Side Carving
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Side Carving
Side carving () is a form of traditional seal carving techniques that originated in ancient China. It was later introduced to other countries in East Asia and has gained popularity among contemporary seal artists from regions including Hong Kong, South Korea, Japan, Singapore, etc. It mainly focuses on developing pattern design skills and techniques applied to the carving of side surfaces of a seal, which distinguishes itself as a unique carving technique from knob carving (head part) and face carving (bottom part). It decorates the side surfaces of seals with literal or pictorial imagery. History The history of this art can be traced back as early as the Late Zhou and Qin dynasties when government or official seals had short notations on their side surfaces indicating the owner of the seal (by engraving the owner's name), the maker of the seal (by engraving the craftsman's name), and/or the date of manufacture. But during those periods such notations appeared only occasionall ...
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Chinese Seal Art
A seal, in an East and Southeast Asian context, is a general name for printing stamps and impressions thereof which are used in lieu of signatures in personal documents, office paperwork, contracts, art, or any item requiring acknowledgement or authorship. On documents they were usually used to print an impression using a pigmented paste or ink, unlike the wax impression commonly used in Europe. Of Chinese origin, the process soon spread beyond China and across East and Southeast Asia. Various countries in these regions currently use a mixture of seals and hand signatures, and, increasingly, electronic signatures. Chinese seals are typically made of stone, sometimes of metals, wood, bamboo, plastic, or ivory, and are typically used with red ink or cinnabar paste (). The word 印 ("yìn" in Mandarin, "in" in Japanese and Korean, "ấn" and "in" in Vietnamese) specifically refers to the imprint created by the seal, as well as appearing in combination with other morphemes in wo ...
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Sha Menghai
Sha Menghai (, June 11, 1900 – October 10, 1992), born Shi Wenruo (沙文若), was a great master of calligraphy in China. He also was a master of Chinese seal carving (中国篆刻艺术), a theoretician of traditional Chinese art, and a master of Shanghai School art. Sha Wenhan is his brother. Sha was born in Sha village in Yinxian, Zhejiang. He was a professor in National Zhongshan University (from 1929), National Zhejiang University (from 1949), and China Academy of Art (from 1963). References *Zhu, Guantian"Sha Menghai" ''Encyclopedia of China The ''Encyclopedia of China'' () is the first large-entry modern encyclopedia in the Chinese language. The compilation began in 1978. Published by the Encyclopedia of China Publishing House, the encyclopedia was issued one volume at a time, begin ...'', 1st ed. External links * People's Republic of China calligraphers 1900 births 1992 deaths Chinese seal artists Artists from Ningbo Zhejiang University fac ...
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Zhao Zhiqian
Zhao Zhiqian (; 1829–1884) was a renowned Chinese calligrapher, seal carver and painter in the late Qing Dynasty, "the leading scholar-artist of his day." Zhao's seal carving had profound influence on the later masters, such as Wu Changshuo and Qi Baishi. He is also known under the courtesy name of Yifu (益甫) and his pseudonym (''hào'') of Lengjun (冷君), which he changed to Huishu (撝叔) and Bei'an (悲盦) respectively later in his life. Biography Zhao was born in 1829 in Shaoxing, Zhejiang Province into a merchant family. He became a Xiucai at the age of 20, and obtained the title Juren in 1859 in Zhejiang provincial exam. With the outbreak of Taiping Rebellion The Taiping Rebellion, also known as the Taiping Civil War or the Taiping Revolution, was a massive rebellion and civil war that was waged in China between the Manchu-led Qing dynasty and the Han, Hakka-led Taiping Heavenly Kingdom. It laste ... in the following year, his political ambition was hi ...
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Wu Changshuo
Wu Changshuo (, September 12, 1844 – November 29, 1927, also romanised as Wu Changshi, ), born Wu Junqing (), was a Chinese calligrapher, painter, and seal artist of the late Qing Period. Life Wu was born into a scholarly family in Huzhou, Zhejiang. In his twenties, Wu moved to Jiangsu Province and settled down in Suzhou. Prior to the collapse of the Great Qing, he served as an imperial official in Liaoning. Initially, he devoted himself to poetry and calligraphy with a strong interest in early scripts. He also led the Xiling Seal Art Society, an academic organisation for Hangzhou-based seal artists. Only later did he consider himself a painter associated with the "Shanghai School ''Haipai'' (, Shanghainese: ''hepha'', ; literally "hangai style") refers to the avant-garde but unique "East Meets West" culture from Shanghai in the 20th and 21st centuries. It is a part of the culture of Shanghai. Etymology The term was coin ...." As a painter, he was noted for help ...
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Deng Shiru
Deng Shirú (Teng Shih-ju, traditional: 鄧石如, simplified: 邓石如); c. 1739/1743–1805 was a Chinese calligrapher during the Qing Dynasty (1644–1912). Deng was born in Huaining 懷寧 in the Anhui 安徽 province. His style name was 'Wanbo' 顽伯 and his sobriquet A sobriquet ( ), or soubriquet, is a nickname, sometimes assumed, but often given by another, that is descriptive. A sobriquet is distinct from a pseudonym, as it is typically a familiar name used in place of a real name, without the need of expla ...s were 'Wanbai shanren 皖白山人, Wan bai 完白, Guhuan, Gu wanzi 故浣子, Youji daoren 游笈道人, Fengshui yuzhang 鳳水漁長, and Longshan qiaozhang 龍山樵長'. Deng studied at the Shen Chun Academy. He later learned the art of Seal cutting. References * External links {{DEFAULTSORT:Deng, Shiru 1739 births 1805 deaths Artists from Anhui People from Huaining County ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Bird-and-flower Painting
Bird-and-flower painting, called () in Chinese, is a kind of Chinese painting with a long tradition in China and is considered one of the treasures of Chinese culture. The was named after its subject matter. It originated in the Tang dynasty where it gained popularity, matured at the of the Tang dynasty and during the Five Dynasties and Ten Kingdoms period, and fully reached its peak during the Song dynasty where it clearly became socially relevant in Chinese culture. Normally, most paintings belong to the scholar-artist style of Chinese painting. The became prevalent in East Asia, where it was introduced in Japan during the 14th century and was introduced in Korea. Intended purpose and cultural significance According to Chinese tradition, the covers "flowers, birds, fish, and insects" (); thus, it can deal with a wide range of natural topics, including flowers, fish, insects, birds, pets (dogs, cats), etc. The paintings are inspired by the resilience and the beauty of t ...
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Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art o ...
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Picture
An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensional picture, that resembles a subject. In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term “image” may refer specifically to a 2D image. An image does not have to use the entire visual system to be a visual representation. A popular example of this is of a greyscale image, which uses the visual system's sensitivity to brightness across all wavelengths, without taking into account different colors. A black and white visual representation of something is still an image, even though it does not make full use of the visual system's capabilities. Images are typically still, but in some cases can be moving or animated. Characteristics Images may be two or three- dimensional, such as a p ...
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Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Confucius's teachings and philosophy underpin East Asian culture and society, remaining influential across China and East Asia to this day. Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, correctness of social relationships, justice, kindness, and sincerity. His followers competed with many other schools during the Hundred Schools of Thought era, only to be suppressed in favor of the Legalists during the Qin dynasty. After the collapse of Qin and the victory of Han over Chu, Confucius's thoughts received official sanction in the new government. During the Tan ...
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