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St Peter's Church, Liverdun
St Peter's Church (french: église Saint-Pierre de Liverdun) is a 12th-century Roman Catholic parish church in Liverdun, Meurthe-et-Moselle, France. It has been classified a ''monument historique'' by the Ministry of Culture since 1924. Location The church stands at the heart of the upper town, which had fortifications in the Middle Ages. Its entrance portal looks out onto a square on which stand a mission cross and the portal of the clergy house, both classified ''monuments historiques'' as well. History St Peter's Church is a former collegiate church with a Romanesque tower and a modern belltower. Its 12th-century nave and side aisles have capitals. The transept also dates back to the 12th century; yet its chevet was modified in the 18th and 19th centuries. The church houses the tombstone of Saint Euchaire— a 16th-century Renaissance '' gisant'' in a funeral niche. The interior is also decorated with 18th-century paintings and old mural paintings. The building ...
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Liverdun
Liverdun () is a commune in the Meurthe-et-Moselle department in north-eastern France. Population See also *Communes of the Meurthe-et-Moselle department The following is a list of the 591 communes of the Meurthe-et-Moselle department of France. The communes cooperate in the following intercommunalities (as of 2022):Communes of Meurthe-et-Moselle Three Bishoprics {{MeurtheMoselle-geo-stub ...
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Collegiate Church
In Christianity, a collegiate church is a Church (building), church where the daily office of worship is maintained by a college (canon law), college of canon (priest), canons: a non-monastic or secular clergy, "secular" community of clergy, organised as a self-governing corporate body, which may be presided over by a Dean (religion), dean or Provost (religion), provost. In its governance and religious observance a collegiate church is similar to a cathedral, although a collegiate church is not the seat of a bishop and has no Diocese, diocesan responsibilities. Collegiate churches were often supported by extensive lands held by the church, or by tithe income from impropriation, appropriated benefices. They commonly provide distinct spaces for congregational worship and for the choir offices of their clerical community. History In the early medieval period, before the development of the parish system in Western Christianity, many new church foundations were staffed by groups of sec ...
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Liverdun Détail Du Portail église 009
Liverdun () is a commune in the Meurthe-et-Moselle department in north-eastern France. Population See also *Communes of the Meurthe-et-Moselle department The following is a list of the 591 communes of the Meurthe-et-Moselle department of France. The communes cooperate in the following intercommunalities (as of 2022):Communes of Meurthe-et-Moselle Three Bishoprics {{MeurtheMoselle-geo-stub ...
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Base Palissy
The ''Base Palissy'' is the database of French movable heritage, created and maintained by the French Ministry of Culture. It was created in 1989, and placed online in 2002. The database is periodically updated, and contains more than 515,000 entries as of October 2020. It covers several types of objects: stained glass, paintings, sculptures, religious and civil objects, scientific collections and industrial heritage. Many, but not all of the described objects are also listed as historical monuments. The database was named after 16th century potter and writer Bernard Palissy. See also * Base Mérimée, database of French monumental and architectural heritage * List of heritage registers This list is of heritage registers, inventories of cultural properties, natural and man-made, tangible and intangible, movable and immovable, that are deemed to be of sufficient heritage value to be separately identified and recorded. In many i ... globally * Monument historique, the official c ...
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Pipe Organs
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Base Mérimée
The ''Base Mérimée'' is the database of French monumental and architectural heritage, created and maintained by the French Ministry of Culture. It was created in 1978, and placed online in 1995. The database is periodically updated, and contains more than 320,000 entries as of October 2020. It covers religious, domestic, agricultural, educational, military and industrial architecture, and is subdivided into three domains: historical monuments, general inventory, and architecture (including remarkable contemporary architecture). The database was named after writer, historian and inspector-general of historical monuments Prosper Mérimée, who published the first survey of historic monuments in 1840. See also * Base Palissy, database of French movable heritage * List of heritage registers globally * Monument historique, the official classification for French historic monuments References External links *Search engine Base Mérimée History websites of France Government ...
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Tomb Effigy
A tomb effigy, usually a recumbent effigy or, in French, ''gisant'' (French language, French, "lying"), is a sculpted figure on a tomb monument depicting in effigy the deceased. These compositions were developed in Western Europe in the Middle Ages, and continued in use through the Renaissance and early modern period; they are still sometimes used. They typically represent the deceased in a state of "eternal repose", lying with hands folded in prayer and awaiting resurrection. A husband and wife may be depicted lying side by side. An important official or leader may be shown holding his attributes of office or dressed in the formal attire of his official status or social class. The life-size recumbent effigy was first found in the tombs of royalty and senior clerics, and then spread to the nobility. A particular type of late medieval effigy was the ''transi'', or cadaver monument, in which the effigy is in the macabre form of a decomposing corpse, or such a figure lies on ...
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Saint Euchaire
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Orthodox, Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Jewish tzadik, the Islamic walī, the Hindu rishi or Sikh ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose wind ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectu ...
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