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Songs Of Travel
''Songs of Travel'' is a song cycle of nine songs originally written for baritone voice composed by Ralph Vaughan Williams, with poems drawn from the Robert Louis Stevenson collection '' Songs of Travel and Other Verses''. A complete performance of the entire cycle lasts between 20 and 24 minutes. They were originally written for voice and piano. Vaughan Williams orchestrated the first, third, and eighth songs, and his assistant Roy Douglas later orchestrated the remaining songs using the same instrumentation. The orchestral version has often been recorded but not always with Douglas acknowledged as its co-orchestrator. Notable performers of this cycle include Sir Bryn Terfel, Sir Thomas Allen, Sir John Tomlinson, Roderick Williams, and John Shirley-Quirk. Song listing #"The Vagabond" #"Let Beauty Awake" #"The Roadside Fire" #"Youth and Love" #"In Dreams" #"The Infinite Shining Heavens" #" Whither Must I Wander" #"Bright Is the Ring of Words" #"I Have Trod the Upward and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winterreise
''Winterreise'' (, ''Winter Journey'') is a song cycle for voice and piano by Franz Schubert ( D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being ''Die schöne Müllerin'' (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle ''An die ferne Geliebte'' (''To the Distant Beloved'') was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. Authorship and composition ''Winterreise'' was composed in two parts, each with twelve songs, the first part in February 1827 and the second in October 1827. The two parts were also published separately by Tobias Haslinger, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Song Cycles In English
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose theo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1904 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycles By Ralph Vaughan Williams
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's '' The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by Loris at Giordano's ''Fedora'' cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaul
Gaul ( la, Gallia) was a region of Western Europe first described by the Romans. It was inhabited by Celtic and Aquitani tribes, encompassing present-day France, Belgium, Luxembourg, most of Switzerland, parts of Northern Italy (only during Republican era, Cisalpina was annexed in 42 BC to Roman Italy), and Germany west of the Rhine. It covered an area of . According to Julius Caesar, Gaul was divided into three parts: Gallia Celtica, Belgica, and Aquitania. Archaeologically, the Gauls were bearers of the La Tène culture, which extended across all of Gaul, as well as east to Raetia, Noricum, Pannonia, and southwestern Germania during the 5th to 1st centuries BC. During the 2nd and 1st centuries BC, Gaul fell under Roman rule: Gallia Cisalpina was conquered in 204 BC and Gallia Narbonensis in 123 BC. Gaul was invaded after 120 BC by the Cimbri and the Teutons, who were in turn defeated by the Romans by 103 BC. Julius Caesar finally subdued the remaining parts of Gau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (classical Music)
The arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. Etymology The word "arabesque" is derived from Western ideas of Arabic music, which were highly embellished. Notable arabesques The most well-known are Claude Debussy's ''Deux Arabesques'', composed in 1888 and 1891, respectively. Other composers who have written arabesques include: * Marin Marais: ''L'arabesque'' (1717), appears in the soundtrack of the film Tous les Matins du Monde * Robert Schumann: Arabeske in C, Op. 18 (1839) * Johann Friedrich Franz Burgmüller (1806-1874): Op. 100 (1852) * Hans von Bülow: Arabesques sur un thême de l’opéra Rigoletto (1853) * Moritz Moszkowski: Opp. 15/2 (1877), 61 (1899), 95/4 and 96/5(1920) * Enrique Granados: Arabesca, Op. 31, H. 142 (1890) * Cécile Chaminade: Opp. 61 (1892) and 92 (1898) * Pyotr Ilyich Tchaikovsky (1840-93)Baker's Student Encyclopedia of Music * Anton Arensky: Op. 67 (1903) * Adolf Schulz-Evler: Op. 12 ''Arab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursula Vaughan Williams
Joan Ursula Penton Vaughan Williams (née Lock, formerly Wood; 15 March 1911 – 23 October 2007) was an English poet and author, and biographer of her second husband, the composer Ralph Vaughan Williams. Biography Born in Valletta, Malta, the daughter of Major-General Sir Robert Lock and his wife Kathleen Beryl Penton, daughter of Arthur Pole Penton CB, CMG, CVO, she began writing poetry in 1921. In 1941, her first published book of poems appeared, ''No Other Choice''. Her second volume of poetry was ''Fall of Leaf'', from 1943. In the early 1930s, she was a student at the Old Vic. In 1933 she married Michael Forrester Wood, an army officer. She met Ralph Vaughan Williams in 1938, after she sent him a play which she had hoped he would set to music. The meeting led eventually to their collaboration on the choral work '' Epithalamion''. She and Vaughan Williams began an affair whilst still married to their respective spouses. Michael Wood died in 1942 whilst on Army duty, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
