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The Nearer The Bone, The Sweeter The Meat
''The Nearer the Bone, the Sweeter the Meat'' is an album by saxophonist Peter Brötzmann, double bassist Harry Miller, and drummer Louis Moholo. It was recorded on August 27, 1979, at FMP Studio in Berlin, and was released on vinyl later that year by FMP/Free Music Production. In 2012, the album was reissued on CD by the Cien Fuegos imprint of Trost Records. In 1980, the trio recorded a second album titled ''Opened, But Hardly Touched'' (FMP, 1981). Reception In a review for AllMusic, Eugene Chadbourne noted that the sound of the trio "hearkened back to the solid feel of black free jazz rather than splintering the brain with the seeming anarchy of the European free jazz scene of the time," and wrote: "While much of the European scene at the time veered toward inexplicable intensity, this performance is reminiscent of players such as Pharoah Sanders, with a slow, steady build toward a musical inferno guided by a similar feeling of intense spirituality." The authors of ''The Peng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brötzmann
Peter Brötzmann (6 March 1941 – 22 June 2023) was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. Throughout his career, he released over fifty albums as a bandleader. Amongst his many collaborators were key figures in free jazz, including Derek Bailey (guitarist), Derek Bailey, Anthony Braxton and Cecil Taylor, as well as experimental musicians such as Keiji Haino and Charles Hayward (drummer), Charles Hayward. His 1968 ''Machine Gun (Peter Brötzmann album), Machine Gun'' became "one of the landmark albums of 20th-century free jazz". Biography Life Brötzmann was born in Remscheid on 6 March 1941. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He was also inspired by Miles Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Miller (jazz Bassist)
Harold Simon Miller (25 April 194116 December 1983) was a South African jazz double bassist, who lived for most of his adulthood in England. Biography A native of Cape Town, South Africa, Miller began his career playing bass for the rock group Manfred Mann. After settling in London, he became part of a groups of musicians in the 1960s and 1970s who combined free jazz with the music of South Africa. He recorded with Elton Dean, Chris McGregor, Louis Moholo, John Surman, Keith Tippett, and Mike Westbrook, and also led his own band, Isipingo, named after a vacation spot in South Africa. At the end of the 1970s, he moved to the Netherlands for economic reasons and worked with musicians in Willem Breuker's circle. In 1971, he made a guest appearance on the album ''Islands (King Crimson album), Islands'', by the progressive rock band King Crimson. He and his wife founded Ogun Records. Miller died in a car crash in the Netherlands in 1983. Discography * ''Chris McGregor's Brotherhood o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Moholo
Louis Tebogo Moholo (10 March 1940 – 13 June 2025) was a South African jazz drummer. He was a member of several notable bands, including The Blue Notes, the Brotherhood of Breath and Assagai. Biography Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. In 1966, he toured Buenos Aires, Argentina, where he performed at the Theatron with Steve Lacy, Johnny Dyani and Enrico Rava and recorded the album ''The Forest and the Zoo'' with the same musicians. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and was the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, Musical tone, tones, and chord changes. Musicians during this period believed that the bebop and modal jazz that had been played before them was too limiting, and became preoccupied with creating something new. The term "free jazz" was drawn from the 1960 Ornette Coleman recording ''Free Jazz: A Collective Improvisation''. Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big band, big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FMP/Free Music Production
Free Music Production (FMP) is a German record label that specialises in free jazz. Origins FMP originated from the New Artists Guild, which was an informal cooperative of musicians in the mid-1960s. In 1968, The New Artists Guild sponsored the Total Music Meeting, a festival that presented different forms of music from those performed at the Berliner Jazztage. The name FMP was adopted the following year and the group "began operating as a cooperative venture under the administrative guidance of a former double bass player, Jost Gebers ..At some point the operation of FMP transferred from the cooperative to Gebers alone." Company activities The label's first release was Manfred Schoof's '' European Echoes''. Specialising in free jazz from the beginning, FMP soon released recordings by saxophonist Peter Brötzmann, pianist Alexander von Schlippenbach, bassist Peter Kowald and drummer Detlef Schönenberg. The collective ended in 1976 and Gebers, who was running the company part- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trost Records
Trost Records is a record label located in Vienna. History In the early 1990s, Trost was founded as a tape label, releasing records of Austrian alternative and underground bands, such as Valina, , and Holly May. In 2011, the sublabel Cien Fuegos was established which primarily releases free jazz re-issues. Moreover, Trost started to closely cooperate with artists like Peter Brötzmann, , Mats Gustafsson, Alexander von Schlippenbach. In 2013, Trost released the five-CD set ''Long Story Short'', featuring recordings from the ''Wels Unlimited'' festival held in Austria in November 2011, to celebrate the birthday of Peter Brötzmann. In addition to Brötzmann, the release features the music of Okkyung Lee, Nasheet Waits, Jason Adasiewicz, Keiji Haino, and Dieb13. The release was awarded the Preis der deutschen Schallplattenkritik. Recently, Trost Records has been collaborating with the Scandinavian free jazz band The Thing (the thing records), the Viennese band R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opened, But Hardly Touched
''Opened, But Hardly Touched'' is a live album by saxophonist Peter Brötzmann, double bassist Harry Miller, and drummer Louis Moholo. It was recorded on November 5 and 6, 1980, at the Flöz in Berlin, and was released on vinyl as a two-album set in 1981 by FMP/Free Music Production. In 2014, the album was reissued on CD by the Cien Fuegos imprint of Trost Records. The album is the trio's second release, following '' The Nearer the Bone, the Sweeter the Meat'' (FMP, 1979). Reception In an article for ''DownBeat'', Peter Kostakis wrote: "The boundaries between composition and improvisation are intentionally blurred. Yet the trio's explorations manage an in-built tension and variety that scarcely lapses into boredom." The authors of ''The Penguin Guide to Jazz Recordings'' stated that the trio setting "bring out some of Brötzmann's best playing," and called the music "big and brawling encounters which realign the saxophonist's playing with a 'mainstream' free-jazz approach." ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007 – 4 January 2008. It is published by the Oxford University Press and was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (magazine)
''Cadence: The Independent Journal of Creative Improvised Music'' is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011. Musician David Haney became editor and publisher in 2012. History and profile ''Cadence'' began publication in 1976. The magazine's original parent company, Cadnor, Ltd. (based in Redwood Sequoioideae, commonly referred to as redwoods, is a subfamily of Pinophyta, coniferous trees within the family (biology), family Cupressaceae, that range in the Northern Hemisphere, northern hemisphere. It includes the List of superlative tree ..., New York), also owns a pair of jazz record labels ( CIMP and Cadence Jazz), a record distributorship (Cadence/North Country), and an audio equipment retailer (Northcountry Audio). The magazine was publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
