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The Child's Bath
''The Child's Bath'' (or ''The Bath'') is an 1893 oil painting by American artist Mary Cassatt. The painting continues her interest in depicting bathing and motherhood, but it is distinct in its angle of vision. Both the subject matter and the overhead perspective were inspired by Japanese Woodcut prints and Edgar Degas. It was bought by the Art Institute of Chicago in 1910, and has since become one of the most popular pieces in the museum. Subject matter Bathing In the mid-1880s, there were several cholera outbreaks in France, and public health campaigns called on people to bathe regularly. Bathing was coming to be understood as a medical prevention measure against diseases. At the same time, mothers were encouraged to take care of their own children, rather than utilizing caretakers, using modern hygiene methods employed at the time. Mother-child relationship Cassatt's interest in portraying the mother-child relationship first became clear when she started specializ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Cassatt
Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side (Pittsburgh), North Side), but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot. In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense. She also played an important role in introducing Impressionism to American collectors, notably through her friendship with the Havemeyer family. Early life Cassatt was born in Allegheny, Pennsylvania, Allegheny City, Pennsylvania, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaux-Arts Academy
Beaux Arts, Beaux arts, or Beaux-Arts is a French term corresponding to fine arts in English. Capitalized, it may refer to: * Académie des Beaux-Arts, a French arts institution (not a school) * Académie Royale des Beaux-Arts, a Belgian arts school * Beaux-Arts architecture, an architectural style * Beaux Arts Gallery, a gallery of British modern art * Beaux-Arts Institute of Design a.k.a. BAID, New York City based art and architecture school * Beaux Arts Magazine, French magazine * Beaux Arts Trio, a classical music chamber group * Beaux Arts Village, Washington, a small town in the Seattle metropolitan area * École des Beaux-Arts, several art schools in France ** École nationale des beaux-arts de Lyon ** École nationale supérieure des Beaux-Arts, Paris * Fine art, a style of painting popular at the turn of the 19th and 20th century, the source of the generalized concept of "fine arts", i.e. art for art's sake * Palais des Beaux Arts, a federal cultural venue in Brussels, Bel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthe Morisot
Berthe Marie Pauline Morisot (; 14 January 1841 – 2 March 1895) was a French painter, printmaker and a member of the circle of painters in Paris who became known as the Impressionists. In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the ''"rejected"'' Impressionists in the first of their own exhibitions (15 April – 15 May 1874), which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar. Morisot went on to participate in all but one of the following eight impressionist exhibitions, between 1874 and 1886. Morisot was married to Eugène Manet, the brother of her friend and colleague Édouard Manet. She was described by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet
Oscar-Claude Monet (, ; ; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to ''En plein air, ''plein air'''' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting ''Impression, Sunrise, Impression, soleil levant'', which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artists as an alternative to the Salon (Paris), Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints, and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a callin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionist
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas - Woman At Her Toilette
Edgar is a commonly used masculine English given name, from an Anglo-Saxon name ''Edgar'' (composed of '' ead'' "rich, prosperous" and '' gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the Late Middle Ages; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). The name was more common in the United States than elsewhere in the Anglosphere during the 19th century. It has been a particularly fashionable name in Latin American countries since the 20th century. People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Alaffita (born 1996), Mexican footballer * Edgar Allan (other), multiple people * Edgar Allen (other), multiple people * Edgar Angara (1934–2018), Filip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Mowll Mathews
Nancy Mowll Mathews (born 1947 in Baltimore) is a Czech-American art historian, curator and author. She was the Eugénie Prendergast Senior Curator of 19th and 20th Century Art at the Williams College Museum of Art from 1988 to 2010. She is currently an independent scholar, curator, professor and host of the television show ''Art World with Nancy Mathews''. She graduated from Goucher College and went on to complete an MA in art history at Case Western Reserve University and a PhD at the New York University Institute of Fine Arts. Before joining the Williams College faculty in 1988, she was a professor at Randolph-Macon Woman's College from 1977 to 1987. Mathews is the author of ''Mary Cassatt: A Life'' and of several other books on Mary Cassatt, and of ''Paul Gauguin: An Erotic Life'' (2001). She curated the exhibition "Moving Pictures: American Art and Early Film, 1880-1910" and edited the related book of the same title. She co-authored the catalogue raisonné of the works of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griselda Pollock
Griselda Frances Sinclair Pollock (born 11 March 1949) is a British art historian, whose work focuses on analyzing visual arts and visual culture through global feminist and postcolonial feminist lenses. Since 1977, Pollock has been an influential scholar of modern, avant-garde, postmodern, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is known for her feminist approach to art history, which aims to deconstruct the lack of appreciation and importance of women in art outside of being objects for the male gaze. Pollock's research offers historical analyses of the social dynamics that shape the sexual political environment within art history. Pollock has written texts exclusively focused on women in order to intentionally shift from traditional art history, which has focused primarily on the work of male artists. Pollock's initiative enabled appreciation for female artists such as Mary Cassatt, Eva Hesse, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
