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Sutartinė
Lithuanian folk songs (in Lithuanian: ) are often noted for not only their mythological content but also their relating historical events. Lithuanian folk music includes romantic songs, wedding songs, as well as work songs and archaic war songs. Traditional songs are performed either solo or in groups, in unison or harmonized in primarily in thirds (''tūravoti'' - lith. "to harmonize"). There are three ancient styles of singing in Lithuania that are connected with ethnographical regions: monophony, multi-voiced homophony, heterophony and polyphony. Monophony mostly occurs in southern (Dzūkija), southwest (Suvalkija) and eastern (Aukštaitija) parts of Lithuania. Multi-voiced homophony is widespread in the entire Lithuania. It is most archaic in the western part (Samogitia). Polyphonic songs are common in the renowned sutartinės tradition of Aukštaitija and occurs only sporadically in other regions. Many Lithuanian dainos are performed in the minor key. Parts of Igor Str ...
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Lithuanian Folklore Performance
Lithuanian may refer to: * Something of, from, or related to Lithuania, a country in the Baltic region in northern Europe ** Lithuanian language ** Lithuanians, a Balts, Baltic ethnic group, native to Lithuania and the immediate geographical region ** Lithuanian cuisine ** Culture of Lithuania, Lithuanian culture Other uses * Lithuanian Jews as often called "Lithuanians" (''Lita'im'' or ''Litvaks'') by other Jews, sometimes used to mean Mitnagdim * Grand Duchy of Lithuania * Polish–Lithuanian Commonwealth See also

* List of Lithuanians {{disambig Language and nationality disambiguation pages ...
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Lithuanian Song Festival
The Lithuanian Song and Dance Festival (), colloquially known also as the Song Celebration () is a Lithuanian massive traditional song and dance festival. It takes place roughly every four years. The event has been a national celebration throughout the interwar and upon Lithuania regaining its independence in 1990. The main event is traditionally hosted at Vingis Park in Vilnius. On 7 November 2003, UNESCO proclaimed the tradition of the Song and Dance Celebration in Lithuania, Latvia and Estonia as a Masterpiece of the Oral and Intangible Heritage of Humanity and in 2008 added it to the List of the Intangible Cultural Heritage. Tradition of Song and Dance Celebrations in Estonia, Latvia and Lithuania are also inscribed into The Intangible Cultural Heritage Inventory of Lithuania as a form of social practice, ritual and festive events. History 19th-century Song Festival in the Lithuania Minor At the end of the 19th century, the Rambynas Hill, in the Lithuania Minor ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) ...
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Baltic Psaltery
Baltic psaltery is a family of related plucked box zithers, psalteries, historically found in the southeast vicinity of the Baltic Sea and played by the Baltic people, Baltic Finns, Volga Finns and northwestern Russians. Types Baltic psalteries include: * Kanklės (Lithuania) * Kantele (Finland, Karelia and Northwest Russia) * Kannel (Estonia) * Kāndla (Livonian people of Northwest Latvia) * Kokles (Latvia) * Krez (Udmurt people of Central Russia) * Krylovidnye gusli (Northwest Russia) * Kusle (Mari people of Central Russia) * Harpu (Sápmi) The internationally most known instrument of the family is Finnish kantele, so its name is sometimes used in English to also refer to other Baltic psalteries as well. Many of the Baltic psalteries hold a strong symbolic significance in their respective countries, including Finland, Latvia, Lithuania, Estonia and Russia, where playing instruction and instrument makers are available. Etymology According to Finnish linguist Ei ...
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Kanklės
The ''kanklės'' () is a Lithuanian plucked string instrument (chordophone) belonging to the Baltic box zither family known as the Baltic psaltery, along with the Latvian '' kokles'', Estonian '' kannel'', Finnish '' kantele'', and Russian '' gusli''. Etymology According to Finnish linguist Eino Nieminen, the name of the instrument, along with the names of most of its neighbouring counterparts (Latvian ''kokles'', Finnish ''kantele'', Estonian ''kannel'' and Livonian ''kāndla''), possibly comes from the proto-Baltic form ''*kantlīs''/''*kantlēs'', which originally meant 'the singing tree', most likely deriving from the Proto-Indo-European root ''*qan-'' ('to sing, to sound'; cf. Latin "canto, cantus, canticum", Italian "cantare", French "chanter", English "chant, cantor"). A Lithuanian ethnologist Romualdas Apanavičius believes ''Kanklės'' could be derived from the Proto-European root ''*gan(dh)-'', meaning 'a vessel; a haft (of a sword)', suggesting that it may be r ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat (music), off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, such as electronic dance music. According to music producer Rick Snoman, “All dance music makes use of syncopation, and it’s often a vital element that helps tie the whole track together”. Syncopation can also occur when a strong harmony is simultaneous with a weak Beat (music), beat, for instance, when a 7th chord, 7th-chord is played on the second beat of a measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclu ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ...
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Monophony
In music, monophony is the simplest of texture (music), musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompaniment, accompanying harmony or chord (music), chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earli ...
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Imitation
Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of learning that leads to the "development of traditions, and ultimately our culture. It allows for the transfer of information (behaviors, customs, etc.) between individuals and down generations without the need for genetic inheritance." The word ''imitation'' can be applied in many contexts, ranging from animal training to politics. The term generally refers to conscious behavior; subconscious imitation is termed mirroring. Anthropology and social sciences In anthropology, some theories hold that all cultures imitate ideas from one of a few original cultures or several cultures whose influence overlaps geographically. Evolutionary diffusion theory holds that cultures influence one another, but that similar ideas can be developed in isolation. Scholars as well as popular authors have argued that the role of imitati ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ...
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Parallel Harmony
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the Parallel motion (music), parallel movement of two or more melodies (see voice leading). Effects When all voices between chords move in parallel motion, this generally reduces or negates the effect of harmonic progression (music), harmonic progression. However, "occasionally chords such as the tonic (music), tonic and dominant (music), dominant may create the sense of harmonic progression". Illustrative example Lines with parallel harmony can be viewed as a series of chord (music), chords with the same interval (music), intervallic structure. Parallel means that each note within the chord rises or falls by the same interval. Examples from works Prominent examples include: * Claude Debussy's ''Beau soir'' (1880), ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1899), ''La mer (Debussy), La Mer'' (1905), ''La cathédrale eng ...
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Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage—such traditions, rituals, dance, and knowledge—and urge the protection of the communities that create them. Several manifestations of intangible heritage around the world were awarded the status of ''Masterpieces;'' further proclamations occurred biennially. The status exists to recognize the value of non-material culture, as well as to commit states to promote and safeguard the Masterpieces. In 2008, the 90 declared Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they refl ...
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