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The Emperor's Candlesticks (1936 Film)
''The Emperor's Candlesticks'' () is a 1936 Austrian historical film, historical adventure film directed by Karl Hartl and starring Sybille Schmitz, Karl Ludwig Diehl and Friedl Czepa. It is an adaptation of Baroness Orczy's 1899 novel ''The Emperor's Candlesticks.'' A Hollywood (film industry), Hollywood film version of the story ''The Emperor's Candlesticks (1937 film), The Emperor's Candlesticks'' was released the following year. It was shot at Sascha-Film, Sascha Film's Sievering Studios and Rosenhügel Studios in Vienna. The film's sets were designed by the art directors Kurt Herlth, Werner Schlichting and Emil Stepanek. It premiered at the Gloria-Palast in Berlin, and a month later in Vienna. Plot summary Cast * Sybille Schmitz as Anna Demidow * Karl Ludwig Diehl as Georg Wolenski * Friedl Czepa as Maria * Inge List as Zofe bei Anna Demidow * Anton Edthofer as Erzherzog Ludwig * Max Gülstorff as Graf Surowkin * Johannes Heesters as Grossfürst Peter Alexandrowitsch ...
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Karl Hartl
Karl Hartl (10 May 1899 – 29 August 1978) was an Austrians, Austrian film film director, director. Life Born in Vienna, Hartl began his film career at the Austrian Sascha-Film company of Alexander Kolowrat and from 1919 was assistant to the Hungarian people, Hungarian director Alexander Korda. As a production manager, he in the 1920s accompanied Korda to Berlin, until in 1926 he returned to Vienna to work for his former class-mate director Gustav Ucicky. From 1930 he worked for Universum Film AG (UFA) and debuted as director of ''Ein Burschenlied aus Heidelberg'' ("A Fraternity Song from Heidelberg") starring Hans Brausewetter and Willi Forst, with young Billy Wilder as a screenwriter. Together with Luis Trenker he directed the ''Gebirgsjäger'' drama ''Berge in Flammen'' ("Mountains in Flames") in 1931. He then experimented with other genres, for example the comedy ''Die Gräfin von Monte Cristo'' ("The Countess of Monte Cristo") (1932) with Brigitte Helm and Gustaf Gründgen ...
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The Emperor's Candlesticks
''The Emperor's Candlesticks'' is an 1899 historical novel by Baroness Orczy. Written soon after the birth of her son John, it was her first book as an author rather than translator and was a commercial failure. As in the Scarlet Pimpernel, the theme is international intrigue, but this time the setting is pre-World War I Europe and Russia rather than Revolutionary France. Baroness Orczy first submitted "The Emperor's Candlesticks" for publication in a magazine, but it was rejected as "too long for a short story and too short for a novel". Plot introduction When a group of Russian anarchists kidnap a Russian prince in Vienna there are repercussions. On learning that the Cardinal d'Orsay has agreed to convey some hollow candlesticks from the Emperor to the Princess Marionoff in St Petersburg, two spies both see the possibility of using them to convey messages safely into Russia. One is an eager young idealist involved in the plot against the prince, the other is Madame Demidoff ...
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Inge List
Inge List (1916–2003) was an Austrian stage and film actress.Von Dassanowsky p.394 Selected filmography * '' Grand Duchess Alexandra'' (1933) * '' Princess Turandot'' (1934) * '' The Csardas Princess'' (1934) * ''Mazurka'' (1935) * '' I Love All the Women'' (1935) * ''The Emperor's Candlesticks'' (1936) * ''A Wedding Dream ''A Wedding Dream'' (German: ''Ein Hochzeitstraum'') is a 1936 German comedy film directed by Erich Engel and starring Ida Wüst, Heinz Salfner and Inge List. It was shot at the Johannisthal Studios of Tobis Film in Berlin. The film's sets wer ...'' (1936) * '' Signal in the Night'' (1937) * '' Thirteen Chairs'' (1938) * '' Late Love'' (1943) References Bibliography * Von Dassanowsky, Robert. ''Screening Transcendence: Film Under Austrofascism and the Hollywood Hope, 1933-1938''. Indiana University Press, 2018 External links * 1916 births 2003 deaths Actresses from Salzburg Austrian film actresses Austrian stage actresses {{Aust ...
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Berlin
Berlin ( ; ) is the Capital of Germany, capital and largest city of Germany, by both area and List of cities in Germany by population, population. With 3.7 million inhabitants, it has the List of cities in the European Union by population within city limits, highest population within its city limits of any city in the European Union. The city is also one of the states of Germany, being the List of German states by area, third smallest state in the country by area. Berlin is surrounded by the state of Brandenburg, and Brandenburg's capital Potsdam is nearby. The urban area of Berlin has a population of over 4.6 million and is therefore the most populous urban area in Germany. The Berlin/Brandenburg Metropolitan Region, Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's second-largest metropolitan region after the Rhine-Ruhr region, as well as the List of EU metropolitan areas by GDP, fifth-biggest metropolitan region by GDP in the European Union. ...
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Gloria-Palast
The Gloria-Palast was a German cinema located on the Kurfürstendamm in the German capital Berlin. It was constructed in 1924 and replaced the existing neo-Baroque Romanischen Hauses designed by Franz Heinrich Schwechten. It became a common location for Berlin premieres of new films. In 1930 the hit ''The Blue Angel'' first screened at the Palast. In 1943 the cinema was gutted by a fire caused by an Allied bombing raid during the Second World War. After the war, the cinema was refurbished and reopened in what was now West Berlin during the Cold War. Other prestige cinemas located in the area included the Marmorhaus The Marmorhaus (English: Marble House) was a movie theater, cinema that used to be located on the Kurfürstendamm in Berlin. Opened in 1913, it takes its name from a large marble façade. Designed by the architect Hugo Pál, the walls of the foyer ....Zitzlsperger p.266 In 2017 the redevelopment of the cinema was approved and it was demolished the following year. ...
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Emil Stepanek
Emil Stepanek (21 February 1895 – 12 April 1945) was an Austrian set designer and film architect. Biography Stepanek was born in Vienna, the son of a carpenter, and received a training in stage set construction, in which he worked for several years. Between 1916 and 1918 he had to perform military service. After the end of World War I he returned to his work in theatres. In 1919 he had his first contact with the film industry. In the years that followed he often worked with the renowned film architects Julius von Borsody, Artur Berger and Alexander Ferenczy, particularly on the epic films of Sascha-Film directed by Alexander Korda and Michael Curtiz: ''Prinz und Bettelknabe'' (1920), '' Sodom und Gomorrha'' (1922), '' Die Sklavenkönigin'' (1924) and ''Salammbô'' (1924). Stepanek remained in film set construction up to 1936, after which he worked in the area of executive film production. In 1944 he became director of the whole of set construction in the Rosenhügel Film ...
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Werner Schlichting
Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including '' The Congress Dances'' and '' The Last Ten Days'' (1955).Fritsche p.253 Selected filmography * '' Luther'' (1928) * '' The Flame of Love'' (1930) * '' Calais-Dover'' (1931) * '' No More Love'' (1931) * '' Two Hearts Beat as One'' (1932) * '' The Song of Night'' (1932) * '' How Shall I Tell My Husband?'' (1932) * '' All for Love'' (1933) * '' What Men Know'' (1933) * '' Her Highness the Saleswoman'' (1933) * '' A Song for You'' (1933) * '' My Heart Calls You'' (1934) * '' So Ended a Great Love'' (1934) * '' The Princess's Whim'' (1934) * '' My Heart Is Calling You'' (1934) * '' Victoria'' (1935) * '' Artist Love'' (1935) * '' Casta Diva'' (1935) * '' The Emperor's Candlesticks'' (1936) * '' Court Theatre'' (1936) * '' Serenade'' (1937) * '' Capers'' (1937) * '' A Mother's Love'' (1939) * '' Bel Ami'' (1939) * '' De ...
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Kurt Herlth
Kurt Herlth (1896–1966) was a German art director known for his designs of film sets. His brother Robert Herlth was also an art director active in the German film industry, and the two men worked together a number of times.Bock & Bergfelder p.194 Selected filmography * ''My Heart Calls You'' (1934) * '' My Heart Is Calling You'' (1934) * '' Victoria'' (1935) * ''The Emperor's Candlesticks'' (1936) * '' Court Theatre'' (1936) * '' Capers'' (1937) * '' Ride to Freedom'' (1937) * ''Serenade'' (1937) * '' A Mother's Love'' (1939) * ''I Am Sebastian Ott'' (1939) * ''Andreas Schlüter'' (1942) * ''Destiny'' (1942) * ''Melusine'' (1944) * ''Marriage in the Shadows'' (1947) * '' No Place for Love'' (1947) * '' The Adventures of Fridolin'' (1948) * '' Artists' Blood'' (1949) * '' Don't Dream, Annette'' (1949) * '' The Murder Trial of Doctor Jordan'' (1949) * ''The Merry Wives of Windsor'' (1950) * ''The White Horse Inn The White Horse Inn (German: ''Im weißen Rößl'') or White Horse In ...
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Art Director
Art director is a title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, live-action and animated film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas ...
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Vienna
Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. Its larger metropolitan area has a population of nearly 2.9 million, representing nearly one-third of the country's population. Vienna is the Culture of Austria, cultural, Economy of Austria, economic, and Politics of Austria, political center of the country, the List of cities in the European Union by population within city limits, fifth-largest city by population in the European Union, and the most-populous of the List of cities and towns on the river Danube, cities on the river Danube. The city lies on the eastern edge of the Vienna Woods (''Wienerwald''), the northeasternmost foothills of the Alps, that separate Vienna from the more western parts of Austria, at the transition to the Pannonian Basin. It sits on the Danube, and is ...
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Rosenhügel Studios
The Rosenhügel Studios are film studios located in the Austrian capital Vienna. They were opened in 1923 and originally owned by the Vita-Film production company. After the company's bankruptcy the following year the studios were taken over by Sascha Film, the largest of the Austrian companies of the era. In the early 1930s Sascha formed a partnership with the German outfit Tobis Film to renovate the studios for production of sound films. A number of Austrian hit films were produced there during the remainder of the decade. Following the Anschluss of 1938, the Austrian film industry was incorporated into that of Nazi Germany. Rosenhügel was taken over by the German-controlled Wien-Film under Karl Hartl. From 1939 to 1941, a dubbing hall complex with a large and a small dubbing hall, editing rooms and offices was built next to the Rosenhügel studios. Joseph Goebbels is said to have commissioned the construction of the "Synchronhalle" himself in order to shoot Nazi propaganda ...
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Sievering Studios
Sievering Studios were film production studios located in Sievering, a suburb of the Austrian capital Vienna. The studios were established in 1916 by the film pioneer Alexander Kolowrat for use by his Sascha-Film. After the First World War they functioned as the largest film studios of the new Austrian Republic and a number of major productions were made there during a boom period for the country's film industry during the silent era of the 1920s. Directors such as Michael Curtiz and Alexander Korda worked there during the decade. Following the Anschluss of 1938, Sievering was incorporated as part of the new company Wien Film by the Nazi authorities. After the Second World War it was located in the American Sector of Occupied Vienna. Control of the property of the former Wien Film, including the Sievering Studios, were placed under the control of director Karl Hartl. In 1949 the studio facilities were used for the production of the British film ''The Third Man'' by Carol Reed ...
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