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Teatro Sant'Angelo
The Teatro San Angelo (in Venetian) or Teatro Sant'Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San 'Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi.John Booth ''Vivaldi'' 1989 "On 4 F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Sanangelo
Teatro may refer to: * Theatre * Teatro (band), musical act signed to Sony BMG * Teatro (Willie Nelson album), ''Teatro'' (Willie Nelson album), 1998 * Teatro (Draco Rosa album), ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Lotti
Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Venice Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as ''maestro di cappella'', a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti's biography. Cicogna's 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 ''Storia della Musica'' relied on oral tradition more than a centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floriano Arresti
Floriano may refer to: People Surname * Francisco Floriano (born 1959), Brazilian politician * Roberto Floriano (born 1986), Italian footballer * Floriano Abrahamowicz (born 1961), Austrian priest Given name * Floriano Ambrosini (1557–1621), Italian architect and engineer * Floriano Buroni, 17th-century Italian engraver * Floriano Ferramola (c. 1478–1528), Italian painter * Floriano Martello (born 1952), Italian speed skater * Floriano Peixoto (1839–1895), Brazilian president * Floriano Peixoto (actor) (born 1959), Brazilian actor * Floriano Spiess (born 1967), Brazilian wrestler * Floriano Vanzo (born 1994), Belgian footballer Other uses * Floriano, Piauí, Brazil * Roman Catholic Diocese of Floriano, based in the city in Piauí * Floriano (horse), a horse ridden by Steffen Peters in dressage * San Floriano, a hamlet in Deutschnofen, South Tyrol, Italy See also * Floriano Peixoto (other) * Floriano River (other) * Florian (other) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Bonaventura Coletti
Agostino may refer to: *Agostino (name) * ''Agostino'' (film), an Italian film directed by Mauro Bolognini * ''Agostino'' (novel), a short novel by Alberto Moravia *, an Italian coaster See also *Agostini (other) *D'Agostino (other) D'Agostino, a Sicilian noble lineage originated at least in the thirteenth century D'Agostino may also refer to: * D'Agostino (surname), an Italian surname * D'Agostino's K-squared test, a goodness-of-fit measure in statistics * D'Agostino Su ... * Augustino (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. He was a rival to George Frederic Handel. Biography Early years Bononcini was born in Modena, the oldest of three sons. His father, Giovanni Maria Bononcini, was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Giannettini
Antonio Gianettini (also Giannettini, Zanettini, Zannettini; 1648 – 12 July 1721) was an Italian organist, concertmaster and composer. Biography Born in Fano, almost nothing is known about Gianettini's musical training; in 1662, sources place him in Venice, where he probably studied under the guidance of Sebastiano Enno. On 14 January 1674 he was admitted as a bass singer in the choir of the chapel of the Basilica of San Marco. Subsequently, on 5 December 1676 he was appointed as an organist at the Basilica of Santi Giovanni e Paolo with a salary of 40 ducats a year (a position he held until 1679). In this period he studied music with Carlo Grossi and perhaps also with Giovanni Legrenzi. On 25 January 1677 he was also an organist at San Marco (while being a choir singer). From 1676 he started to be active as a composer: in this period he wrote about ten works in Venice and Milan and various sacred music (including some motets for Ippolito Bentivoglio). During years 1685-168 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Antonio Vincenzo Aldrovandini
Giuseppe Antonio Vincenzo Aldrovandini (also Gioseffo, Giuseppe Maria, Aldovrandini, Aldrovandin, Aldrovandon, Altrobrandino, 8 June 1671 – 9 February 1707) was an Italian Baroque composer. Aldovrandini was born and died in Bologna. He is credited with writing over twenty operas and oratorios, including the 1696 opera ''Dafni'', as well as many other instrumental compositions and arias In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger .... His other operas include L'Incoronazione di Dario, La Semiramide, Cesare in Alessandria and others. Aldrovandini composed a Magnificat in C major and a Sonata in C major. References External links * Italian male classical composers Italian Baroque composers 1671 births 1707 deaths Musicians from the Papal States {{Italy-composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Caldara
Antonio Caldara ( – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became '' maestro di cappella'' to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession. Caldara removed from Mantua in 1707, after the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles III, the pretender to the Spanish throne (following the death of Charles II of Spain in 1700 without any direct heir) and who kept a royal court at Barcelona. There, he wrote some operas that are the first Italian operas performed in Spain. He moved on to Rome, becoming ''maestro di cappella'' to Francesco Maria Marescotti Ruspoli, 1st Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Boniventi
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. The feminine form of the name is Giuseppa or Giuseppina. People with the given name include: :''Note: Some people are listed multiple times, in different sections.'' Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Botero (1815–1885), Italian writer * Giuseppe Cantersani, Italian engraver * Giuseppe Castiglione (1829–1908), Italian painter * Giuseppe Castiglione (Jesuit painter) (1688–1766), Italian Jesuit missionary and court painter in China * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Tomasi di Lampedusa (1896–1957), Italian writer and last Prince of Lampedusa * Gius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Gasparini
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Antonio Perti
Giacomo Antonio Perti (6 June 1661 – 10 April 1756) was an Italian composer of the Baroque era. He was mainly active at Bologna, where he was '' Maestro di Cappella'' for sixty years. He was the teacher of Giuseppe Torelli and Giovanni Battista Martini. Life He was born in Bologna, then part of the Papal States, and began studying music early, learning harpsichord and violin there; later he studied counterpoint. By the age of 17, he had already written a mass, a motet, and a setting of the Magnificat; and in 1678 he wrote his first opera and oratorio. During a stay in Parma, where he studied with Giuseppe Corsi da Celano, he formed his sacred music style; most of his psalm settings of the 1680s and 1690s show the influence of Corsi. Later he went to Venice, most likely for a production of one of his operas. In 1690 he was appointed to the post of ''Maestro di Cappella'' at S Pietro, replacing his uncle Lorenzo Perti. In 1696 he became ''Maestro di Cappella'' in another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
