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San Domenico Di Guzman (oratorio)
''San Domenico di Guzman'' is an oratorio for narrator, soloists, chorus, and orchestra composed by Antonio Braga who also wrote the libretto. Based on the life of Saint Dominic, the work premiered on 12 June 1997 at the Teatro San Carlo in Naples conducted by Carlos Piantini with Giorgio Albertazzi as the narrator. A live recording of the premiere performance was released in 1998 on the Bongiovanni (record label), Bongiovanni label. References Compositions by Antonio Braga Oratorios 1997 otatorios {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Braga
Antonio Braga (22 January 1929 – 26 May 2009 in Naples) was an Italian classical composer. Born in Naples, he wrote ballets, concerto, ouvertures, symphonies and three operas. Works Ballets *Les Abeilles a Naples (1955) *C’è un albero a New York (1960) *El trono de Abomè (1988) Symphony and Concertos *Ouverture napolitaine (1955) *Concerto exotique (1959) *Travel into Latins (1969) *Hispaniola (1969) *My four city (1997) Operas and oratorios *'' 1492 epopea lirica d'America'' (1992) *'' San Domenico di Guzman'' (1997) *'' San Francesco d'Assisi'' Adaptation Translation from Neapolitan language , altname = , states = Italy , region = Abruzzo, Apulia, Basilicata, Calabria, Campania, Lazio, Marche, Molise , ethnicity = ''Mezzogiorno'' Ethnic Italians , speakers = 5.7 million , date ... to French of ''Miseria e nobiltà'' (1887) ( ''Misère et Noblesse'', 1956) by Eduardo Scarpetta. Bibliography *Andrea Jelardi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Dominic
Saint Dominic ( es, Santo Domingo; 8 August 1170 – 6 August 1221), also known as Dominic de Guzmán (), was a Castilian Catholic priest, mystic, the founder of the Dominican Order and is the patron saint of astronomers and natural scientists. He is alternatively called Dominic of Osma, Dominic of Caleruega, and Domingo Félix de Guzmán. Life Birth and early life Dominic was born in Caleruega,"Saint Dominic", Lay Dominicans halfway between and in , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Albertazzi
Giorgio Albertazzi (20 August 1923 – 28 May 2016) was an Italian actor and film director. Born in San Martino a Mensola, Tuscany, Albertazzi joined the Italian Social Republic and reached the rank of lieutenant. After their defeat, he spent two years in prison for collaborating. Following the amnesty by Palmiro Togliatti he changed from studying architecture to acting. In the theater Albertazzi debuted in Shakespeare's ''Troilus and Cressida'', and over the following decades starred in a number of classics, many of them for television. From the early 1950s he was also seen on the big screen and appeared in more than 50 films. From 1969, he directed several television films, including the miniseries ''George Sand'' in 1981. From 2003, he was the director of the Teatro di Roma. He had a close friendship with actress Anna Proclemer who appeared with him for many years. In 2007, Albertazzi married his long-standing partner, Pia de Tolomei. In 1988 he wrote his memoirs. Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corriere Della Sera
The ''Corriere della Sera'' (; en, "Evening Courier") is an Italian daily newspaper published in Milan with an average daily circulation of 410,242 copies in December 2015. First published on 5 March 1876, ''Corriere della Sera'' is one of Italy's oldest newspapers and is Italy's most read newspaper. Its masthead has remained unchanged since its first edition in 1876. It reached a circulation of over 1 million under editor and co-owner Luigi Albertini, between 1900 and 1925. He was a strong opponent of socialism, of clericalism, and of Prime Minister Giovanni Giolitti who was willing to compromise with those forces. Albertini's opposition to the Fascist regime forced the other co-owners to oust him in 1925. Today its main competitors are Rome's ''la Repubblica'' and Turin's '' La Stampa''. History and profile ''Corriere della Sera'' was first published on Sunday 5 March 1876 by Eugenio Torelli Viollier. In 1899 the paper began to offer a weekly illustrated supplement, ''La D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongiovanni (record Label)
F. Bongiovanni (1905) of Bologna is an Italian classical music publisher and, since 1975, classical record label. The company was founded by Francesco Bongiovanni to publish the works of then modern composers such as Respighi, Zandonai, Alfano, Pietro Cimara, and Francesco Balilla Pratella. Among the most famous pieces published by Bongiovanni are Respighi's Nebbie and Balilla Pratella's futurist manifesto in music, Musica Futurista. Bongiovanni played a central role in promoting music written by the composers of the Generazione dell'80, and in 1938 Alfredo Casella wrote: "The history of music in Bologna can't be written without the name Bongiovanni". In 1975, Bongiovanni produced its first record, a live recital of Mirella Freni, for which the company received the 1976 Award of the Italian Record Critics. At that time, professional produced live recordings of classical music were still a rarity, and the then owner Giancarlo Bongiovanni can be seen as a pioneer in this regard. Soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Antonio Braga
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorios
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
