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The Maid's Metamorphosis
''The Maid's Metamorphosis'' is a late Elizabethan stage play, a pastoral first published in 1600. The play, "a comedy of considerable merit," was published anonymously, and its authorship has been a long-standing point of dispute among scholars. Date, performance, publication ''The Maid's Metamorphosis'' was entered into the Stationers' Register on 24 July 1600, and published later that year in a quarto printed by Thomas Creede for the bookseller Richard Olive. The title page of the first edition states that the play was acted by the Children of Paul's, one of the companies of boy actors popular at the time. That company resumed dramatic performances in 1599, and the play itself refers to a leap year and a year of drought, which was true only of 1600 in the relevant period – indicating that the play was performed in that year. Authorship The earliest attribution of authorship was on Edward Archer's play list of 1656, which assigned the play to John Lyly. The play is writte ...
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The Maids Metamorphosis
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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Metamorphoses
The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Creation myth, creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic poem, epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry. Although some of the ''Metamorphoses'' derives from earlier treatment of the same myths, Ovid diverged significantly from all of his models. The ''Metamorphoses'' is one of the most influential works in Western culture. It has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works ...
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Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ...
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Morpheus (mythology)
Morpheus ('Fashioner', derived from the meaning 'form, shape') is a god associated with sleep and dreams. In Ovid's ''Metamorphoses'' he is the son of Somnus (Sleep, the Roman counterpart of Hypnos) and appears in dreams in human form. From the Middle Ages, the name began to stand more generally for the god of dreams, or of sleep. Ovid The only ancient mention of Morpheus occurs in Ovid's ''Metamorphoses'', where Ovid tells of the story of Ceyx and his wife Alcyone who were transformed into birds. In Ovid's account, Juno (via the messenger goddess Iris) sends Morpheus to appear to Alcyone in a dream, as her husband Ceyx, to tell her of his death. Ovid makes Morpheus one of the thousand sons of Somnus (Sleep). His name derives from the Greek word for form (μορφή), and his function was apparently to appear in dreams in human guise. According to Ovid "no other is more skilled than he in representing the gait, the features, and the speech of men; the clothing also and th ...
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Hypnos
In Greek mythology, Hypnos (; Ancient Greek: , 'sleep'), also spelled Hypnus, is the personification of sleep. The Roman equivalent is Somnus. His name is the origin of the word hypnosis. Pausanias (geographer), Pausanias wrote that Hypnos was the dearest friend of the Muses. Etymology According to the Dutch linguist Robert S. P. Beekes, the god's name derives from the Proto-Indo-European language, Proto-Indo-European root ''*sup-no-'' 'sleep'. Description Hypnos is usually the fatherless son of Nyx ("The Night"), although sometimes Nyx's consort Erebus ("The Darkness") is named as his father. His twin brother is Thanatos ("Death"). Both siblings live in the Greek underworld, underworld (Hades). According to rumors, Hypnos lived in a big cave, which the river Lethe ("Forgetfulness") comes from and where night and day meet. They call this area the Land of dreams (mythology), Land of Dreams. His bed is made of ebony, and on the entrance of the cave grow several Poppy, poppies a ...
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Venus (mythology)
Venus (; ) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude. Etymology The Latin theonym and the common noun ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic , Old Indic 'desire'). Derivatives include ''venust ...
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Iris (mythology)
In ancient Greek religion and mythology, Iris (; ; ) is a daughter of the gods Thaumas and Electra, the personification of the rainbow and messenger of the gods, a servant to the Olympians and especially Queen Hera. Iris appears in several stories carrying messages from and to the gods or running errands but has no unique mythology of her own. Similarly, very little to none of a historical cult and worship of Iris is attested in surviving records, with only a few traces surviving from the island of Delos. In ancient art, Iris is depicted as a winged young woman carrying a caduceus, the symbol of the messengers, and a pitcher of water for the gods. Iris was traditionally seen as the consort of Zephyrus, the god of the west wind and one of the four Anemoi, by whom she is the mother of Pothos in some versions. Etymology The ancient Greek noun means both the rainbow and the halo of the Moon. An inscription from Corinth provides evidence for an original form (''Wîris'') w ...
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Juno (mythology)
Juno ( ; Latin ) was an Religion in ancient Rome, ancient Roman goddess, the protector and special counsellor of the state. She was syncretism, equated to Hera, queen of the gods in Greek mythology and a goddess of love and marriage. A daughter of Saturn (mythology), Saturn and Ops, she was the sister and wife of Jupiter (mythology), Jupiter and the mother of Mars (mythology), Mars, Vulcan (mythology), Vulcan, Bellona (goddess), Bellona, Lucina (mythology), Lucina and Juventas. Like Hera, her sacred animal was the peacock.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Her Etruscan Civilization, Etruscan counterpart was Uni (mythology), Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called ("Queen") and was a member of the Capitoline Triad (''Juno Capitolina''), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom. Juno's ow ...
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Henry Somerset, 1st Marquess Of Worcester
Henry Somerset, 1st Marquess of Worcester (1577 – 18 December 1646) was an English aristocrat, who was a prominent and financially important Royalist during the early years of the English Civil War. Life He was the son of Edward Somerset, 4th Earl of Worcester and Elizabeth Hastings. On 3 March 1628, he succeeded his father and became the 5th Earl of Worcester. cites Brought up a Protestant, he converted to Catholicism as a young man. He was considered an outstandingly wealthy peer, with an income, by the contemporary estimate of Richard Symonds, of £24,000 per annum. By good management, as well as by inheritance and marriage, he built up major holdings in property. When war came, he claimed to have expended and lent over £900,000 to the royalist cause. Charles I asked him to keep a low profile in public life. Some noted recusants, such as Gwilym Puw and his chaplain Thomas Bayly, gathered around him at Raglan Castle. His local support was increased by the fact that he ...
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The Faithful Shepherdess
''The Faithful Shepherdess'' is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher. Though the initial production was a failure with its audience, the printed text that followed proved significant, in that it contained Fletcher's influential definition of tragicomedy. Like many of Fletcher's later tragicomedies, ''The Faithful Shepherdess'' deals with the darker side of sexuality and sexual jealousy, albeit within a comic framework. Plot summary The play's eponymous heroine is Clorin, a virgin shepherdess who values chastity and devotion above all. A skilled healer, Clorin has chosen to live in solitude near the grave of her first love. During the course of the play, various couples will find themselves thrown into erotic turmoil, and it is Clorin who heals them and facilitates their reconciliation. In the first storyline, the shepherd Perigot and the shepherdess Amoret are in love, though their love is unconsummated and pure. The ...
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John Fletcher (playwright)
John Fletcher (December 1579 – August 1625) was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others. Although his reputation has subsequently declined, he remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as ch ...
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1596 In Literature
This article contains information about the literary events and publications of 1596. Events *January 20 – The first complete edition of ''The Faerie Queene'' is published in six books. *February – James Burbage buys the disused Blackfriars Theatre from Sir William More for £600, but is prevented from using it for theater by the opposition of wealthy influential neighbors. *June 22 – Henry Carey, 1st Baron Hunsdon, Lord Hunsdon dies; his place as Lord Chamberlain will be taken by William Brooke, 10th Baron Cobham, who is sympathetic to the Puritans and hostile to the English Renaissance theatre. With Cobham's allowance, Thomas Skinner (Lord Mayor of London, 1596), Thomas Skinner, Lord Mayor of the City of London bans players from the City and tears down several inn-yard theatres: the Inn-yard theatre, Bel Savage Inn, the Inn-yard theatre, Cross Keys Inn, and others. Cobham dies the next year, 1597. *July – English forces under Robert Devereux, 2nd Earl of Essex, returning ...
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