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Studio De Musique Ancienne De Montréal
The Studio de musique ancienne de Montréal is a professional early music vocal music, vocal ensemble based in Montreal, Quebec, Canada. History The group was co-founded in 1974 by the Organ (music), organ and harpsichord players Christopher Jackson (keyboardist), Christopher Jackson, Réjean Poirier and Hélène Dugal, and became an important part of the early music revival in Montréal during the 1970s. Jackson became the ensemble's sole director in 1988. During the 1980s and 90s the group gave almost 90 concerts in France and Spain including performing and recording early music connected to Montréal and New France. In 2015, Andrew McAnerney was appointed Artistic Director following the death of Christopher Jackson. Concerts The Studio produces an annual season of ten concerts in Montréal, and appears regularly at festivals throughout Canada and internationally. Notable collaborations have included Jordi Savall, Emma Kirkby, Ton Koopman, Skip Sempé, Guillemette Laurens, Matt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canada
Canada is a country in North America. Its ten provinces and three territories extend from the Atlantic Ocean to the Pacific Ocean and northward into the Arctic Ocean, covering over , making it the world's second-largest country by total area. Its southern and western border with the United States, stretching , is the world's longest binational land border. Canada's capital is Ottawa, and its three largest metropolitan areas are Toronto, Montreal, and Vancouver. Indigenous peoples have continuously inhabited what is now Canada for thousands of years. Beginning in the 16th century, British and French expeditions explored and later settled along the Atlantic coast. As a consequence of various armed conflicts, France ceded nearly all of its colonies in North America in 1763. In 1867, with the union of three British North American colonies through Confederation, Canada was formed as a federal dominion of four provinces. This began an accretion of provinces and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillemette Laurens
Guillemette Laurens (born 6 November 1957 in Fontainebleau, France) is a French operatic mezzo-soprano. Guillemette trained at the Academy of Toulouse and debuted as Baba in ''The Rake's Progress'' at Salle Favart. She took part in the premiere recording of Lully's '' Atys'' conducted by William Christie. She is a highly respected singer of Baroque music, both as a soprano and a mezzo-soprano. She has made notable recordings of Monteverdi operas. Selecting Recordings * Jean-Féry Rebel'': Ulysse''. Les Solistes du Marais: Guillemette Laurens, Stéphanie Révidat, Bertrand Chuberre, Bernard Deletré, Céline Ricci, Eugénie Warnier, Vincent Lièvre-Picard, Thomas van Essen, Le Chœur du Marais, La Simphonie du Marais, conducted by Hugo Reyne. Recorded 9–10 July 2007. aint-Sulpice-le-Verdon, Vendée Conseil Général de la Vendée, Ⓟ 2007. Musiques à la Chabotterie 605003 *Camille Saint-Saëns, '' Oratorio de Noël'', Marie Paule Dotti, soprano, Guillemette Laurens, me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arvo Pärt
Arvo Pärt (; born 11 September 1935) is an Estonian composer of contemporary classical music. Since the late 1970s, Pärt has worked in a minimalist style that employs tintinnabuli, a compositional technique he invented. Pärt's music is in part inspired by Gregorian chant. His most performed works include '' Fratres'' (1977), '' Spiegel im Spiegel'' (1978), and '' Für Alina'' (1976). From 2011 to 2018, Pärt was the most performed living composer in the world, and the second most performed in 2019—after John Williams. The Arvo Pärt Centre, in Laulasmaa, was opened to the public in 2018. Early life, family and education Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes of the family's piano as the middle register was damaged. Pärt's musical education began at the age of seven when he began attending music school in Rakvere. By his early teena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Gabrieli
Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms. Biography Gabrieli was born in Venice. He was one of five children, and his father came from the region of Carnia and went to Venice shortly before Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli, who was employed at St Mark's Basilica from the 1560s until his death in 1585. Giovanni may indeed have been brought up by his uncle, as is implied by the dedication to his 1587 book of concerti, in which he described himself as "little less than a son" to his uncle.Bryant, Grove online Giovanni also went to Munich to study with the renowned Orlando de Lassus at the court of Duke Albert V; most likely he stayed there un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavenly Spheres
''Heavenly Spheres'' (L'Harmonie des Sphères) is an a cappella choral album by the Studio de musique ancienne de Montréal under the direction of Christopher Jackson. Recorded in 1998, it features songs from the late 15th to early 16th century. It was awarded a Félix Award from the ADISQ and was nominated for the Juno Award for Classical Album of the Year – Vocal or Choral Performance in 2000. Juno Awards of 2000#Best Classical Album .28Vocal or Choral Performance.29 The album includes performances of compositions by Nicolas Gombert, Roland de Lassus, Giovanni Pierluigi da Palestrina, Josquin des Prez, and others. Track listing #''Musae Jovis'', the lament on the death of Josquin des Prez, for 6 voices by Nicolas Gombert #''Inviolata, integra et casta es'', motet for 5 voices by Josquin des Prez #Motet ''Tulerunt Dominum meum'' for 8 voices by Nicolas Gombert #''Nesciens Mater Virgo Virum'', for 8 voices by Jean Mouton #''Andreas Christi famulus'' for 8 voices, mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of King Louis XIV as a page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the kings of France. While in the service of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz Biber ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied Violin Repertoire, Centering on Work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, '' Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ATMA Classique
ATMA Classique is a Canadian record label based in Montreal, Quebec Quebec ( ; )According to the Government of Canada, Canadian government, ''Québec'' (with the acute accent) is the official name in Canadian French and ''Quebec'' (without the accent) is the province's official name in Canadian English is .... Founded in 1994 by Johanne Goyette, the company has close to 600 titles in its catalogue and distributes in over 25 countries and on the internet. Several recordings released by the company have won Juno and Felix Awards. References External linksATMA ClassiqueOfficial Website {{Authority control Canadian independent record labels Record labels established in 1995 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Orchestra
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Taylor (countertenor)
Daniel John Taylor (born November 1969), is a Canadian countertenor and early music specialist. Taylor runs the Theatre of Early Music and teaches at the University of Toronto. Life and career Daniel Taylor completed his undergraduate studies in English, philosophy and music at the Faculty of Music of McGill University (Montreal) and his graduate work in religion and music at the Université de Montréal. He continued overseas at the Royal Academy of Music and Royal College of Music in London with leaders of the baroque movement including the countertenor Michael Chance. Taylor's Glyndebourne debut in the 1997 Peter Sellars's production of Handel's '' Theodora'' was followed by his operatic debut in Handel's '' Rodelinda''. His other operatic roles have included Nerone in Monteverdi's ''L'incoronazione di Poppea'', Hamor in Handel's "Jephtha", Oberon in Britten's "A Midsummer Night's Dream" and Tolomeo in Handel's ''Giulio Cesare''. Taylor's repertory includes sacred works, lut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
