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Single-channel Video
Single-channel video is a video art work using a single electronic source, presented and exhibited from one playback device. Electronic sources can be any format of video tape, DVDs or computer-generated moving images utilizing the applicable playback device (such as a VCR, DVD player or computer) and exhibited using a television monitor, projection or other screen-based device. Historically, video art was limited to unedited video tape footage displayed on a television monitor in a gallery and was conceptually contrasted with both broadcast television and film projections in theatres. As technology advanced, the ability to edit and display video art provided more variations and ''multi-channel video'' works became possible as did multi-channel and multi-layered video installations. However, single-channel video works continue to be produced for a variety of aesthetic and conceptual reasons and the term usually now refers to a single image on a monitor or projection, regardless of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisa Steele
Lisa Steele D.Litt. (born 1947) is a Canadian artist, a pioneer in video art, educator, curator and co-founder of Vtape in Toronto. Born in the United States, Steele moved to Canada in 1968 and is now a Canadian citizen. She has collaborated exclusively with her partner Kim Tomczak since the early 1980s. Early life Steele was born in Kansas City, Missouri in 1947 and immigrated to Canada in 1968. Her brother James B. Steele is a Pulitzer Prize winning journalist located in Philadelphia. Career An important pioneer of video art in Canada since the early 1970s, Steele has shown internationally at the Venice Biennale (1980), the Kunsthalle Basel, the Museum of Modern Art (NYC), the National Gallery of Canada, the Institute of Contemporary Art (Boston), 49th Parallel Videoseries, the Vancouver Art Gallery and the Long Beach Museum. She is a founding director of Vtape in Toronto, a national information and distribution service for independent video and a founding publisher and e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadie Benning
Sadie T. Benning (born April 11, 1973) is an American artist, who has worked primarily in video, painting, drawing, sculpture, photography and sound. Benning creates experimental films and explores a variety of themes including surveillance, gender, ambiguity, transgression, play, intimacy, and identity. They became a known artist as a teenager, with their short films made with a PixelVision camera that have been described as "video diaries". Benning was a co-founder and a former member of the American electronic rock band Le Tigre, from 1998 until 2001. Early life Sadie Benning was born April 11, 1973 in Madison, Wisconsin. Benning was raised by their mother in inner-city Milwaukee, Wisconsin. Their parents divorced before they were born, their father is film director James Benning. Benning left high school at age 16, due to homophobia. They have identified as non-binary. Work Early work Benning began creating visual works at age 15, they started filming with the "toy" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me & Rubyfruit
''Me and Rubyfruit'' is a short 1989/1990 videorecording by American artist Sadie Benning that runs for 5 minutes and was recorded with PixelVision camera in black and white. The title alludes to ''Rubyfruit Jungle'', a 1973 novel by Rita Mae Brown that has explicitly lesbian themes. About The video bears the signature features of PixelVision: It is black and white and the image is grainy, fuzzy, and contained within a solid black frame. These hallmark characteristics are why PixelVision has been recognized for an erotic, tactile visuality which complements the video's erotic subject matter. Issues of female sexuality, and whether or not homoerotic desires can be reconciled with mainstream culture and normative gender roles are explored in the video. The dialogue, presented alternately through spoken words and hand-written quotations on scraps of paper, questions whether or not sapphic attraction is acceptable, and depending on the answer to this, what the future holds for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Viola
Bill Viola ( , ; born 1951) is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness. Early life and education Viola grew up in Queens, New York, and Westbury, New York. He attended P.S. 20, in Flushing, where he was captain of the TV Squad. On vacation in the mountains with his family, he nearly drowned in a lake, an experience he describes as "… the most beautiful world I've ever seen in my life" and "without fear," and "peaceful." In 1973 Viola graduated from Syracuse University with a BFA in experimental studies. He studied in the College of Visual and Performing Arts, including the Synapse experimental program, which evolved into CitrusTV. Career Viola's first job after graduation was as a video technician at the Everson Museum of Art in Syracuse. From 1973 to 1980, he studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverse Television
''Reverse Television'' is a series of 44 video portraits made by American video artist Bill Viola in 1983, originally produced for broadcast television and later documented as a 15-minute video. These portraits depict people throughout Boston sitting in their living rooms, silently staring at the video camera as though it were a TV set. The portraits were meant to take fit into space normally occupied by television commercials and as such to "interrupt the continuity of the undifferentiated flow of the television picture, giving viewers the possibility of pondering their own position facing the screen." Background "Reverse Television" was first broadcast by WGBH-TV In an interview with Raymond Bellour Raymond Bellour (born 1939 in Lyon) is a French scholar, and writer. Best known to Anglophone readers for his publications on film analysis, his work is dispersed across a wide range of articles and books, few of which are available in English, i ..., Bill Viola describes the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dara Birnbaum
Dara Birnbaum (born 1946) is an American video and installation artist. Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the American household. Her oeuvre primarily addresses ideological and aesthetic features of mass media through the intersection of video art and television. She uses video to reconstruct television imagery using materials such as archetypal formats as quizzes, soap operas, and sports programmes. Her techniques involve the repetition of images and interruption of flow with text and music. She is also well known for forming part of the feminist art movement that emerged within video art in the mid-1970s. Birnbaum lives and works in New York. Early life and education Dara Birnbaum was born in 1946 in New York. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make Them Cry
Make or MAKE may refer to: *Make (magazine), a tech DIY periodical *Make (software), a software build tool *Make, Botswana, in the Kalahari Desert *Make Architects Make Architects is an international architecture practice headquartered in London that also has offices in offices in Hong Kong and Sydney. Founded in 2004 by former Foster + Partners architect Ken Shuttleworth. The practice has a variety of proj ..., an architecture studio See also * Makemake (other) * * {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Rosler
Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. Early life and education Born in Brooklyn, New York, in 1943, Rosler spent formative years in California, from 1968 to 1980, first in north San Diego county and then in San Francisco. She has also lived and taught in Canada. She graduated from Erasmus Hall High School in Brooklyn, as well as Brooklyn College (1965) and the University of California, San Diego (1974). She has lived in New York City since 1981. Career Rosler's work and writing have been widely influential. Her media of choice have included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotics Of The Kitchen
''Semiotics of the Kitchen'' is a feminist parody single-channel video and performance piece released in 1975 by Martha Rosler. The video, which runs six minutes, is considered a critique of the commodified versions of traditional women's roles in modern society. Scenario Featuring Rosler as a generic cooking show host, the camera observes as she presents an array of kitchen hand utensils, many of them outdated or strange. After identifying them, she demonstrates unproductive, and sometimes violent, uses for each. It uses a largely static camera and a plain set. Letter by letter, Rosler navigates a culinary lexicon, using a different kitchen implement for each step along the way. She begins with an apron, which she ties around her waist, and, with deadpan humor, journeys through the alphabet, until the last few letters. For these, U, V, W, X, Y, and Z, the implements are dispensed with and Rosler's gestures and body become a signal system themselves. The Z replicates the mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birthday Suit – With Scars And Defects
''Birthday Suit – with scars and defects'' (1974) is a thirteen-minute black and white video art tape by Canadian artist Lisa Steele. It is her best known early work and depicts Steele "present ngher naked body to the unblinking gaze of the camera". The tape itself is characterized by common practices of early video art, unedited with a static shot. Steele turns the camera on, walks to the end of the room/set and removes her clothing. She approaches the camera and begins to examine the various scars she's accumulated over her life up to that point. The work represents what critic Dot Tuer indicates is "an offering to the technological gaze hichdownplays the representation of the body as a gendered subject," and as film historian Catherine Russell points out, the work is a "counter-image to the emergent critique of the female body in narrative cinema." Steele's description of the work: "On the occasion of my 27th birthday I decided to do a tape that chronicled my passage through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DVDs
The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind of digital data and has been widely used for video programs (watched using DVD players) or formerly for storing software and other computer files as well. DVDs offer significantly higher storage capacity than compact discs (CD) while having the same dimensions. A standard DVD can store up to 4.7 GB of storage, while variants can store up to a maximum of 17.08 GB. Prerecorded DVDs are mass-produced using molding machines that physically stamp data onto the DVD. Such discs are a form of DVD-ROM because data can only be read and not written or erased. Blank recordable DVD discs (DVD-R and DVD+R) can be recorded once using a DVD recorder and then function as a DVD-ROM. Rewritable DVDs (DVD-RW, DVD+RW, and DVD-RAM) can be recorded and erased ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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