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Summer Breeze (song)
"Summer Breeze" is a 1972 song by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the US ''Billboard'' Hot 100 chart in the US. In 2013, it was ranked No. 13 in ''Rolling Stone''′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974. Original Seals and Crofts version Released nine days ahead of their 1972 '' Summer Breeze'' album, Seals and Crofts' original version reached No. 6 on the ''Billboard'' Pop Singles chart in the US that same year. Bruce Eder of AllMusic referred to it as "one of those relentlessly appealing 1970s harmony-rock anthems ... appropriately ubiquitous on the radio and in the memory". Seals and Crofts performed the song live on the ''Bobby Darin Amusement Company'' variety show in 1972. A remixed version of the song was featured in a commercial for the Gap in 2004, (featured on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seals And Crofts
Seals and Crofts were an American soft rock duo formed in Los Angeles, California in 1969 by James Eugene Seals (October 17, 1942 – June 6, 2022) and Darrell George "Dash" Crofts (born August 14, 1938). They are best known for their hits " Summer Breeze" (1972), " Diamond Girl" (1973), and " Get Closer" (1976), each of which peaked at No. 6 on the ''Billboard'' Hot 100 chart. Both Seals and Crofts were publicly outspoken advocates for the Baháʼí Faith. Though the duo disbanded in 1981, they reunited briefly in 1989–1992, and again in 2004, when they released their final album, ''Traces''. Seals and his younger brother, the charting singer-songwriter "England" Dan Seals, later performed publicly together as Seals & Seals. Early careers Jim Seals and Dash Crofts were both born in Texas; Crofts in Cisco in 1938 and Seals in Sidney in 1942. They first met when Crofts was a drummer for a local band. Later, Seals joined a rockabilly band called Dean Beard and the Crew Cats, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Isley Brothers
The Isley Brothers ( ) are an American soul group originally from Cincinnati, Ohio, that began as a vocal trio consisting of the brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, the group has enjoyed one of the "longest, most influential, and most diverse careers in the pantheon of popular music". Together with a fourth brother, Vernon, the group performed gospel music until Vernon's death a few years after its formation. After moving to New York City in the late 1950s, the group had their first successes during these early years, and rose to prominence in 1959 with their fourth single, "Shout (Isley Brothers song), Shout", written by the three brothers, which became their first single to chart on the Billboard Hot 100, ''Billboard'' Hot 100, and sold over a million copies. In the 1960s, the group recorded songs for a variety of record labels, labels, including the top 20 single "Twist and Shout" and the Motown s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Whitburn
Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wauwatosa, Wisconsin, on November 29, 1939."Joel (Carver) Whitburn". '' Contemporary Authors''. Detroit: Gale. 2002. He started collecting records in his teens, first subscribed to '' Billboard'' in 1953, and when the Hot 100 was introduced in 1958 started recording the chart placings of records on index cards. After graduating from Menomonee Falls High School in 1957, he attended Elmhurst College and the University of Wisconsin–Milwaukee, but did not receive a degree from either institution. Career Whitburn worked on record distribution for RCA in the mid 1960s, using his chart statistics to inform radio stations, before founding his own company, Record Research, Inc., in Menomonee Falls, Wisconsin, in 1970. He put together a tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to the 1970s. It is related to middle of the road (MOR) music and encompasses instrumental recordings of standards, hit songs, non- rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Gordon (musician)
James Beck Gordon (July 14, 1945 – March 13, 2023) was an American musician, songwriter and convicted murderer. Gordon was a session drummer in the late 1960s and 1970s and played drums in the blues rock supergroup Derek and the Dominos. In 1983, in a psychotic episode associated with undiagnosed schizophrenia, Gordon murdered his mother and was sentenced to 16 years to life in prison, remaining incarcerated until his death in 2023. Music career Gordon was raised in the San Fernando Valley of Los Angeles and attended Grant High School. He passed up a music scholarship to UCLA in order to begin his professional career in 1963, at age 17, backing the Everly Brothers. He went on to become one of the most sought-after recording session drummers in Los Angeles. The protégé of studio drummer Hal Blaine, Gordon performed on many notable recordings in the 1960s, including '' Pet Sounds'' by the Beach Boys (1966); '' The Spirit of '67'' by Paul Revere & the Raiders; '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Brooks (bassist)
Harvey Brooks (born Harvey Goldstein; July 4, 1944) is an American bass guitarist. Music career Bob Dylan Brooks came out of a New York music scene in the early 1960s. One of the younger players on his instrument, he was a contemporary of Felix Pappalardi and Andy Kulberg and other eclectic bass players in their late teens and early twenties, who saw a way to bridge the styles of folk, blues, rock, and jazz. Brooks got his first boost to fame when he was asked to play as part of Bob Dylan's backing band on the sessions that yielded the album ''Highway 61 Revisited'' (1965). In contrast to the kind of folkie-electric sound generated by the band on his previous album, ''Bringing It All Back Home'' (1965), Dylan and producer Bob Johnston were looking for a harder, in-your-face electric sound. Brooks, along with guitarist Michael Bloomfield and organist Al Kooper, provided exactly what was needed. Brooks was also part of Dylan's early backing band which performed at Forest Hills, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Knechtel
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles–based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Byrds, the Grass Roots, Jerry Garcia, and Elvis Presley. He also was a member of the 1970s band Bread. Biography Born in Bell, California, in 1940, Knechtel began his musical education with piano lessons. In 1957, he joined the Los Angeles–based rock and roll band Kip Tyler and the Flips. In August 1959, he joined instrumentalist Duane Eddy as a member of his band the Rebels. After four years on the road with the band, and continuing to work with Eddy in the recording studio, Knechtel became part of the Los Angeles session musician scene, working with Phil Spector as a pianist to help create Spector ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
