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Schwarz (Conrad Schnitzler Album)
''Eruption'' is the third and final full-length album by German experimental music trio Kluster. It is also the only live recording issued by Kluster. ''Eruption'' was recorded in 1971 at the last concert performed by Kluster and was recorded by Klaus Freudigmann. Eruption was released with what, according to Conrad Schnitzler, was an incorrect title ''Kluster und Eruption'' in 1971 as a private pressing. Only 200 copies of the original LP were pressed and sold. It was reissued as a Conrad Schnitzler solo album under the title ''Schwarz'' (literally "Black"), though the contributions by Hans-Joachim Roedelius and Dieter Moebius were credited. The album was not released under its proper title, Eruption, until the reissue on CD in 1997 by German label Marginal Talent. Conrad Schnitzler also reissued ''Eruption'' on CD on his Plate Lunch label. ''Eruption'' is widely considered to be the most listenable Kluster release. It is the only release without spoken religious text. In place ...
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Kluster
Kluster was a Berlin-based German experimental musical group formed in 1969 by Hans-Joachim Roedelius, Conrad Schnitzler, and Dieter Moebius. Their improvisational work presaged later industrial music. The original Kluster was short-lived, existing only from 1969 until mid-1971 when Conrad Schnitzler left and the remaining two members renamed themselves Cluster. Schnitzler later revived the band from 1971 to 1973 and then from 2007 until his death in 2011. History 1969–71 Kluster was founded by Conrad Schnitzler, Hans-Joachim Roedelius, and Dieter Moebius in 1969. Both Schnitzler and Moebius had been students of Joseph Beuys at the Düsseldorf Fine Arts Academy in the 1960s. Schnitzler and Roedelius both participated in the founding of the Zodiak Free Arts Lab in Berlin in 1968 and had worked together in the avant-garde groups Gerausche (literally "Noises") and Plus/Minus. The trio joined met when Moebius was working as a steak chef in Berlin, and was invited to join a b ...
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Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Zwei-Osterei
''Zwei-Osterei'' is the second full-length album by German experimental music trio Kluster. The album title translates to English as "Two - Easter egg". ''Zwei-Osterei'' was recorded on February 23, 1970 at Rhenus-Studio, Gordorf, Germany. ''Zwei-Osterei'' was released in 1971 on the Schwann label, with a plastic embossed cover, including two multi fold-out inserts. Only 300 copies of the original LP were pressed and sold. The trio played piano, guitar, cello, flute, percussion, and organ, all of which were electronically treated by engineer Konrad (Conny) Plank. According to Conrad Schnitzler in a 1980 interview he gave to David Elliott an advertisement by an organist interested in new music led to the recording session being sponsored by a church. Kluster was required to add religious text to the first side of the album to obtain this sponsorship. The text was read by Manfred Paethe. The text was written by Rudolf Bohren, Kurt Marti, Dorothee Solle, Rudolf Otto We ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Klaus Freudigmann
Klaus is a German, Dutch and Scandinavian given name and surname. It originated as a short form of Nikolaus, a German form of the Greek given name Nicholas. Notable persons whose family name is Klaus * Billy Klaus (1928–2006), American baseball player * Chris Klaus (born 1973), American entrepreneur * Frank Klaus (1887–1948), German-American boxer, 1913 Middleweight Champion *Fred Klaus (born 1967), German footballer * Josef Klaus (1910–2001), Chancellor of Austria 1966–1970 *Karl Ernst Claus (1796–1864), Russian chemist *Václav Klaus (born 1941), Czech politician, former President of the Czech Republic * Walter K. Klaus (1912–2012), American politician and farmer Notable persons whose given name is Klaus *Brother Klaus, Swiss patron saint *Klaus Augenthaler (born 1957), German football player and manager *Klaus Badelt (born 1967), German composer *Klaus Barbie (1913–1991), German SS-Hauptsturmführer and Holocaust Perpetrator *Klaus Bargsten (1911–2000), G ...
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Conrad Schnitzler
Conrad "Conny" Schnitzler (17 March 1937 – 4 August 2011) was a prolific German experimental musician associated with West Germany's 1970s krautrock movement. A co-founder of West Berlin's Zodiak Free Arts Lab, he was an early member of Tangerine Dream (1969–1970) and a founder of the band Kluster. He left Kluster in 1971, first working with his group Eruption and then focusing on solo works. Schnitzler participated in several collaborations with other electronic musicians. Biography Schnitzler was born in Düsseldorf. His father was German, his mother was Italian. He had a wife and they had three children,Conrad Schnitzler (1937–2011)
by Geeta Dayal (20 August 2011)
one of whom is son

Hans-Joachim Roedelius
Hans-Joachim Roedelius (born 26 October 1934) is a German electronic musician and composer, best known as a co-founder of the influential 'kosmische' groups Cluster and Harmonia. He also performed in the ambient jazz trio Aquarello, and released several solo studio albums. Biography Early life Roedelius was born on 26 October 1934 in Berlin in the family of a dentist. He was an unwilling member of the German Youngsters in the Hitler Youth, membership being mandatory for all boys from the age of ten, and appeared in several propaganda films (''Faded Melody'' by Viktor Tourjansky in 1938 ; ''Riding for Germany'' by Arthur Maria Rabenalt in 1941). Roedelius and his mother Gertrud were evacuated from Berlin to a small hamlet in East Prussia. In his book ''Future Days: Krautrock and the Building of Modern Germany'', David Stubbs writes that "the aftermath of the war was most difficult for the Roedelius family" who didn't have "enough to live on and just a bit too much to die o ...
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Dieter Moebius
Dieter Moebius (16 January 1944 – 20 July 2015) was a Swiss-born German electronic musician and composer, best known as a member of the influential krautrock bands Cluster and Harmonia. Moebius was studying art at Berlin's Akademie Grafik and working as a restaurant cook when he met Conrad Schnitzler, founder of the Zodiak Free Arts Lab with Hans-Joachim Roedelius. The trio founded the improv group Kluster in 1969. After the departure of Schnitzler, the duo changed their name to Cluster and relocated to the countryside village of Forst, releasing influential albums such as ''Zuckerzeit'' (1974) and ''Sowiesoso'' (1976). Moebius would also draw on his graphic design training create the cover artwork for various Cluster albums and related collaborations. Meanwhile, Moebius and Roedelius founded the band Harmonia with Michael Rother of Neu!, releasing the albums ''Musik von Harmonia'' (1974) and '' Deluxe'' (1975). Admirer Brian Eno would subsequently collaborate with both groups. ...
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Marginal Talent
Marginal may refer to: * ''Marginal'' (album), the third album of the Belgian rock band Dead Man Ray, released in 2001 * ''Marginal'' (manga) * '' El Marginal'', Argentine TV series * Marginal seat or marginal constituency or marginal, in politics See also Economics * Marginalism *Marginal analysis *Marginal concepts * Marginal cost * Marginal demand *Marginal product *Marginal product of labor *Marginal propensity to consume *Marginal rate of substitution * Marginal use * Marginal utility *Marginal rate Other * Margin (other) * Marginalization * Marginal intra-industry trade, where the change in a country's exports are essentially of the same products as its change in imports * Marginal land, land that is of little value because of its unsuitability for growing crops and other uses * Marginal model, in hierarchical linear modeling * Marginal observables, in physics; see Renormalization group * Marginal person, in sociology; see Marginalization * Marginal plant, se ...
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Plate Lunch
The plate lunch ( haw, pā mea ʻai) is a quintessentially Hawaiian meal, roughly analogous to Southern U.S. meat-and-threes. However, the pan-Asian influence on Hawaiian cuisine, and its roots in the Japanese bento, make the plate lunch unique to Hawaii. Standard plate lunches consist of two scoops of white rice, macaroni salad, and an entrée. A plate lunch with more than one entrée is often called a ''mixed plate''. Origins Although the exact origin of the Hawaiian plate lunch is disputed, according to Professor Jon Okamura of the University of Hawaiʻi, the plate lunch likely grew out of the Japanese bento, because "bentos were take away kinds of eating and certainly the plate lunch continues that tradition". Its appearance in Hawaii in recognizable form goes back to the 1880s when plantation workers were in high demand by the fruit and sugar companies on the islands. Laborers were brought to Hawaii from around the world, including from China, Japan, Portugal, and th ...
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