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The Tsar's Bride (opera)
''The Tsar's Bride'' ( rus, Царская невеста, Tsarskaya nevesta ) is an opera in four acts by Nikolai Rimsky-Korsakov, the composer's tenth opera. The libretto, by Ilia Tyumenev, is based on the drama of the same name by Lev Mey. Mey's play was first suggested to the composer as an opera subject in 1868 by Mily Balakirev. (Alexander Borodin, too, once toyed with the idea.) However, the opera was not composed until thirty years later, in 1898. The first performance of the opera took place in 1899 at the Moscow theater of the Private Opera of Savva Mamontov. Rimsky-Korsakov himself said of the opera that he intended it as a reaction against the ideas of Richard Wagner, and to be in the style of "cantilena ''par excellence''". ''The Tsar's Bride'' is a repertory opera in Russia, although it is not part of the standard operatic repertoire in the West. Performance history The Moscow premiere was given at the Private Opera Society, the scenic designer being Mikha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Cooper
Emil Albertovich Cooper (russian: Эмиль Альбертович Купер, ), also known as Emil Kuper (December 13 S December 1 1877, Kherson, Ukraine, then in Russian Empire – November 16, 1960, New York) was a Russian conductor and violinist, of English ancestry. Biography He graduated music school in Odessa, Ukraine as violinist and composer. Until 1898 he played recitals as violinist and learned conducting independently. He also studied conducting with Arthur Nikisch. In 1899, together with tenor Leonid Sobinov and bass Feodor Chaliapin, he toured Russian cities conducting opera. He conducted in many venues in Russia, Western Europe and the United States subsequently. He premiered Rimsky-Korsakov's opera '' The Golden Cockerel'' in 1909; Reinhold Glière's epic Third Symphony, 'Ilya Murometz' on 23 March 1912, Myaskovsky's gloomy and turbulent Third Symphony on April of 1914. He also conducted Rimsky-Korsakov's ''Kashchey the Immortal'' in January 1917 at the Bols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boyar
A boyar or bolyar was a member of the highest rank of the feudal nobility in many Eastern European states, including Kievan Rus', Bulgaria, Russia, Wallachia and Moldavia, and later Romania, Lithuania and among Baltic Germans. Boyars were second only to the ruling princes (in Bulgaria, tsars) from the 10th century to the 17th century. The rank has lived on as a surname in Russia, Finland, Lithuania and Latvia where it is spelled ''Pajari'' or ''Bajārs/-e''. Etymology Also known as bolyar; variants in other languages include bg, боляр or ; rus, боя́рин, r=boyarin, p=bɐˈjærʲɪn; ; ro, boier, ; and el, βογιάρος. The title Boila is predecessor or old form of the title Bolyar (the Bulgarian word for Boyar). Boila was a title worn by some of the Bulgar aristocrats (mostly of regional governors and noble warriors) in the First Bulgarian Empire (681–1018). The plural form of boila ("noble"), ''bolyare'' is attested in Bulgar inscriptions [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's '' Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novgorod
Veliky Novgorod ( rus, links=no, Великий Новгород, t=Great Newtown, p=vʲɪˈlʲikʲɪj ˈnovɡərət), also known as just Novgorod (), is the largest city and administrative centre of Novgorod Oblast, Russia. It is one of the oldest cities in Russia, being first mentioned in the 9th century. The city lies along the Volkhov River just downstream from its outflow from Lake Ilmen and is situated on the M10 federal highway connecting Moscow and Saint Petersburg. UNESCO recognized Novgorod as a World Heritage Site in 1992. The city has a population of At its peak during the 14th century, the city was the capital of the Novgorod Republic and was one of Europe's largest cities. The "Veliky" ("great") part was added to the city's name in 1999. History Early developments The Sofia First Chronicle makes initial mention of it in 859, while the Novgorod First Chronicle first mentions it in 862, when it was purportedly already a major Baltics-to- Byzantium station ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Elder
Sir Mark Philip Elder (born 2 June 1947) is a British conductor. He is currently music director of the Hallé Orchestra in Manchester, England. Life and career Elder was born in Hexham, Northumberland, the son of a dentist. He played the bassoon when in primary school, and at Bryanston School, Dorset, where he was one of the foremost musicians (bassoon and keyboards) of his generation. He attended Corpus Christi College, Cambridge as a choral scholar, where he studied music. He later became a protégé of Sir Edward Downes and gained experience conducting Verdi operas (as well as Sergei Prokofiev, Prokofiev's ''War and Peace'' and Richard Wagner, Wagner's ''Meistersinger'') in Australia, at the Sydney Opera House. Family Elder and his wife, Mandy, have a daughter, Katie. The ENO and association with several orchestras From 1979 to 1993, Elder was the music director of English National Opera (ENO). He was known as part of the "Power House" team that also included genera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Blumenfeld
Felix Mikhailovich Blumenfeld (russian: Фе́ликс Миха́йлович Блуменфе́льд; – 21 January 1931) was a Russian and Soviet composer, conductor of the Imperial Opera St-Petersburg, pianist, and teacher. He was born in Kirovograd (in present-day Ukraine), Kherson Governorate, Russian Empire, the son of Mikhail Frantsevich Blumenfeld, of Austrian Jewish origin, and the Maria Szymanowska. Blumenfeld studied with Gustav Neuhaus, married to his older sister. Then he studied composition at the St. Petersburg Conservatory under Nikolai Rimsky-Korsakov and piano under Fedor Stein between 1881 and 1885. He then taught piano there himself from 1885 until 1918, whilst also serving as conductor of the Mariinsky Theatre until 1911. The Mariinsky saw the premieres of the operas composed by his mentor Rimsky-Korsakov. He was also the conductor at the Russian premiere of Wagner's opera ''Tristan und Isolde''. In 1908, he conducted the Paris premiere of Modes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Nápravník
Eduard Francevič Nápravník ( Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov. Biography Nápravník was born in Býšť, Bohemia, in 1839. His studies of music were precariously uneven as a child, being the son of a poor teacher. Orphaned in 1853 at the age of 14, he first worked as a local church organist. In 1854 he entered the Prague Organ School, where he studied under Jan Bedřich Kittl and others, eventually becoming an assistant teacher as Kittl's generosity allowed him to continue his studies. In 1861, he worked in Russia for the first time as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Ippolitov-Ivanov
Mikhail Mikhailovich Ippolitov-Ivanov (russian: Михаи́л Миха́йлович Ипполи́тов-Ива́нов; 28 January 1935) was a Russian and Soviet composer, conductor and teacher. His music ranged from the late-Romantic era into the 20th century era. Biography He was born in 1859 at Gatchina, near St. Petersburg, where his father was a mechanic employed at the palace. His birth name was Mikhail Mikhailovich Ivanov; later he added Ippolitov, his mother's maiden name, to distinguish himself from a composer and music critic with an identical name ( Mikhail Ivanov). He studied music at home and was a choirboy at the cathedral of St. Isaac, where he also had musical instruction, before entering the St. Petersburg Conservatory in 1875. In 1882 he completed his studies as a composition pupil of Rimsky-Korsakov, whose influence was to remain strong. Ippolitov-Ivanov's first appointment was to the position of director of the music academy and conductor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Style And New Style Dates
Old Style (O.S.) and New Style (N.S.) indicate dating systems before and after a calendar change, respectively. Usually, this is the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 1582 and 1923. In England, Wales, Ireland and Britain's American colonies, there were two calendar changes, both in 1752. The first adjusted the start of a new year from Lady Day (25 March) to 1 January (which Scotland had done from 1600), while the second discarded the Julian calendar in favour of the Gregorian calendar, removing 11 days from the September 1752 calendar to do so.Spathaky, MikOld Style and New Style Dates and the change to the Gregorian Calendar "Before 1752, parish registers, in addition to a new year heading after 24th March showing, for example '1733', had another heading at the end of the following December indicating '1733/4'. This showed where the Historical Year 1734 started even though the Civil Year 1733 continued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Curran (director)
Paul Curran (born 1964) is a Scottish opera director. He was General Manager (Artistic Director) of the opera company of the Norwegian National Opera and Ballet (2007–2011), and artistic consultant to Central City Opera of Denver, Colorado. Early life Curran was born in Maryhill, Glasgow. At the age of five, he was rehoused with his family to Easterhouse. He played clarinet in the Glasgow Schools Orchestra, and saw his first opera ( Scottish Opera's production of '' Wozzeck'') in 1980. The following year, his parents discovered that he was gay and threw him out. He went to London, where he trained as a ballet dancer at the London Studio Centre and the Central School of Ballet before studying with Sulamith Messerer. He worked for a time as an usher at English National Opera during the period when Lord Harewood, Mark Elder and David Pountney formed the artistic management of the company. Curran spent two years at the ballet school of the Finnish National Opera and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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