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Super (Neu! Song)
"Super" is a single by German band Neu!, released in 1972. It failed to chart and has never been re-released, but has become a collector's item due to the rarity of the original vinyl 7". After the single's recording both the A and B side tracks were added to the album '' Neu! 2'', which was released the following year. Recording, release and remixing Both tracks were recorded quickly at Conny Plank's studio in Cologne during the summer of 1972, six months after the release of Neu!'s debut album. Brain were pessimistic about the single's chances, and had to be convinced to release it by Dinger and Rother. When it was released, it was backed by only minimal promotion, and predictably failed to make any impact on the German music charts (though some Krautrock acts – such as Can – did have successful singles in the early '70s). When Dinger and Rother returned to the studio in early 1973 to record '' Neu! 2'', they decided to fill the second side of the new album with tape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu!
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—'' Neu!'' (1972), '' Neu! 2'' (1973), and '' Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Although Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the " motorik" beat, a minimalist rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Rother
Michael Rother (; born 2 September 1950) is a German experimental musician, best known for being a founding member of the influential bands Neu! and Harmonia (band), Harmonia, and an early member of the band Kraftwerk. Early life and education Born in 1950, Rother was educated in Munich, Wilmslow (England), Karachi, and Düsseldorf. He also resided in Pakistan in the early 1960s where he was exposed to Pakistani music that would influence his own music in the late 1960s and early 1970s. From 1965 Rother played in the band Spirits of Sound, from which other members would later go on to join Kraftwerk (Wolfgang Flür) and Wunderbar. Music career Rother is a multi-instrumentalist (primarily guitar and keyboards) who, along with a catalog of several solo albums starting in 1977, is best known for having co-founded the German group Neu! with drummer Klaus Dinger (five albums between 1971 and 1996), and his collaborative efforts with Hans-Joachim Roedelius and Dieter Moebius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! Songs
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—''Neu!'' (1972), '' Neu! 2'' (1973), and '' Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Although Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the " motorik" beat, a minimalist rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1972 Songs
Year 197 ( CXCVII) was a common year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; Roman legionary, legionaries sack the town. * Septimius Severus returns to Ancient Rome, Rome and has about 30 of Albinus's supporters in the Roman Senate, Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new Roman navy, naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970s In Music
This article includes an overview of the major events and trends in popular music in the 1970s. In North America, Europe, and Oceania, the decade saw the rise of disco, which then went on to become one of the biggest genres of the decade, especially in the mid-to-late 1970s. In Europe, a variant known as Euro disco rose in popularity towards the end of the 1970s. Aside from disco, funk, soul music, soul, R&B, smooth jazz, and jazz fusion remained popular throughout the decade. Rock music played an important part in the Western musical scene, with punk rock thriving throughout the mid to late 1970s. Other sub-genres of rock, particularly glam rock, hard rock, progressive rock, art rock, blues rock, and heavy metal music, heavy metal achieved various amounts of success. Other genres such as reggae were innovative throughout the decade and grew a significant following. Hip hop music, Hip hop emerged during this decade, but was slow to start and did not become significant unti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylized in all caps) were a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including American Malcolm Mooney (1968–70) and Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene. The founding members of Can came from backgrounds in avant-garde music and jazz. They blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days (album), Future Days'' (1973). Can also had commercial success with singles such as "Spoon (Can song), Spoon" (1971) and "I Want More (Can song), I Want More" (1976) reaching national single (music), singles charts. Their work has influenced rock, post-punk, and ambient music, ambient acts. History 1960s Can was formed in Cologne, Germany, in 1968 by H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! (album)
''Neu!'' is the debut studio album by German krautrock band Neu!, released in 1972 by Brain Records. It was the first album recorded by the duo of Michael Rother and Klaus Dinger after leaving Kraftwerk in 1971. They continued to work with producer Konrad "Conny" Plank, who had also worked on the Kraftwerk recording sessions. Upon release, the album was largely ignored internationally but did well in West Germany, selling 35,000 copies. In 2001, the album was reissued by Grönland and then licensed to Astralwerks for US distribution. In 2014, ''Fact'' named it the 36th best album of the 1970s. History Having broken off from an early incarnation of Kraftwerk, Michael Rother and Klaus Dinger quickly began the recording sessions for what would become'' Neu!''. The pair recorded the album across four nights in December 1971 at Star Studios in Hamburg with producer and engineer Conny Plank. Dinger noted that Plank served as a "mediator" between the often disagreeing factions withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isi (song)
"Isi" was a 1975 single by the German band Neu!, released in the United Kingdom to promote their album ''Neu! '75''. Like its predecessor "Super", it failed to chart and is now a collectors' item due to its rarity. It was sold in an unmarked paper sleeve by United Artists, who marketed Neu! in the UK. Background & Recording The recording of ''Neu! '75'', the last of Neu!'s original studio albums, was begun in December 1974 at Conny Plank's studio in Cologne. Like ''Neu! 2,'' the album has a definite binary nature, with the first side recorded by the original duo of Dinger and Rother, the second by the expanded four-part Neu!- La Düsseldorf supergroup. "Isi" is taken from the album's A or 'Michael Rother' side, whilst "After Eight" is from the Klaus Dinger-La Düsseldorf dominated side of the album. Dinger recognised this duality, admitting that "me and Michael drift dapart," but Rother maintains that "it was the combination of our two strengths which made the magic." Either way, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Dinger
Klaus Dinger (24 March 1946 – 21 March 2008) was a German musician and songwriter most famous for his contributions to the seminal krautrock band Neu!. He was also the guitarist and chief songwriter of New wave music, new wave group La Düsseldorf and briefly the percussionist of Kraftwerk. 1946–1971: The No, The Smash, and Kraftwerk Klaus Dinger was born in Scherfede, Province of Westphalia, Westphalia, Germany, to Heinz and Renate Dinger on 24 March, 1946. He was their first child. Before he was a year old, his parents moved from the town, which had been badly damaged by an Allies of World War II, Allied siege at the end of World War II, to Düsseldorf. In 1956 he attended Görres Gymnasium School for the first time. During his time there he was part of an a cappella choir, which he had to leave when his voice broke. He was part of the school Swing music, swing band (as a drummer) despite having no prior musical experience. He left the school with a ''Mittlere Reife'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! 2
''Neu! 2'' is the second studio album by the krautrock band Neu!. It was recorded in January 1973 and mixed in February 1973, both at Windrose-Dumont-Time Studios in Hamburg, West Germany, and released in 1973 by Brain Records. It was reissued by Astralwerks in the US and by Grönland in the UK and Europe on 29 May 2001. Critic Paul Morley included it in his list of the "5 x 100 Greatest Albums of All Time" in 2003. Overview This album further focused the classic Neu! krautrock sound, with the 11-minute "Für Immer" in particular being the archetypal example of their style -- a forward-driving vamping, propelled by Klaus Dinger's drumming and Michael Rother's layered guitar with its fluid lines and droning harmonic structure. '' Pitchfork'' described the album as featuring a proto-punk sound, while ''Fact'' labeled it " spartan psych-rock set to power-driven drum tracks." Side 2 of the record caused consternation at the time. Neu! had quite simply run out of money ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
