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St Michael's Church, Bracewell
St Michael's Church is in Bracewell Lane, Bracewell, Lancashire, England. It is an active Anglican parish church in the deanery of Skipton, the archdeaconry of Craven, and the Diocese of Leeds. Its benefice is united with those of Holy Trinity, Barnoldswick, and St Mary le Ghyll, Barnoldswick. The church is recorded in the National Heritage List for England as a designated Grade I listed building. History St Michael's was built in 1143 as a chantry chapel for the Tempest family, and became a parish church in 1153. Fabric from this period remains, but most of the church dates from the 15th or early 16th century. The base of the tower has been converted into a remembrance chapel. Architecture The church is constructed in stone, with stone slate roofs. Its plan consists of a nave and chancel under a single roof, a north aisle, a south porch, and a west tower. The tower is in two stages, with a two-light west window in the lower stage and two-light bell op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bracewell And Brogden
Bracewell and Brogden is a civil parish in the West Craven area of the Borough of Pendle in Lancashire, England. According to the 2001 census it had a population of 238, increasing slightly to 244 at the 2011 census. The parish includes Bracewell (at ) and Brogden (at ); historically, both were in the West Riding of Yorkshire. Toponymy Bracewell: from a personal name, either ''Braegd'' or ''Breiđ'', + 'well' = 'spring or stream': hence, 'Braegd's/Breiđ's spring or stream' Brogden: 'The valley of the brook'. History The old Roman road from Ribchester to Ilkley passes through the parish, with the remains of a 4th-century Romano-British farmstead known as Bomber Camp located next to the boundary with Gisburn. See also * Listed buildings in Bracewell and Brogden *Scheduled monuments in Lancashire __NOTOC__ This is a list of scheduled monuments in the English county of Lancashire. In the United Kingdom, a scheduled monument is a "nationally important" archaeological ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grade I Listed Buildings In Lancashire
This is a list of Grade I listed buildings in Lancashire, England. In the United Kingdom, the term "listed building" refers to a building or other structure officially designated as being of special architectural, historical or cultural significance. These buildings are in three grades: Grade I consists of buildings of outstanding architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading. Blackburn with Darwen Blackpool Burnley Chorley Fylde Hyndburn Lancaster Pendle Preston Ribble Valley South Ribble West Lancashire Wyre Notes References Note: The Heritage Gateway website is published by the Heritage Gateway Partners, namely English Heritage, the Institute of Historic Building Conservation, and The Association of Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert (Mouseman) Thompson
__NOTOC__ Robert (Mouseman) Thompson (7 May 1876 – 8 December 1955), also known as Mousey Thompson, was a British furniture maker. He was born and lived in Kilburn, North Yorkshire, England, where he set up a business manufacturing oak furniture, which featured a carved mouse on almost every piece. It is claimed that the mouse motif came about accidentally in 1919 following a conversation about "being as poor as a church mouse", which took place between Thompson and one of his colleagues during the carving of a cornice for a screen. This chance remark led to him carving a mouse and this remained part of his work from this point onwards. Thompson was part of the 1920s revival of craftsmanship, inspired by the Arts and Crafts movement led by William Morris, John Ruskin and Thomas Carlyle. More specific to furniture making in this genre and era include Stanley Webb Davies of Windermere. The workshop, now being run by his descendants, includes a showroom and visitors' cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobean Architecture
The Jacobean style is the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James VI and I, with whose reign (1603–1625 in England) it is associated. At the start of James' reign there was little stylistic break in architecture, as Elizabethan trends continued their development. However, his death in 1625 came as a decisive change towards more classical architecture, with Italian influence, was in progress, led by Inigo Jones; the style this began is sometimes called Stuart architecture, or English Baroque (though the latter term may be regarded as starting later). Courtiers continued to build large prodigy houses, even though James spent less time on summer progresses round his realm than Elizabeth had. The influence of Flemish and German Northern Mannerism increased, now often executed by immigrant craftsmen and artists, rather than obtained from books as in the previous reign. There continued to be very little ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battlement
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or '' embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
