|
Steamin' With The Miles Davis Quintet
''Steamin' with the Miles Davis Quintet'' is an album by the Miles Davis Quintet, released in 1961 through Prestige Records. The recording was made at two sessions on May 11 and October 26, 1956 that produced four albums: ''Steamin'', '' Relaxin' with The Miles Davis Quintet'', '' Workin' with The Miles Davis Quintet'' and '' Cookin' with the Miles Davis Quintet''. Reception The contemporaneous ''DownBeat'' reviewer praised all of the musicians except pianist Red Garland, and concluded: "This album is a must for anyone seriously interested in jazz". Track listing Prestige – LP 7200: Personnel *Miles Davis – trumpet *John Coltrane – tenor saxophone (except 3 and 6) *Red Garland – piano *Paul Chambers – bass *Philly Joe Jones Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American Jazz drumming, jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout. First Great Quintet/Sextet (1955–58) In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Cliffor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932, he appeared in the short film ''The Crooning Composer''. Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as " Let a Smile Be Your Umbrella" and " You Brought a New Kind of Love to Me," (co-written with Pierre No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents ("dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salt Peanuts
"Salt Peanuts" is a bebop tune composed by Dizzy Gillespie in 1941, co-written by drummer Kenny Clarke. The song was copyrighted on October 13, 1941 and credited to both musicians. It has also been erroneously cited as a composition by Charlie Parker. Parker himself publicly credited Gillespie as the composer on May 15, 1953, as may be heard on the '' Jazz at Massey Hall'' live recording. The original lyrics have no exophoric meaning. Instead, they are a skat/bebop vocal which matches the octave note interval played predominantly throughout the song. The Pointer Sisters subsequently included vocalese lyrics for their rendition of "Salt Peanuts" as recorded on their album '' That's a Plenty''. Composition "Salt Peanuts" is a contrafact of "I Got Rhythm" by George and Ira Gershwin: it has the same 32-bar AABA structure and harmony, but its melody is different. It is a simple piece – "a four-measure riff phrase played twice in each A section, and a slightly more complex bridge ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include '' Oklahoma!'', '' Carousel'', '' South Pacific'', '' The King and I'', '' Flower Drum Song'', and '' The Sound of Music''. Described by his protégé Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote the 1927 music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway theatre, Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs ( ; short for " discographies") is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. Database contents are user-generated, and described in ''The New York Times'' as "Wikipedia-like". While the site was originally created with the goal of becoming the largest online database of electronic music, it now includes releases in all genres and on all formats. By 2015, it had a new goal: that of "cataloging every single piece of physical music ever created." As of 2025, its database contains over 18 million user-submitted album listings. History Discogs was started in 2000 by Kevin Lewandowski who worked as a programmer at Intel Intel Corporation is an American multinational corporation and technology company headquartered in Santa Clara, California, and Delaware General Corporation Law, incorporated in Delaware. Intel designs, manufactures, and sells computer compo .... It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cookin' With The Miles Davis Quintet
''Cookin' with the Miles Davis Quintet'' is a studio album by the Miles Davis Quintet which was released in July 1957 through Prestige Records. The recording sessions were at Rudy Van Gelder's studio in Hackensack, New Jersey in 1956. As the musicians had to pay for the studio time (a result of a rather modest contract with Prestige), their recordings are practically live. Two sessions on 11 May and 26 October 1956 resulted in four albums — this one, '' Relaxin' with the Miles Davis Quintet'', '' Steamin' with the Miles Davis Quintet'' and '' Workin' with the Miles Davis Quintet''. It was the first of the four LPs to be released. In response to the album title, Davis said, "After all, that's what we did—came in and cooked." Reid Miles designed the album's cover and Phil Hays provided the illustration. Reception In a review for AllMusic, Lindsay Planer wrote: "As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band... to work so effi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Workin' With The Miles Davis Quintet
''Workin' with the Miles Davis Quintet'' is an album by the Miles Davis Quintet, released in January 1960 by Prestige Records. It was recorded in two sessions on May 11 and October 26, 1956, that produced four albums: this one, '' Relaxin' with the Miles Davis Quintet'', '' Steamin' with the Miles Davis Quintet'' and '' Cookin' with the Miles Davis Quintet''. Track 2 is a composition written for Davis by Eddie Vinson (see '' Blue Haze'' for more details). "Trane's Blues" (also known as "Vierd Blues", a tongue-in-cheek reference to Blue Note founder Francis Wolff's heavily accented verdict on it), also credited to Davis, is in fact a John Coltrane composition (originally titled "John Paul Jones", and from an earlier session led by bassist Paul Chambers; before the closing statement of theme, Coltrane and Davis play a bit of Charlie Parker's "The Hymn"). Background As his star rose in 1955, Davis formed a new quintet, featuring saxophonist John Coltrane, pianist Red Garland, ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
