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The Clash Discography
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 single (music), singles. 1977–1978 The Clash's first official recording was the single for "White Riot", released by Sony Music Entertainment, CBS Records in March 1977. In April, CBS released their self-titled debut album, ''The Clash (album), The Clash'', in the United Kingdom, but refused to release it in the United States, saying that the sound was not "radio friendly". A US version of the album with a modified track listing—four songs from the original version were replaced with five non-album singles and B-sides—was released by Epic Records in 1979, after the UK original became the best-selling import album of all time in the United States. Terry Chimes left the band for the second time soon after the recording, so only Joe Strummer, Mick Jones (The Clash), Mick Jones and Paul Simonon were featured on the album's cover, and Chimes was credi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock music, rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave music, new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, Dub music, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones (The Clash guitarist), Mick Jones, bassist Paul Simonon, and drummer Topper Headon, Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Calling
''London Calling'' is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records. The Clash recorded the album with producer Guy Stevens at Wessex Sound Studios in London during August, September and November 1979, following a change in management and a period of writer's block for songwriters Joe Strummer and Mick Jones. Bridging a traditional punk rock sound and a new wave aesthetic, ''London Calling'' reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock. Themes include social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood. The album was a top ten chart success in the UK, and its lead single " London Calling" was a top 20 single. The album has sold over five mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Civil War (song)
"English Civil War" (often subtitled "Johnny Comes Marching Home") is a song by English punk rock band the Clash, featured on their second album ''Give 'Em Enough Rope'', and released as a single on 23 February 1979. It reached number 25 in the UK Singles Chart and number 29 in the Irish Singles Chart. Background The song is derived from an American Civil War song, "When Johnny Comes Marching Home", written by Irish-born Massachusetts Unionist Patrick Sarsfield Gilmore. It was popular among both sides of the conflict. Having learnt the song at school, Joe Strummer suggested that the band should update it. Those on the left wing saw the rise during the mid-1970s of far right groups such as the National Front as alarming and dangerous omens for Britain's future. The song is about this state of politics in the country and warns against all things uniformed and sinister. Shortly after the song had its first live performance at a Rock Against Racism concert, Strummer said, echoing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Gun (song)
"Tommy Gun" is a song by the British punk rock band The Clash, released as the first single from their second album '' Give 'Em Enough Rope'' (1978). Background Joe Strummer said that he got the idea for the song when he was thinking about terrorists, and how they probably enjoy reading about their killings as much as movie stars like seeing their films reviewed. While Topper Headon mimics the sound of gangster movie shootings with quick snare hits and the guitars are full of distortion and feedback, Strummer's sarcastic lyrics (''I'm cutting out your picture from page one/I'm gonna get a jacket just like yours/And give my false support to your cause/Whatever you want, you're gonna get it!'') condemn rather than condone violence: at the end of the song he sings, ''If death comes so cheap/Then the same goes for life!'' In the liner notes of the '' Singles Box'', Carl Barat (former frontman of Dirty Pretty Things and The Libertines), says that "Tommy Gun" was important for mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandy Pearlman
Samuel Clarke "Sandy" Pearlman (August 5, 1943 – July 26, 2016) was an American music producer, artist manager, music journalist and critic, professor, poet, songwriter, and record company executive. He was best known for founding, writing for, producing, or co-producing many LPs by Blue Öyster Cult, as well as producing notable albums by The Clash, The Dictators, Pavlov's Dog, and Dream Syndicate; he was also the founding Vice President of eMusic.com. He was the Schulich Distinguished Professor Chair at the Schulich School of Music at McGill University in Montreal, and from August 2014 held a Marshall McLuhan Centenary Fellowship at the Coach House Institute (CHI) of the University of Toronto Faculty of Information as part of the CHI's McLuhan Program in Culture and Technology. Early life and education Pearlman was born in the Rockaway neighborhood of Queens, New York, the son of pharmacy operator Hyman Pearlman. He received a Bachelor of Arts from Stony Brook University i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Give 'Em Enough Rope
''Give 'Em Enough Rope'' is the second studio album by the English punk rock band the Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the U.S. version of the self-titled album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the ''Billboard'' 200. The album is tied with ''Combat Rock'' for being the highest charting album for the Clash in their native United Kingdom. The album marked the first album appearance of drummer Topper Headon, who joined the band shortly after the recording of their first album. Most of the tracks, as with the prior album, were written by guitarists Joe Strummer and Mick Jones, with the exception of "English Civil War" (a reworking of the traditional American folk song "When Johnny Comes Marching Home") and "Guns on the Roof", which is credited to all four band members, being Headon, Jones, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(White Man) In Hammersmith Palais
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records. Produced by The Clash and engineered by Simon Humphries, the song was recorded for (but not included on) the group's second studio album '' Give 'Em Enough Rope''; it was later featured on the American version of their debut studio album ''The Clash'' between the single version of "White Riot" and " London's Burning". Inspiration and composition The song showed considerable musical and lyrical maturity for the band at the time. Compared with their other early singles, it is stylistically more in line with their version of Junior Murvin's " Police and Thieves" as the powerful guitar intro of "(White Man) In Hammersmith Palais" descends into a slower ska rhythm, and was disorienting to a lot of the fans who had grown used to their earlier work. “The music is a mixture of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash City Rockers
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side " Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, '' Give 'Em Enough Rope'' (1978). It was later included as the opening track of the belated US version of the band's debut album. Background The song was first played live at Mont De Marsan (Landes, France), in August 1977, and recorded the same year in the band's October and November sessions at CBS Studios. Following an argument at the end of the band's Get Out of Control Tour, Paul Simonon and Mick Jones were not on speaking terms, leaving Joe Strummer as a middle-man, relaying instructions and insults from one to the other. Composition The Clash's first overt attempt at self-mythology, "Clash City Rockers" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topper Headon
Nicholas Bowen "Topper" Headon (born 30 May 1955) is an English drummer, best known as the drummer of punk rock band the Clash. Known for his instrumental contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003. He joined the Clash in 1977 and became famed for his drumming skills. He received his nickname owing to his resemblance to Mickey the Monkey from the '' Topper'' comic. Early life Headon spent his early childhood in Crockenhill, northwest Kent, before attending Dover Grammar School for Boys. He started playing drums at an early age and was a jazz fan, citing Billy Cobham as a strong influence. In 1973, he joined the cult progressive rock outfit Mirkwood. He appeared with them for a year and a half, and they supported major acts such as Supertramp. He later played with a band which opened for American R&B legends the Temptations and admits to falsely claiming that he played with the Temptations. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee "Scratch" Perry
Lee "Scratch" Perry (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others. Early life Rainford Hugh Perry was born on 20 March 1936 in Kendal, Jamaica, in the parish of Hanover, the third child of Ina Davis and Henry Perry. His mother had strong African traditions originating from her Yoruba ancestry that she passed on to her son. His parents were both laborers, but his father later became a professional dancer. Lee left school at age 15 and lived in Hanover w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Control
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album. Background The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label ( CBS Records) releasing "Remote Control" without asking them, which infuriated the group. ''Stereogum'' described it as "this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture". The song also refers to managers of the time who sought to control their groups– Bernie Rhodes (of The Clash) and Malcolm McLaren (the Sex Pistols)–the song's title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in Soho's Wardour Street, where he said he wanted "complete control". The track also refers to the band' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
