Stranice Našeg Vremena
''Stranice našeg vremena'' is the third studio album by the Serbian band Smak, released in 1978. Track listing Personnel * Boris Aranđelović - vocals * Radomir Mihajlović "Točak" - guitar * Tibor Levay - keyboards * Zoran Milanović - bass * Slobodan Stojanović "Kepa" - drums Guest * David Moss - Congas, Timbales, Maracas, Castanets, Gong, Cabasa The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle. The metal cabasa was created by Mar ... External links * {{DEFAULTSORT:Stranice naseg vremena Smak albums 1978 albums Serbian-language albums ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers that are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers and arrangers as well as work-stations. These keyboards typically work by translating the physical act of pressing keys into electrical signals that produce sound. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Modern keyboards, especially digital ones, can simulate a wide range of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Smak Albums
Smak ( sr-Cyrl, Смак; trans. ''The end time'') was a Serbian and Yugoslav band from Kragujevac. The group reached the peak of popularity in the 1970s when it was one of the most notable acts of the former Yugoslav rock scene. The band's leader, guitarist Radomir Mihailović, nicknamed Točak ("The Wheel"), is considered one of the most influential guitarists on the former Yugoslav rock scene. Formed in 1971 by the guitarist Radomir "Točak" Mihajlović and drummer Slobodan "Kepa" Stojanović, the band did not get a stable lineup until 1975 by which time bassist Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski became the band's official members. However, after recording their eponymous debut album, Ristovski left and the remaining quartet recorded their subsequent albums with various keyboardists before disbanding in 1981. After brief reunions between 1986 and 1992, the two founding members, Mihajlović and Stojanović, reestablished the b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cabasa
The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle. The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova pieces. Precise rhythmic effects can be gained by the advanced player. The player places his non-dominant hand on the metal chain, to provide pressure, while holding the wooden handle with the other hand and twisting the instrument back and forth depending on the rhythmic pattern desired. In addition to Latin music, many band and orchestra pieces call for the cabasa. The African original version of the cabasa is called ''agbe'', and is constructed from dr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the '' crotalum''. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: ''castaño''), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usuall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Moss (musician)
David Moss (born January 21, 1949, in New York City) is an American composer, percussionist and self-taught vocalist, founder of the David Moss Dense Band; co-founder and artistic director of the ''Institute for Living Voice'', Antwerp. His performances are noted for their innovative style, multimedia approach and improvisation. Moss has lived in Berlin, Germany since 1991, when he received a fellowship from the prestigious Berlin Artist Program of the DAAD. Biography Between 1963 and 1968 Moss studied percussion at Hartt College of Music and Hartford Symphony with Joe Porcaro, Al Lepak, Richard Lepore. In the following years he took percussion with Tanjore Ranganathan at Wesleyan University and composition with Bill Dixon at Bennington College. From 1971 to 1973, Moss played percussion for the Bill Dixon Ensemble. In the early 1980s he played on the first album by The Golden Palominos. Since his education has finished, he performed in many cities worldwide; in 1991 and 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Slobodan Stojanović
Slobodan ( sr-Cyrl, Слободан) is a Serbo-Croatian masculine given name which means "free" (''sloboda'' / meaning "freedom, liberty") used among other South Slavs as well. It was coined by Serbian liberal politician Vladimir Jovanović who, inspired by John Stuart Mill's essay ''On Liberty'' baptised his son as Slobodan in 1869 and his daughter Pravda (Justice) in 1871. It became popular in both the Kingdom of Yugoslavia (1918–1945) and the Socialist Federal Republic of Yugoslavia (1945–1991) among various ethnic groups within Yugoslavia and therefore today there are also Slobodans among Croats, Slovenes and other Yugoslav peoples. During the decade after World War II, the name Slobodan (means "freedom") became the most popular Serbian male name, and it remained so until 1980. Common derived nicknames are Sloba, Slobo, Boban, Boba, Bobi and Čobi. The feminine counterpart is Slobodanka. A rare short form of the name Slobodan is Bodan, used sometimes in North Mace ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |