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Symphony On A French Mountain Air
The Symphony on a French Mountain Air (french: Symphonie sur un chant montagnard français ), Op. 25, is written in 1886 by Vincent d'Indy. As indicated by the title, d'Indy took the principal theme from a folk song he heard at Périer overlooking the Cévennes mountains (hence the work's alternative name, ''Symphonie cévenole''). Originally conceived as a fantaisie for piano and orchestra, the symphony is unusual in that it is scored for a prominent (but never dominant) piano part together with orchestra, and has acquired the label sinfonia concertante from some critics. It consists of three movements and lasts just under half an hour: *''Assez lent - Modérément animé'' *''Assez modéré, mais sans lenteur'' *''Animé'' The symphony begins with an evocative melody played first by a cor anglais. The main themes of subsequent movements are based on this melody, and as the symphony progresses each subsequent variation becomes more and more like the original version. The ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. ...
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Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ...
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1886 Compositions
Events January–March * January 1 – Upper Burma is formally annexed to British Burma, following its conquest in the Third Anglo-Burmese War of November 1885. * January 5– 9 – Robert Louis Stevenson's novella ''Strange Case of Dr Jekyll and Mr Hyde'' is published in New York and London. * January 16 – A resolution is passed in the German Parliament to condemn the Prussian deportations, the politically motivated mass expulsion of ethnic Poles and Jews from Prussia, initiated by Otto von Bismarck. * January 18 – Modern field hockey is born with the formation of The Hockey Association in England. * January 29 – Karl Benz patents the first successful gasoline-driven automobile, the Benz Patent-Motorwagen (built in 1885). * February 6– 9 – Seattle riot of 1886: Anti-Chinese sentiments result in riots in Seattle, Washington. * February 8 – The West End Riots following a popular meeting in Trafalgar Square, London. * February ...
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Romantic Symphonies
Romantic may refer to: Genres and eras * The Romantic era, an artistic, literary, musical and intellectual movement of the 18th and 19th centuries ** Romantic music, of that era ** Romantic poetry, of that era ** Romanticism in science, of that era ** Romantic chess of that era * Romance film, a genre Books * ''The Romantic'' (Sinclair novel), by May Sinclair * ''The Romantic'' (Gowdy novel), by Barbara Gowdy Films * ''The Romantic'' (film), a 2009 animated film * ''The Romantics'' (film), a 2010 romantic comedy film * ''Romantic'' (film), a 2021 Indian Telugu-language romantic film Music Classical * ''Romantic'', Anton Bruckner's 1881 Symphony No. 4 * ''Romantic'', Carlos Chávez's 1953 Symphony No. 4 * ''Romantic'', Howard Hanson's 1930 Symphony No. 2 Popular * ''Romantic'' (album), 1990, by The Human League * "Romantic" (song), by Karyn White * The Romantics, an American rock 'n roll band from Detroit * "Romantics", a song by Tove Lo from the 2017 album ''Blue Lip ...
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Compositions By Vincent D'Indy
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Grove's Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ...
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Eric Blom
Eric Walter Blom (20 August 188811 April 1959) was a Swiss-born British-naturalised music lexicographer, music critic and writer. He is best known as the editor of the 5th edition of '' Grove's Dictionary of Music and Musicians'' (1954). Biography Blom was born in Bern, Switzerland. His father was of Danish and British descent, and his mother was Swiss. He was educated in German-speaking Switzerland,Frank Howes, "Blom, Eric (Walter)" in ''Grove's Dictionary of Music and Musicians'', 5th edition, Supplementary Volume, 1961 and later in England. He was largely self-taught in music. He started in music journalism by assisting Rosa Newmarch in writing program notes for Sir Henry J. Wood's Prom Concerts, which were notable for their abundance of accurate information. From 1923 to 1931 he was the London music correspondent for the '' Manchester Guardian''. He then went to the '' Birmingham Post'' (1931–46, succeeding A J Sheldon), and returned to London in 1949, as music ...
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Marie-Léontine Bordes-Pène
Marie-Léontine Bordes-Pène (Léontine-Marie Pène) was a notable French pianist, who premiered major works by César Franck, Vincent d'Indy and others. She married a brother of the composer Charles Bordes, and was known by the surname Bordes-Pène thereafter.Eric Blom, ed., ''Grove's Dictionary of Music and Musicians,'' 5th ed. (1954), Vol. I, p. 814 In 1889-91, the painter Jacques Émile Blanche painted her portrait. Biography Marie-Léontine Pène was born in Lorient on 25 November 1858. She studied at the Conservatoire de Paris, gaining first prize in playing the piano in 1872. Her teachers included Félix Le Couppey. On 16 December 1886, in Brussels, Bordes-Pène was the co-performer, along with the dedicatee Eugène Ysaÿe, in the premiere public performance of César Franck's Violin Sonata in A major, which began early evening, being the finale to a long program that started at 3 pm. However, the gallery in which the performance took place permitted no artificial lighting ...
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Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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1886 In Music
Specific locations * 1886 in Norwegian music Events *March 21 – Anton Bruckner's Symphony No. 7 is performed for the first time publicly in Vienna, conducted by Hans Richter. This is his breakthrough work. *May 1 – The final version of Tchaikovsky's overture-fantasy '' Romeo and Juliet'' is performed for the first time, in Tbilisi (at this time part of the Russian Empire) under Mikhail Ippolitov-Ivanov. *June 9 **Soprano Adelina Patti marries tenor Ernesto Nicolini in South Wales. **The centennial of the Stoughton Musical Society is celebrated in the United States. *June 25 – Arturo Toscanini makes his conducting debut, with an Italian opera company visiting Rio de Janeiro. *July 19 – Franz Liszt plays his last concert, in Luxembourg, dying less than two weeks later. *September 9 – Eight countries adopt the Berne Convention for the Protection of Literary and Artistic Works, an historic international agreement on copyright protection which comes into force on ...
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Sinfonia Concertante
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical Era In the Baroque period, the differences between a concerto and a '' sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to ...
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