The Arrival Of Queen Victoria At The Château D'Eu
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The Arrival Of Queen Victoria At The Château D'Eu
''The Arrival of Queen Victoria at the Château d'Eu'' (French: ''Arrivée de la reine Victoria au château d'Eu'') is an oil on canvas history painting by the French artist Eugène Lami, from 1843. History and description It depicts the arrival of Queen Victoria at the Château d'Eu in Normandy to meet with Louis Philippe I on 2 September 1843. Accompanied by a mounted escort, the queen is visible in the carriage with other members of the royal party. Victoria attended the Château with her husband Prince Albert and the Foreign Secretary Lord Aberdeen, as part of the growing friendship between the countries. It was the first foreign visit for the young Victoria and marked the first time an English monarch had visited since Henry VIII at the Field of the Cloth of Gold The Field of the Cloth of Gold (, ) was a summit meeting between King Henry VIII of England and King Francis I of France from 7 to 24 June 1520. Held at Balinghem, between Ardres in France and Guînes in ...
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Eugène Lami
Eugène Louis Lami (12 January 1800 – 19 December 1890) was a French painter and lithographer. He was a painter of fashionable Paris during the period of the July Monarchy and the Second French Empire and also made history paintings and illustrations for books such as Gil Blas and Manon Lescaut. Biography He worked at the studio of Horace Vernet then studied at the École des Beaux-Arts in Paris with Camille Roqueplan and Paul Delaroche under Antoine-Jean Gros. While there, he learned watercolor technique from Richard Parkes Bonington and later became a founding member of the Society of French Watercolorists. Lami began working in lithography and in 1819 produced a set of 40 lithographs depicting the Spanish cavalry. These, plus a collaboration with Vernet on a large set of lithographs titled ''Collections des uniformes des armées françaises de 1791 à 1814'' helped build a reputation for doing military scenes which transferred to his paintings. His 1829 portrait of the ...
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Commission (art)
In art, a commission is the act of requesting the creation of a piece, often on behalf of another. Artwork may be commissioned by private individuals, by the government, or businesses. Commissions often resemble endorsement or sponsorship. In classical music, ensembles often commission pieces from composers, where the ensemble secures the composer's payment from private or public organizations or donors. History Throughout history, it has been common for rulers and governments to commission public art as a means of demonstrating power and wealth, or even for specific propaganda purposes. In ancient Rome, large architectural projects were commissioned as symbols of imperial glory. The Roman Colosseum for example, was commissioned by Emperor Vespasian. Public statuary was widespread, depicting mythical and heroic figures. The frieze that is carved into the Marcus Column, located at the Campus Martius, depicts the figure of Victory, and would have been commissioned to ho ...
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History Paintings
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. Hi ...
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Oil On Canvas Paintings
An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) and lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated lipids that are liquid at room temperature. The general definition of oil includes classes of chemical compounds that may be otherwise unrelated in structure, properties, and uses. Oils may be animal, vegetable, or petrochemical in origin, and may be volatile or non-volatile. They are used for food (e.g., olive oil), fuel (e.g., heating oil), medical purposes (e.g., mineral oil), lubrication (e.g. motor oil), and the manufacture of many types of paints, plastics, and other materials. Specially prepared oils are used in some religious ceremonies and rituals as purifying agents. Etymology First attested in English 1176, the word ''oil'' comes from Old French ''oile'', from -4; we might wonder whether there's a point at which it's a ...
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Paintings Of Queen Victoria
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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