and animation from an early age. He joined Toei Animation in 1963, working as an inbetween artist and key animator on films like ''Gulliver's Travels Beyond the Moon'' (1965), ''Puss in Boots (1969 film), Puss in Boots'' (1969), and ''Animal Treasure Island'' (1971), before moving to Shin-Ei Animation, A-Pro in 1971, where he co-directed ''Lupin the Third Part I'' (1971–1972) alongside Isao Takahata. After moving to Zuiyo, Zuiyō Eizō (later Nippon Animation) in 1973, Miyazaki worked as an animator on ''World Masterpiece Theater'' and directed the television series ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōichi Kotabe
is a Japanese animator and character designer. He has worked on several anime films from the 1960s and 1970s, the ''Super Mario'' video game series, and the ''Pokémon'' series in television and film. He was an employee at Nintendo for two decades doing illustrations, character designs, and supervision from 1985 to 2007. After that, he began to work as a freelancer for the anime and video game industry, including for Nintendo again. Biography Kotabe became interested in animation after watching the short film ''Momotarō no Umiwashi'' as a child. He was fascinated with how the fighter moved in the film. His father, who was an oil painter, also influenced his decision to work as an artist. Kotabe found oil painting to be difficult, so he instead worked in watercolor painting. In order to continue working with watercolors, he adopted the ''nihonga'', or Japanese-style, of painting, and began studying at the Tokyo University of the Arts in the Japanese-style painting department. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reiko Okuyama
, née, was a Japanese animator, notable for being one of the first female Japanese animators. She has also been credited as and . The 2019 asadora Natsuzora is loosely based on her life and career. Early life Okuyama spent much of her early life confined to bed due to a series of illnesses. She developed her interest in drawing during this time. After the end of World War II, she entered mission school. After graduation, she entered Tohoku University as per her father's wishes, but she eventually dropped out and left her home town to work in Tokyo. She had various jobs in Tokyo. A few years later, her uncle referred her to a job at Toei Animation. Career In 1957 Okuyama applied for a position with Toei Doga, mistakenly believing that they were publishers of children's books. Her drawing skills were enough for her to be hired as an in-betweener. Her first work was on the landmark feature-length anime ''Hakuja den'' (released in the US as '' The Tale of the White Serpent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasuo Ōtsuka
was a Japanese animator who worked with Toei Animation, Nippon Animation, TMS Entertainment, and Studio Ghibli. He was considered to be one of Japan's foremost animators, and he was an important mentor to both Hayao Miyazaki and Isao Takahata. Biography Ōtsuka was born in Shimane Prefecture. During a visit to Tsuwano at the age of 10, he saw a steam locomotive for the first time. He began to take an interest in locomotives and their operation and would frequently sketch them. In 1945, his family moved to Yamaguchi Prefecture where there was a military base. He began to draw the array of military vehicles located there while also drawing a variety of subjects in different styles. Otsuka also collected cuttings of cartoon strips into scrapbooks to learn more about drawing styles. Otsuka joined Yamaguchi's Bureau of Statistics but later wanted to become a political cartoonist in Tokyo. However at the time, permission was needed to move to Tokyo so he applied to the Health and Wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Frame
In animation and filmmaking, a key frame (or keyframe) is a drawing or shot that defines the starting and ending points of a smooth transition. These are called ''frames'' because their position in time is measured in frames on a strip of film or on a digital video editing timeline. A sequence of key frames defines which movement the viewer will see, whereas the position of the key frames on the film, video, or animation defines the timing of the movement. Because only two or three key frames over the span of a second do not create the illusion of movement, the remaining frames are filled with " inbetweens". Use of key frames as a means to change parameters In software packages that support animation, especially 3D graphics, there are many parameters that can be changed for any one object. One example of such an object is a light. In 3D graphics, lights function similarly to real-world lights. They cause illumination, cast shadows, and create specular highlights. Lights ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropomorphism
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.''Oxford English Dictionary'', 1st ed. "anthropomorphism, ''n.''" Oxford University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapstick
Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders. The term arises from a device developed for use in the broad, physical comedy style known as ''commedia dell'arte'' in 16th-century Italy. The "Clapper (musical instrument), slap stick" consists of two thin slats of wood, which makes a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show. More contemporary examples of slapstick humor include ''The Three Stooges'', ''The Naked Gun'' and ''Mr. Bean (character), Mr. Bean''. Origins The name "slapstick" originates from the Italian ''batacchio'' or ''bataccio''—called the "Clapper (musical instrument), slap sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
