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The Exterminating Angel (opera)
''The Exterminating Angel'' is an English-language opera in three acts, with music by Thomas Adès, and libretto by Tom Cairns in collaboration with Adès. The opera is based on the 1962 film of the same name by Luis Buñuel. The opera, Adès' third, was a joint commission between the Salzburg Festival, the Royal Opera House, Covent Garden, the Metropolitan Opera and the Royal Danish Opera. The opera received its world premiere on 28 July 2016, at the Haus für Mozart, Salzburg. Adès' first-ever commission for the Salzburg Festival, the Salzburg production received four performances. The UK premiere was at the Royal Opera House, Covent Garden, on 24 April 2017. The North American premiere took place on 26 October of the same year at the Metropolitan Opera. For all of these stagings, Cairns was the stage director, with sets and costumes by Hildegard Bechtler, lighting by Jon Clark, videography by Tal Yarden, and choreography by Amir Hosseinpour. Adès had been interested in ada ...
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The Exterminating Angel
''The Exterminating Angel'' () is a 1962 Mexican surrealism, surrealist black comedy film written and directed by Luis Buñuel. Starring Silvia Pinal and produced by Pinal's then-husband Gustavo Alatriste, the film tells the story of a group of wealthy guests who find themselves unable to leave after a lavish dinner party, and the chaos that ensues. Sharply satirical and allegorical, it contains a depiction of the aristocracy that suggests they "harbor savage instincts and unspeakable secrets".Roger Ebert, Ebert, Roger''The Exterminating Angel'' ''RogerEbert.com'', 11 May 1997. . In 2004, ''The New York Times'' included the film in a list of "The Best 1,000 Movies Ever Made". The film was adapted into an The Exterminating Angel (opera), opera of the same name by Thomas Adès in 2016. Plot After a night at the opera, Edmundo and Lucía Nóbile host eighteen wealthy acquaintances at a dinner party at their mansion. The servants inexplicably begin to leave as the guests are about ...
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Los Angeles Times
The ''Los Angeles Times'' is an American Newspaper#Daily, daily newspaper that began publishing in Los Angeles, California, in 1881. Based in the Greater Los Angeles city of El Segundo, California, El Segundo since 2018, it is the List of newspapers in the United States, sixth-largest newspaper in the U.S. and the largest in the Western United States with a print circulation of 118,760. It has 500,000 online subscribers, the fifth-largest among U.S. newspapers. Owned by Patrick Soon-Shiong and published by California Times, the paper has won over 40 Pulitzer Prizes since its founding. In the 19th century, the paper developed a reputation for civic boosterism and opposition to Trade union, labor unions, the latter of which led to the Los Angeles Times bombing, bombing of its headquarters in 1910. The paper's profile grew substantially in the 1960s under publisher Otis Chandler, who adopted a more national focus. As with other regional newspapers in California and the United Sta ...
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Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ...
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Kerstin Avemo
Kerstin Avemo (born October 27, 1973) is a Sweden, Swedish opera singer with an active international career as a coloratura soprano. Early life and education Born in Stockholm, the young Avemo attended Adolf Fredrik's Music School (Swedish: Adolf Fredriks Musikklasser), a school in Stockholm known for its song and choral curriculum. After deciding to pursue a professional singer's career she studied at the Operahögskolan i Stockholm, University College of Opera in Stockholm. Avemo debuted with classic tragic roles at Folkoperan in Stockholm as Violetta in ''La traviata'', the title role in ''Lucia di Lammermoor'' and Gilda in ''Rigoletto (opera), Rigoletto'', as well as in ''Stjärndamm'' (''Stardust'') with music by Kerstin Nerbe and commissioned by the Folkoperan. Her interpretation of the title role in Alban Berg, Alban Berg's ''Lulu (opera), Lulu'' at the Royal Swedish Opera attracted much attention. Career Since 2003 Avemo has worked at opera houses in Brussels, Düsseldorf ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Joseph Kaiser (tenor)
Joseph Kaiser (born October 14, 1977 in Montreal) is a Canadian operatic tenor and theatre actor, known for appearing in Kenneth Branagh's English-language film version of ''The Magic Flute.'' Career In 2005, Kaiser won second prize in Plácido Domingo's Operalia International Opera Competition while competing as a baritone. The judges were keen to his talents and potential as a tenor, and proposed that he make the switch to tenor. He has performed as a soloist with the New York Metropolitan Opera, making his debut in October 2007 as Roméo in Gounod's ''Roméo et Juliette''. In November, he returned to the Met to sing the role of Tamino in Mozart's ''Die Zauberflöte''. In 2006, he played the role of Tamino in Kenneth Branagh's English-language film version of ''The Magic Flute''. The film has been released in Europe, but not in the U.S. Kaiser was also an anthem singer at the Bell Centre in Montreal, Quebec and Madison Square Garden in New York New York most commonly ref ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ...
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Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ...
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Metropolitan Opera Live In HD
Metropolitan Opera Live in HD (also known as The Met: Live in HD) is a series of live opera performances transmitted in high-definition video via satellite from the Metropolitan Opera in New York City to select venues, primarily movie theaters, in the United States and other parts of the world. The first transmission was of a condensed English-language version of Mozart's ''The Magic Flute'' on December 30, 2006. Many of the video recordings are later rebroadcast via public television as part of the ''Great Performances at the Met'' series, and most are made available for streaming at Met Opera on Demand, a collection which also includes earlier SD video and analog telecasts and audio recordings from Metropolitan Opera radio broadcasts. History To transmit the series via satellite simulcast in the US and Canada, the Met has partnered with Fathom Events. The series is broadcast to AMC Theatres, Cinemark, Cineplex Entertainment, Regal Entertainment Group (Regal Cinemas, United ...
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Audrey Luna
Audrey Luna (born 21 October 1978, in Salem, Oregon,) is an American soprano who won a Grammy Award in 2014 for Best Opera Recording of Thomas Adès's ''The Tempest'' and is the record holder for singing the highest written note at the Metropolitan Opera. Luna regularly performs on stages in America and Europe, including the Metropolitan Opera, Vienna State Opera, Royal Opera House, Houston Grand Opera, La Fenice in Venice, Lyric Opera of Chicago, Den Norske Opera, Pittsburgh Opera, and Opéra de Montréal. Career Luna was educated at Portland State University where she graduated with a Bachelor of Music degre in 2001. She earned her master’s degree from the University of Cincinnati College-Conservatory of Music. She made her debut at the Metropolitan Opera (Met) as the Queen of the Night in Julie Taymor's production of Mozart's ''The Magic Flute'', and continued with roles such as Najade in ''Ariadne auf Naxos'' and Fiakermilli in ''Arabella'', both by R. Strauss, and Olympia ...
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The Tempest (opera)
''The Tempest'' is an opera by English composer Thomas Adès with a libretto in English by Meredith Oakes based on the play ''The Tempest'' by William Shakespeare. Background and premiere performances Following the success of '' Powder Her Face'', The Royal Opera, Covent Garden, commissioned a new opera from Adès in the late 1990s. Working with a librettist, a poetic version of the Jonestown Massacre of 1978 was prepared, but the composer found it impossible to set it to music. Finally, the libretto he needed emerged from a collaboration with Meredith Oakes. The new opera became a co-production with the Copenhagen Opera House and the Opéra national du Rhin in Strasbourg. ''The Tempest'' received its world premiere to critical acclaim at the Royal Opera House in London on 10 February 2004. Other productions followed in Strasbourg and Copenhagen later in 2005 and the opera was given its US premiere staging by the Santa Fe Opera on 29 July 2006. Performance history Covent Ga ...
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