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St Michael And All Angels Church, Badminton
St Michael and All Angels is a Grade I listed church on the estate of the Duke of Beaufort in the village of Great Badminton, Gloucestershire, England. Attached to the Duke of Beaufort's residence, Badminton House, it is an active Anglican parish church in the diocese of Gloucester. Although within the grounds of the Badminton Estate, the church is owned, and its upkeep met, by the Badminton's Parochial Church Council, rather than the Ducal estate. There is a smaller church of the same name in the neighbouring hamlet of Little Badminton. Building The current church was built in 1785 by Charles Evans in the style of St Martin-in-the-Fields, London, in miniature, but with a plain tower. The medieval predecessor church, which was then demolished, lay slightly further to the west.St. Michael and All Angels, Great Badminto(webpage) 19 July 2013 The nave of the church has a tunnel-vault with ornamental panelled plasterwork and classical four-bay arcades and aisles with four small s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grinling Gibbons
Grinling Gibbons (4 April 1648 – 3 August 1721) was an Anglo-Dutch sculptor and wood carver known for his work in England, including Windsor Castle, the Royal Hospital Chelsea and Hampton Court Palace, St Paul's Cathedral and other London churches, Petworth House and other country houses, Trinity College, Oxford and Trinity College, Cambridge. Gibbons was born to English parents in Holland, where he was educated. His father was a merchant. Gibbons was a member of the Drapers' Company of London; he is widely regarded as the finest wood carver working in England, and the only one whose name is widely known among the general public. Most of his work is in lime (''Tilia'') wood, especially decorative Baroque garlands made up of still-life elements at about life size, made to frame mirrors and decorate the walls of churches and palaces, but he also produced furniture and small relief plaques with figurative scenes. He also worked in stone, mostly for churches. By the time he was estab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus () is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome. Architecture In architecture, an ornament (art), ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the ''Acanthus (plant), Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both ''Acanthus mollis'' and the still more deeply cut ''Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his ''Stilfragen'' that acanthus ornament originated as a sculptural version of the palmette, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of The Garter
The Most Noble Order of the Garter is an order of chivalry founded by Edward III of England in 1348. The most senior order of knighthood in the Orders, decorations, and medals of the United Kingdom, British honours system, it is outranked in United Kingdom order of precedence, precedence only by the Award, decorations of the Victoria Cross and the George Cross. The Order of the Garter is dedicated to the image and Coat of arms, arms of Saint George, England's patron saint. Appointments are at the Monarchy of the United Kingdom, Sovereign's sole discretion, typically made in recognition of national contribution, service to the Crown, or for distinguished personal service to the Monarch. Membership of the order is limited to the sovereign, the Prince of Wales, and no more than 24 living members, or Companions. The order also includes Supernumerary Knights and Ladies (e.g., members of the British royal family and foreign monarchs). The order's emblem is a garter (stockings), gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effigy
An effigy is a sculptural representation, often life-size, of a specific person or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were used in the past for punishment in formal justice when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political protests. In India, for i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Livery
A livery is an identifying design, such as a uniform, ornament, symbol, or insignia that designates ownership or affiliation, often found on an individual or vehicle. Livery often includes elements of the heraldry relating to the individual or corporate body featured in the livery. Alternatively, some kind of a personal emblem or badge, or a distinctive colour, is featured. The word itself derives from the French language, French ''livrée'', meaning ''dispensed, handed over''. Most often it would indicate that the wearer of the livery was a servant, dependant, follower or friend of the owner of the livery, or, in the case of objects, that the object belonged to them. In the late medieval phenomenon of bastard feudalism, livery badges worn by the "retainers" of great lords, sometimes in effect private armies, became a great political concern in England. Etymology "In the ''Black Book'' of 1483, it was laid down that each person should receive '... for his Livery at night, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Willement
Thomas Willement (18 July 1786 – 10 March 1871) was an English stained glass artist and writer, called "the father of Victorian stained glass", active from 1811 to 1865. Life Willement was born at St Marylebone, London, the son of Thomas Willement, a painter of coaches and heraldry. As a young man Willement worked at his father's business at 25 Green Street, Grosvenor Square. Like many early 19th century provincial stained glass artists, Willement started out as a plumbing, plumber and architectural glass, glazier: two distinct trades both requiring lead-working skills. Willement became a leading and proficient Stained glass, stained-glass artist, reviving the medieval method of composing a window from separate pieces of coloured glass rather than painting pictures on glass with coloured enamels. Willement married Katharine Griffith in 1817. Their son, Arthur Thomas, was born in 1833 and died at University of Oxford, Oxford in 1854, aged 21. Katherine died in 1852. Willement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic leadlight, lead light and ''objet d'art, objets d'art'' created from glasswork, for example in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding Salt (chemistry), metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, say, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured Silver staining, silver stain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Moore
Temple Lushington Moore (7 June 1856 – 30 June 1920) was an English architect who practised in London but whose work can be seen across England, particularly in the North. He is famous for a series of fine Gothic Revival churches built between about 1890 and 1917 and also restored many churches and designed church fittings. He did some work on domestic properties, and also designed memorial crosses. Life and career Temple Moore was born in Tullamore, County Offaly, Ireland, and was the son of an army officer. He was educated at High School of Glasgow, Glasgow High School, then from 1872 privately by the Revd Richard Wilton in Londesborough in the East Riding of Yorkshire. In 1875, he moved to London and was Articled clerk, articled to architect George Gilbert Scott, Jr. Although Moore set up his own practice in 1878, he continued to work closely with Scott, helping to complete his works when Scott's health deteriorated. From the early 1880s he travelled widely studying bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communion Rail
The altar rail (also known as a communion rail or chancel rail) is a low barrier, sometimes ornate and usually made of stone, wood or metal in some combination, delimiting the chancel or the sanctuary and altar in a church, from the nave and other parts that contain the congregation. Often, a central gate or gap divides the line into two parts. Chancel rails are a very common, but not universal, feature of Roman Catholic, Lutheran, Anglican, and Methodist churches. They are usually about high, with a padded step at the bottom, and designed so that the wider top of the rail can support the forearms or elbows of a kneeling person. The altar rail is a modest substitute for earlier barriers demarcating the chancel, the area containing the altar, which was reserved, with greatly varying degrees of strictness, for officiating clergy, including boys as choristers and altar servers. Although it only emerged after the Protestant Reformation, it has been found convenient by both Roman Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with Niche (architecture), niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is Etymology, derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin . (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
