Scandinavian Mythology
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Scandinavian Mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds th ...
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Norse Cosmology
Norse cosmology is the account of the universe and its laws by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology and Old Norse religion such as notations of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded from earlier oral sources in the ''Poetic Edda'', a collection of poems compiled in the 13th century, and the ''Prose Edda'', attributed to the Icelander Snorri Sturluson in the 13th century. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil. Time and space Concepts of time and space play a major role in the Old Norse corpus's presentation of Norse cosmology. While events in Norse mythology describe a somewhat linear progression, various scholars in ancient Germanic studies note that Old Norse texts may imply or directly describe a fundamental belief in cyclic time. According to scholar John Lindow, ...
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Norse Mythology In Popular Culture
The Norse mythology, preserved ancient Icelandic texts such as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda. Reintroduction to popular culture Antiquaries of the 19th century such as George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both case ...
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Viking Revival
The Viking revival was a movement reflecting new interest in, and appreciation for Viking medieval history and culture. Interest was reawakened in the late 18th and 19th centuries, often with added heroic overtones typical of that Romanticism, Romantic era. The revival began earlier with historical discoveries and early modern publications dealing with Old Norse culture. The first printed edition of the 13th-century ''Gesta Danorum'' or the ''Legend of the Danes'' by Saxo Grammaticus, came out in 1514 just as book printing began become more practical and printing trade was quickly spreading. Olaus Magnus's ''Historia de gentibus septentrionalibus'', or "History of the northern peoples", was printed in 1555. The pace of publication increased during the 17th century with Latin translations of the famous Edda, notably Peder Resen's ''Edda Islandorum'' of 1665. The Edda consisted of two 13th-century Medieval Icelandic literary works on Norse mythology, written down in the 13th century ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ...
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Proto-Indo-European Religion
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities in mythological concepts found in Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates—linguistic siblings from a common origin—and associated with similar attributes and body of myths: such as , the daylight-sky god; his consort , the earth mother; his daughter , the dawn goddess; his sons the Divine Twins; and and , a solar deity and moon deity, respectively. Some deities, ...
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Historical Linguistics
Historical linguistics, also known as diachronic linguistics, is the scientific study of how languages change over time. It seeks to understand the nature and causes of linguistic change and to trace the evolution of languages. Historical linguistics involves several key areas of study, including the reconstruction of ancestral languages, the classification of languages into families, ( comparative linguistics) and the analysis of the cultural and social influences on language development. This field is grounded in the uniformitarian principle, which posits that the processes of language change observed today were also at work in the past, unless there is clear evidence to suggest otherwise. Historical linguists aim to describe and explain changes in individual languages, explore the history of speech communities, and study the origins and meanings of words ( etymology). Development Modern historical linguistics dates to the late 18th century, having originally grown o ...
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Comparative Mythology
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics.Littleton, p. 32 Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories. The comparative study of mythologies reveals the trans-national motifs that unify spiritual understanding globally. The significance of this study generates a "broad, sympathetic understanding of these 'stories' in human history". The similarities of myths remind humanity of the universality in the human experience. Background Anthropologist C. Scott Littleton defined comparative mythology as "the systematic comparison of myths and mythic themes drawn from a wide variety of cultures". By comparing different cultures' mythologies, scho ...
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Líf And Lífþrasir
In Norse mythology, Líf (identical with the Old Norse noun meaning "life, the life of the body")Cleasby & Vigfusson s.v. ''líf''. and Lífþrasir (Old Norse masculine name from ''líf'' and ''þrasir'' and defined by ''Lexicon Poëticum'' as ''"Livæ amator, vitæ amans, vitæ cupidus"'' "Líf's lover, lover of life, zest for life"),Egilsson s.v. ''Lífþrasir''. sometimes anglicized as Lif and Lifthrasir, female and male respectively, are two humans who are foretold to survive the events of Ragnarök by hiding in a wood called Hoddmímis holt and, after the flames have abated, to repopulate the newly risen and fertile world. Líf and Lífþrasir are mentioned in the ''Poetic Edda'', which was compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. Many scholars have speculated as to the underlying meaning and origins of both names. Attestations In the poem '' Vafþrúðnismál'', collected in the ...
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Ragnarök
In Norse mythology, (also Ragnarok; or ; ) is a foretold series of impending events, including a great battle in which numerous great Norse mythological figures will perish (including the Æsir, gods Odin, Thor, Týr, Freyr, Heimdall, and Loki); it will entail a catastrophic series of natural disasters, including the burning of the world, and culminate in the submersion of the world underwater. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors, Líf and Lífþrasir. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'' ...
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Ask And Embla
In Norse mythology, Ask and Embla ()—man and woman respectively—were the first two humans, created by the gods. The pair are attested in both the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', composed in the 13th century. In both sources, three gods, one of whom is Odin, find Ask and Embla and bestow upon them various corporeal and spiritual gifts. A number of theories have been proposed to explain the two figures, and there are occasional references to them in popular culture. Etymology Old Norse literally means " ash tree" but the etymology of ''embla'' is uncertain, and two possibilities of the meaning of ''embla'' are generally proposed. The first meaning, " elm tree", is problematic, and is reached by deriving ''*Elm-la'' from ''*Almilōn'' and subsequently to ('elm'). The second suggestion is "vine", which is reached through ''*Ambilō'', which may be related to the Greek term (), itself meaning "vine, lian ...
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Ymir
In Norse mythology, Ymir (), also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional material, in the ''Prose Edda'', written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the ''Poetic Edda'' refer to Ymir as a primeval being who was born from atter (), yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin and Vili and Vé, fashioned the Earth—elsewhere personified as a goddess named Jörð—from Ymir's flesh; the oceans from his blood; from his bones, the mountains; from his hair, the trees; from his brains, the clouds; from his skull, the heavens; and from his eyebro ...
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