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Shrine Of Khwaja Abd Allah
The Shrine of Khwaja Abd Allah, commonly called the Shrine at Gazur Gah (or just Gazur Gah) and the Abdullah Ansari Shrine Complex, is the funerary compound of the Sufi saint Khwaja Abdullah Ansari. It is located at the village of Gazur Gah, three kilometers northeast of Herat, Afghanistan. The Historic Cities Programme of the Aga Khan Trust for Culture has initiated repairs on the complex since 2005. The shrine was erected by architect Qavam al-Din of Shiraz in 1425, in Herat, Afghanistan. Patron of this monument is Shah Rukh, ruler of the Timurid dynasty. He commissioned the site as a memorial mausoleum for patron-saint Khwaja Abdullah Ansari. Abdullah Ansari was both a Sufi mystic and patron saint of Herat. The Timurids reigned after the collapse of the Mongol empire in 1335. The Mongols were a central Asian ethnographic group, thus the Timurids artistic styles were influenced by their Asiatic traditions. The mausoleum was built for Abd Allah Ansari resting place and the pu ...
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Herat, Afghanistan
Herāt (; Persian: ) is an oasis city and the third-largest city of Afghanistan. In 2020, it had an estimated population of 574,276, and serves as the capital of Herat Province, situated south of the Paropamisus Mountains (''Selseleh-ye Safēd Kōh'') in the fertile valley of the Hari River in the western part of the country. An ancient civilization on the Silk Road between the Middle East, Central and South Asia, it serves as a regional hub in the country's west. Herat dates back to Avestan times and was traditionally known for its wine. The city has a number of historic sites, including the Herat Citadel and the Musalla Complex. During the Middle Ages Herat became one of the important cities of Khorasan, as it was known as the ''Pearl of Khorasan''. After the conquest of Tamerlane, the city became an important center of intellectual and artistic life in the Islamic world. Under the rule of Shah Rukh the city served as the focal point of the Timurid Renaissance, whose gl ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ...
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Muqarnas
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas a ...
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Ambulatory
The ambulatory ( la, ambulatorium, ‘walking place’) is the covered passage around a cloister or the processional way around the east end of a cathedral or large church and behind the high altar. The first ambulatory was in France in the 11th century but by the 13th century ambulatories had been introduced in England and many English cathedrals were extended to provide an ambulatory. The same feature is often found in Indian architecture and Buddhist architecture generally, especially in older periods. Ritual circumambulation or parikrama around a stupa or cult image is important in Buddhism and Hinduism. Often the whole building was circumambulated, often many times. The Buddhist chaitya hall always allowed a path for this, and the Durga temple, Aihole (7th or 8th century) is a famous Hindu example. The term is also used to describe a garden feature in the grounds of a country house. A typical example is the one shown, which stands in the grounds of Horton Court in Glouces ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ...
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Dado (architecture)
In architecture, the dado is the lower part of a wall, below the dado rail and above the skirting board. The word is borrowed from Italian meaning "dice" or "cube", and refers to "die", an architectural term for the middle section of a pedestal or plinth. Decorative treatment This area is given a decorative treatment different from that for the upper part of the wall; for example panelling, wainscoting or lincrusta. The purpose of the dado treatment to a wall is both aesthetic and functional. Historically, the panelling below the dado rail was installed to cover the lower part of the wall which was subject to stains associated with rising damp; additionally it provided protection from furniture and passing traffic. The dado rail itself is sometimes referred to misleadingly as a chair rail, though its function is principally aesthetic and not to protect the wall from chair backs. Derivation The name was first used in English as an architectural term for the part of a pe ...
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Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal ...
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Bisque (pottery)
Biscuit (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze. This can be a final product such as biscuit porcelain or unglazed earthenware (such as terracotta) or, most commonly, an intermediate stage in a glazed final product. Confusingly, "biscuit" may also be used as a term for pottery at a stage in its manufacture where it has not yet been fired or glazed, but has been dried so that it is no longer plastic (easily deformed). The porous nature of (fired) biscuit earthenware means that it readily absorbs water, while vitreous wares such as porcelain, bone china and most stoneware Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vi ... are non-porous even without glazing. The temperature of biscuit firing is today usually at least 1000°C, ...
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Jama'at Khana
Jamatkhana (from fa, جماعت خانه , literally "congregational place") is an amalgamation derived from the Arabic word ''jama‘a'' (gathering) and the Persian word ''khana'' (house, place). It is a term used by some Muslim communities around the world, particularly sufi ones, to denote a place of gathering. Among some communities of Muslims, the term is often used interchangeably with the Arabic word musallah (a place of worship that has not been formally sanctified as a ''masjid'' Fiqh of Masjid & Musalla
or is a place that is being temporarily used as a place of worship by a Muslim). The community uses the term ''Jama'at Khana'' ...
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Mosque
A mosque (; from ar, مَسْجِد, masjid, ; literally "place of ritual prostration"), also called masjid, is a place of prayer for Muslims. Mosques are usually covered buildings, but can be any place where prayers ( sujud) are performed, including outdoor courtyards. The first mosques were simple places of prayer for Muslims, and may have been open spaces rather than buildings. In the first stage of Islamic architecture, 650-750 CE, early mosques comprised open and closed covered spaces enclosed by walls, often with minarets from which calls to prayer were issued. Mosque buildings typically contain an ornamental niche ('' mihrab'') set into the wall that indicates the direction of Mecca (''qiblah''), Wudu, ablution facilities. The pulpit (''minbar''), from which the Friday (jumu'ah) sermon (''khutba'') is delivered, was in earlier times characteristic of the central city mosque, but has since become common in smaller mosques. Mosques typically have Islam and gender se ...
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Waqf
A waqf ( ar, وَقْف; ), also known as hubous () or '' mortmain'' property is an inalienable charitable endowment under Islamic law. It typically involves donating a building, plot of land or other assets for Muslim religious or charitable purposes with no intention of reclaiming the assets. A charitable trust may hold the donated assets. The person making such dedication is known as a ''waqif'' (a donor). In Ottoman Turkish law, and later under the British Mandate of Palestine, a ''waqf'' was defined as usufruct state land (or property) from which the state revenues are assured to pious foundations. Although the ''waqf'' system depended on several hadiths and presented elements similar to practices from pre-Islamic cultures, it seems that the specific full-fledged Islamic legal form of endowment called ''waqf'' dates from the 9th century AD (see below). Terminology In Sunni jurisprudence, ''waqf'', also spelled ''wakf'' ( ar, وَقْف; plural , ''awqāf''; tr, v ...
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Chevron (insignia)
A chevron (also spelled cheveron, especially in older documents) is a V-shaped mark or symbol, often inverted. The word is usually used in reference to a kind of fret in architecture, or to a badge or insignia used in military or police uniforms to indicate rank or length of service, or in heraldry and the designs of flags (see flag terminology). Ancient history Appearing on pottery and petrographs throughout the ancient world, the chevron can be considered to be one of the oldest symbols in human history, with V-shaped markings occurring as early as the Neolithic era (6th to 5th millennia BC) as part of the Vinča symbols inventory. The Vinča culture responsible for the symbols appear to have used the chevron as part of a larger proto-writing system rather than any sort of heraldic or decorative use, and are not known to have passed the symbol on to any subsequent cultures.Mäder, Michael: ''Ist die Donauschrift Schrift?'' Budapest: Archaeolingua. , (2019), Many compa ...
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