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The Stars And Stripes Forever
"The Stars and Stripes Forever" is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America. History In his 1928 autobiography, ''Marching Along'', Sousa wrote that he composed the march on Christmas Day, 1896. Sousa was on board an ocean liner on his way home from a vacation with his wife in Europe and had just learned of the recent death of David Blakely, the manager of the Sousa Band. He composed the march in his head and committed the notes to paper on arrival in the United States. It was first performed at the Philadelphia Academy of Music on May 14, 1897, and was immediately greeted with enthusiasm. Following an Act of Congress in 1987, it was officially adopted as the national march of the United States of America. Historically, in show business and particularly in theater and the circus, this piece is called "the Disaster March". In the earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 contiguous states border Canada to the north and Mexico to the south, with the semi-exclave of Alaska in the northwest and the archipelago of Hawaii in the Pacific Ocean. The United States asserts sovereignty over five Territories of the United States, major island territories and United States Minor Outlying Islands, various uninhabited islands in Oceania and the Caribbean. It is a megadiverse country, with the world's List of countries and dependencies by area, third-largest land area and List of countries and dependencies by population, third-largest population, exceeding 340 million. Its three Metropolitan statistical areas by population, largest metropolitan areas are New York metropolitan area, New York, Greater Los Angeles, Los Angel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgi Latso
Giorgi Latso (born Giorgi Latsabidze, ka, გიორგი ლაცაბიძე, ; 15 April 1978) is a Georgian- American concert pianist, film composer, arranger, adjudicator, improviser and Doctor of Musical Arts. Latso has won several international piano competitions and awards. He is best known for his interpretations of Chopin and Debussy. He is a founder & CEO of Amadeus International Foundation. His concerts have been broadcast on radio and television in Europe, Asia, and the Americas. Early life and studies Latso was born in Tbilisi (Georgia) where he started studying the piano at the age of six. He made his public debut at age eight. He was admitted at the Tbilisi State Conservatoire, where he eventually became a pupil of Rusudan Chojava. In 2004, he obtained a master's degree at the Hochschule für Musik, Theater und Medien Hannover, Germany and the Mozarteum University Salzburg in Salzburg, Austria. Latso pursued doctoral studies at the University of Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Healy (entertainer)
Mary Sarah Healy (April 14, 1918 – February 3, 2015) was an American actress, singer, and variety entertainer. She performed often with her husband, Peter Lind Hayes, for over 50 years, in a succession of films, television and radio shows and on the stage. She appeared in four Broadway shows between 1942 and 1958, and her film appearances include ''Second Fiddle (1939 film), Second Fiddle'', ''Star Dust (film), Star Dust'' and Dr. Seuss, Theodore Geisel's musical fantasy ''The 5,000 Fingers of Dr. T.'' In 2006 she was inducted into the Nevada Entertainment/Artist Hall of Fame at the University of Nevada, Las Vegas. Biography Healy was born April 14, 1918, in New Orleans. Crowned Miss New Orleans in 1935, she performed as a singer in the New Orleans area. She made her first screen appearance in the 1938 musical comedy ''Josette (1938 film), Josette''. In 1939 she had major film roles in ''Second Fiddle (1939 film), Second Fiddle,'' and in ''Star Dust (film), Star Dus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lind Hayes
Peter Lind Hayes (born Joseph Conrad Lind Jr.; June 25, 1915 – April 21, 1998) was an American vaudeville entertainer and film and television actor. Early life Hayes was born in San Francisco, the son of Joseph Conrad Lind Sr., a railroad man and amateur singer, and vaudeville entertainer Grace Hayes (1895–1989). Joseph Lind Sr. died when his son was two years old. Hayes attended parochial school in Cairo, Illinois, during his early childhood before moving to the New York City suburb of New Rochelle and continuing his education there. Career Hayes made his vaudeville debut with his mother at the age of six. In 1939, his mother sold some jewelry and borrowed $8,000 to open the Grace Hayes Lodge in Los Angeles, where he began working as a nightclub performer. Hayes appeared in films throughout the 1930s and 1940s and had a significant television career in the 1950s. He often appeared with his wife Mary Healy. During World War II Hayes enlisted in the United States Army Air ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Randolph Grean
Charles Randolph Grean (October 1, 1913 – December 20, 2003) was an American producer and composer. Biography Professional life Grean's first work was as a copyist in several big bands, including Glenn Miller, Artie Shaw, and Charlie Spivak. He worked at RCA Victor Records under Steve Sholes, producing country and Western recordings by such artists as Eddy Arnold, Pee Wee King, the Sons of the Pioneers, Texas Jim Robertson and Elton Britt. He was the arranger for the Nat King Cole recording of "The Christmas Song." In 1950, he wrote " The Thing," a popular song which reached number one on the charts in a version sung by Phil Harris. The same year he became the head of A&R at RCA Victor Records, passing over his previous superior, Sholes. In the early 1950s he formed a production company with Joseph Csida called Csida-Grean, a management company which had handled Arnold's career and produced his syndicated television show, '' Eddy Arnold Time''. One of Grean's composit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul E
Paul may refer to: People * Paul (given name), a given name, including a list of people * Paul (surname), a list of people * Paul the Apostle, an apostle who wrote many of the books of the New Testament * Ray Hildebrand, half of the singing duo Paul & Paula * Paul Stookey, one-third of the folk music trio Peter, Paul and Mary * Billy Paul, stage name of American soul singer Paul Williams (1934–2016) * Vinnie Paul, drummer for American Metal band Pantera * Paul Avril, pseudonym of Édouard-Henri Avril (1849–1928), French painter and commercial artist * Paul, pen name under which Walter Scott wrote ''Paul's letters to his Kinsfolk'' in 1816 * Jean Paul, pen name of Johann Paul Friedrich Richter (1763–1825), German Romantic writer Places * Paul, Cornwall, a village in the civil parish of Penzance, United Kingdom *Paul (civil parish), Cornwall, United Kingdom * Paul, Alabama, United States, an unincorporated community *Paul, Idaho, United States, a city *Paul, Nebraska, Unit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countermelody
In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876. The more formal term countersubject applies to a secondary or subordinate melodic idea in a fugue. A countermelody differs from a harmony part sung by a backup singer in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line. Including a counter melody makes the music become polyphonic, a type of texture where there are two or more melodies. This can also be called counterpoint o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of '' obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). The term has also come to refer to a countermelody. Independence ''Obbligato'' includes the idea of independence, as in C. P. E. Bach's 1780 Symphonies (with twelve ''obbligato'' parts) by which Bach was referring to the independent wood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Lyrics
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. The writer and critic John Gross observes in his ''Oxford Book of Parodies'', that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without sati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwinds
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air across the edge of a hole in a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
