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Still Cruisin'
''Still Cruisin is the twenty-sixth studio album by the Beach Boys, their thirty-fifth official album (counting compilations and live packages), and their last release of the 1980s. It is also the last album of new material released during a brief return to Capitol Records. Released August 28, 1989, the album was panned by critics, with Allmusic referring to the band's sound by producer Terry Melcher as sounding "like a professional '60s cover band."Allmusic review/ref> Despite the poor critical reception, the album was Certified Gold by RIAA in 1989 and has since gone on to be Certified Platinum for sales of 1,000,000 copies. ''Still Cruisin' ''was left out of Capitol's Beach Boys re-issue campaign in 2000 and 2001, along with their following album '' Summer in Paradise''. Background After " Kokomo" (when released as a single from the ''Cocktail'' film soundtrack) gave the Beach Boys their first number one hit in the US since 1966's "Good Vibrations", the band decided to put ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Run-DMC
Run-DMC (also spelled Run-D.M.C.) was an American hip hop group from Hollis, Queens, New York City, founded in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J and Public Enemy, the group pioneered new school hip hop music. The group was among the first to highlight the importance of the MC and DJ relationship. With the release ''Run-D.M.C.'' (1984), Run-DMC became the first hip hop group to achieve a Gold record. ''Run-D.M.C.'' was followed with the certified Platinum record ''King of Rock'' (1985), making Run-DMC the first hip hop group to achieve this. '' Raising Hell'' (1986) became the first multi-platinum hip hop record. Run-DMC's cover of "Walk This Way", featuring the group Aerosmith, charted higher on the ''Billboard'' Hot 100 than Aerosmith's original version, peaking at number f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fat Boys
The Fat Boys were an American hip hop trio from Brooklyn, New York, who emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson. The trio is widely known for using beatbox in their songs. The group opened doors for beatboxers like Biz Markie and Doug E. Fresh. The Fat Boys were one of the first rap groups to release full-length rap albums, along with Run-D.M.C., Whodini and Kurtis Blow. Beloved for their comedic, self-deprecating rhymes, the group released seven studio albums, four of which went Gold by RIAA. The first two albums of the group were produced by Kurtis Blow. Successful singles included "Jail House Rap", "Can You Feel It?", "Fat Boys", "Stick 'Em", "Don't You Dog Me", "All You Can Eat", "The Fat Boys Are Back", and "Pump It Up". The album ''Crushin''' received a Platinum status due to their single " Wipeout", which w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wipe Out (song)
"Wipe Out" is a surf rock instrumental composed by Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson. Composed in the form of twelve-bar blues, the tune was first performed and recorded by the Surfaris, who became famous with the single in 1963. The single was first issued on the independent labels DFS (#11/12) in January 1963 and Princess (#50) in February and finally picked up for national distribution on Dot as 45-16479 in April. Dot reissued the single in April 1965 as 45-144. The song—both the Surfaris' version as well as cover versions—has been featured in over 20 films and television series since 1964, appearing at least once a decade. A " wipe out" is a fall from a surfboard, especially one that looks painful. Background Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson wrote "Wipe Out" almost on the spot while at Pal Recording Studio in Cucamonga, California, in late 1962, when they realized they needed a suitable B-side for the intended "Surfer Joe" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Wilson (album)
''Brian Wilson'' is the first solo album by American musician Brian Wilson of the Beach Boys, released July 12, 1988 by Sire and Reprise Records. Promoted as a spiritual successor to his band's 1966 release '' Pet Sounds'', the album is characterized for its rich, synthesizer-heavy orchestrations. It cost over $1 million to record and was the first album produced by Wilson since '' The Beach Boys Love You'' (1977). His former psychologist, Eugene Landy, was credited as "executive producer". The album was recorded over the course of a year across 11 studios. It was written and produced mainly by Wilson, Landy, and Sire staff producers Andy Paley, Russ Titelman, and Lenny Waronker. Landy was a constant disruptive presence, and creative differences between him and the rest of the production team occurred throughout the album's making. The record includes the eight-minute closing track "Rio Grande", which saw Wilson revisiting a more experimental approach in the form of an Old West- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Landy
Eugene Ellsworth Landy (November 26, 1934 – March 22, 2006) was an American psychologist known for his unconventional 24-hour therapy and treatment of celebrity clients. His most notable patient was the Beach Boys' Brian Wilson, with whom he formed a controversial business and creative partnership in the 1980s. As a teenager, Landy aspired to show business, briefly managing child performer George Benson. During the 1960s, he studied psychology, earning his doctorate at the University of Oklahoma. After moving to Los Angeles, he treated many celebrity clients, including musician Alice Cooper and actors Richard Harris, Rod Steiger, Maureen McCormick, and Gig Young. He also developed an unorthodox 24-hour regimen intended to stabilize his patients by micromanaging their lives with a team of counselors and doctors. Brian Wilson became a patient of Landy's program in 1975. Landy was discharged within a year due to his burdensome fees. In 1982, Landy was re-employed as Wilson' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Vibrations
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era. Also produced by Wilson, the title derived from his fascination with cosmic vibrations, as his mother would tell him as a child that dogs sometimes bark at people in response to their "bad vibrations". He used the concept to suggest extrasensory perception, while Love's lyrics were inspired by the nascent Flower Power movement. The song was written as it was recorded and in a similar fashion to other composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
