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Saman Dance
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia. Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. The dance is characterized by its fast-paced rhythm and common harmony between dancers. These two elements are key figures of Saman, and are among the reasons Saman are widely known and practiced in Indonesia, besides being relatively easy to learn. On November 24, 2011, UNESCO officially recognized Aceh's traditional Saman dance as an Intangible Cultural Heritage in Need of Urgent Safeguarding. The ASEAN Tourism Association (ASEANTA) named the Saman dance as the best ASEAN cultural preservation effort at the 25th ASEANTA Awards for Excellence 2012. Etymology The word "''saman''" comes from Sheikh Saman, a cleric from Gayo in Aceh. Syekh Saman developed a dance which is now called the Saman dance to spread Islam in the land of Gayo, Province o ...
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Saman Dance
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia. Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. The dance is characterized by its fast-paced rhythm and common harmony between dancers. These two elements are key figures of Saman, and are among the reasons Saman are widely known and practiced in Indonesia, besides being relatively easy to learn. On November 24, 2011, UNESCO officially recognized Aceh's traditional Saman dance as an Intangible Cultural Heritage in Need of Urgent Safeguarding. The ASEAN Tourism Association (ASEANTA) named the Saman dance as the best ASEAN cultural preservation effort at the 25th ASEANTA Awards for Excellence 2012. Etymology The word "''saman''" comes from Sheikh Saman, a cleric from Gayo in Aceh. Syekh Saman developed a dance which is now called the Saman dance to spread Islam in the land of Gayo, Province o ...
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Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of ''Masterpieces'' to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a ...
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Intangible Cultural Heritage In Need Of Urgent Safeguarding
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. the programme compiles two lists. The longer, Representative List of the Intangible Cultural Heritage of Humanity, comprises cultural "practices and express ...
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Indonesian Culture
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures. Examples of the fusion of Islam with Hinduism include Javanese Abangan belief. Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, especially in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in a martial art form called Pencak Silat. The Western world has influenced Indonesia in science, technology and modern entertainment suc ...
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Acehnese Dance
The Acehnese (also written as Atjehnese and Achinese) are an ethnic group from Aceh, Indonesia on the northernmost tip of the island of Sumatra. The area has a history of political struggle against the Dutch. The vast majority of the Acehnese people are Muslims. The Acehnese people are also referred to by other names such as Lam Muri, Lambri, Akhir, Achin, Asji, A-tse and Atse. Their language, Acehnese, belongs to the Aceh–Chamic group of Malayo-Polynesian of the Austronesian language family. The Acehnese were at one time Hinduised, as evident from their traditions and the many Sanskrit words in their language. They have been Muslims for several centuries and are generally considered the most conservative Muslim ethnic group in Indonesia with the implementation of Sharia law in their home province of Aceh. The estimated number of Acehnese ranges between 3,526,000 people and at least 4.2 million people Traditionally, there have been many Acehnese agriculturists, metal-w ...
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Islam In Indonesia
Islam is the largest religion in Indonesia, with 86.7% of the Indonesian population identifying themselves as Muslim in a 2018 survey. Indonesia is the most populous Muslim-majority country, with approximately 231 million adherents. In terms of denomination, the overwhelming majority (98.8%) are Sunni Muslims, while 1-3 million (1%) are Shia, and are concentrated around Jakarta, and about 400,000 (0.2%) Ahmadi Muslims. In terms of schools of jurisprudence, based on demographic statistics, 99% of Indonesian Muslims mainly follow the Shafi'i school, although when asked, 56% does not adhere to any specific school. Trends of thought within Islam in Indonesia can be broadly categorized into two orientations: "modernism", which closely adheres to orthodox theology while embracing modern learning, and " traditionalism", which tends to follow the interpretations of local religious leaders and religious teachers at Islamic boarding schools ('' pesantren''). There is also a hi ...
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Likok Pulo
Likok Pulo is a traditional dance originating from Aceh, Indonesia. "Likok" means dance moves, while "Pulo" means island. Pulo here refers to a small island at the northern tip of Sumatra Island which is also called Breuh Island, or Beras Island. This dance was born around 1849, was created by an old Muslim cleric who was washed away at sea and stranded in Pulo Aceh. This dance is held after planting rice or after harvesting rice, usually the show is held at night even if the dance is contested can run all night until morning. The dance is played by sitting cross-legged, in line, or shoulder to shoulder. A main player called Cèh is in the middle of the player. Two Rapa'i players are on the back or left and right sides of the player. While the dance moves only function the upper limbs, body, hands and head. Dance movement in principle is a movement by the body, skills, uniformity or equality by functioning of the hands together forwards, to the left or right side, up, an ...
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Seiza
): "proper/correct sitting", seiza ( ja, , link=no): "quiet sitting" , Jing zuo '' Seiza '' ( or , literally "proper sitting") is the formal, traditional way of sitting in Japan. Form To sit ''seiza''-style, one must first be kneeling on the floor, folding one's legs underneath one's thighs, while resting the buttocks on the heels. The ankles are turned outward as the tops of the feet are lowered so that, in a slight "V" shape, the tops of the feet are flat on the floor and big toes overlapped, the right always on top of the left, and the buttocks are finally lowered all the way down. Depending on the circumstances, the hands are folded modestly in the lap, or are placed palm down on the upper thighs with the fingers close together, or are placed on the floor next to the hips, with the knuckles rounded and touching the floor. The back is kept straight, though not unnaturally stiff. Traditionally, women sit with the knees together while men separate them slightly. Some martial ...
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Tari Saman
Tari may refer to: Places * Tari, Papua New Guinea, a town in the Hela Province of Papua New Guinea * Tari Urban LLG, a local-level government area of Papua New Guinea * Tari, Siliguri, a census town in Dajeeling district, West Bengal, India * Tari Airport, Papua New Guinea * El Tari Airport El Tari International Airport ( id, Bandar Udara Internasional El Tari) is an airport in Kupang, East Nusa Tenggara, Indonesia. The airport is named after El Tari (1926–1978), the governor of East Nusa Tenggara from 1966 to 1978. The airpor ..., Indonesia People * Tari (name) * Tari (Kashmiri tribe), a Kashmiri tribe and family name in India and Pakistan Other uses * Tarì, a coin minted in Sicily, Malta and south Italy from about 913 to 1859 * Tari, a character in the ''Meta Runner'' and ''SMG4'' series * Taiwan Agricultural Research institute (TARI), an agricultural research institute in Taiwan See also * '' Tari Tari'', a 2012 Japanese anime television series * Tary (d ...
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Gayo Lues Regency
Gayo Lues Regency ( id, Kabupaten Gayo Lues) is a regency in the Aceh Special Region of Indonesia. It is located on the island of Sumatra. The regency was created in 2002 under Statute UU 4/2002 from the northern part of Aceh Tenggara ( Southeast Aceh Regency). Its capital is Blangkejeren. The regency covers an area of 5,549.91 square kilometres and had a population of 79,560 at the 2010 Census and 99,532 at the 2020 Census. Along with the Central Aceh Regency and the Bener Meriah Regency, it is home to the Gayo people. 90% of the inhabitants make their living from farming. Products include chili peppers, tobacco, coffee, and lemongrass, fish, rice, candle nut, pataculi, coconut, vanilla, kapok, chocolate, sugarcane, ginger, clove, casslevera, turmeric, and sugar palm. Logging is reportedly a major problem in the regency which is the least populated area of the province with less than 2% of the total population. Administrative districts The regency is divided admin ...
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