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Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,560. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House
An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institution's administration. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing arts center. History Greco-Roman antiquity Based on Aristoxenus's musical system, and paying homage to the architects of ancient Greek theater, Vitruvius described, in the 1st century BC, in his treatise ''De architectura'', the ideal acoustics of theaters. He explained the use of brazen vases that Mummius had brought to Rome after having had the theater of Corinth demolished, and as they were probably used in the Theater of Pompey. As wooden theaters were naturally sonorous, these vases, placed betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nerone (Boito)
''Nerone'' (''Nero'') is an opera in four acts composed by Arrigo Boito, to a libretto in Italian written by the composer. The work is a series of scenes from Imperial Rome at the time of Emperor Nero depicting tensions between the Imperial religion and Christianity, and ends with the Great Fire of Rome. Boito died in 1918 before finishing the work. Performance history It was eventually premiered posthumously at La Scala on 1 May 1924, conducted by Arturo Toscanini in a version of the score completed by Toscanini, Vincenzo Tommasini, and Antonio Smareglia. The role of Nero, originally intended for Francesco Tamagno, was first performed by Aureliano Pertile. The role of Asteria, a young woman torn between her love for Nero and her Christian sympathies, was created by Rosa Raisa. The opera was very well received at its premiere, and the newly rebuilt Rome Opera House inaugurated its first season with ''Nerone'' in 1928. However, it has only been rarely performed since that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Russian Revolution, Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Konstantin Korovin, Nicholas Roerich, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst, Ivan Bilibin and Coco Chanel. The comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪrˈɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), also known as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. Diaghilev's career can be divided into two periods: in Saint Petersburg (1898–1906) and while as an emigrant (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs hosted a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he entered the Saint Petersburg Imperial University, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson Et Dalila
''Samson and Delilah'' (), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Bible, Biblical tale of Delilah#Biblical narrative, Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in Choir, choral music swept France, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modest Mussorgsky
Modest Petrovich Mussorgsky (; ; ; – ) was a Russian composer, one of the group known as "The Five (composers), The Five." He was an innovator of Music of Russia, Russian music in the Romantic music, Romantic period and strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music. Many of List of compositions by Modest Mussorgsky, Mussorgsky's works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera ''Boris Godunov (opera), Boris Godunov'', the orchestral tone poem ''Night on Bald Mountain'' and the piano suite ''Pictures at an Exhibition''. For many years, Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have posthumously come into their own in their original forms, and some of the original scores are now also available. Name The spelling and pronunciation of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the List of Russian rulers, Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis (mythology), nemesis, the False Dmitriy I, False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov (play), Boris Godunov'' by Alexander Pushkin, Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Zandonai
Riccardo Zandonai (28 May 1883 – 5 June 1944) was an Italian composer and conducting, conductor. Biography Zandonai was born in Borgo Sacco, Rovereto, then part of Austria-Hungary. As a young man, he showed such an aptitude for music that he entered the Pesaro Conservatorio in 1899 and completed his studies in 1902; he completed the nine-year curriculum in only three years. Among his teachers was Pietro Mascagni, who regarded him highly. During this period he composed the ''Inno degli studenti trentini'', that is, the anthem of the organised irredentism, irredentist youth of his native province. His essay for graduation was an opera named ''Il ritorno di Odisseo'' (''The Return of Ulysses''), based on a poem by Giovanni Pascoli, for singers, choir and orchestra. The same year 1902 he put to music another Pascoli poem, ''Il sogno di Rosetta''. At a soirée in Milan in 1908, he was heard by Arrigo Boito, who introduced him to Giulio Ricordi, one of the dominating figures in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesca Da Rimini (Zandonai)
''Francesca da Rimini'', Op. 4, is an opera in four acts, composed by Riccardo Zandonai, with a libretto by , after D'Annunzio's play '' Francesca da Rimini''. It was premiered at the Teatro Regio in Turin on 19 February 1914 and is still staged occasionally. This opera is Zandonai's best-known work. In the ''New Grove Dictionary of Opera'', Renato Chiesa calls it "one of the most original and polished Italian melodramas of the 20th century, hichcombines a powerful gift for Italian melody ... with an exceptional command of orchestration." Celebrated performers of the title role have included Gilda dalla Rizza, Magda Olivero (who recorded excerpts from the opera in 1969, for Decca Records), Raina Kabaivanska and Renata Scotto. Roles Synopsis The story takes place in Ravenna and Rimini. Francesca, daughter of Guido I da Polenta, for state reasons, is to be married to Giovanni, known as Gianciotto, the malformed son of Malatesta da Verucchio. But as Francesca would certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
