|
St Margaret's Church, Halstead
St Margaret's Church is an Anglican parish church in the village of Halstead and the Sevenoaks deanery, although the church also serves the village of Badgers Mount. St Katharine's and St Margaret's came together in 1983 as a United Benefice under one parish priest. The pattern of services reflects the fact that it is two parishes working closely together. History and architecture St Margaret's is built across the road from the site of the original demolished medieval church, the only remaining sections of which include the monuments held inside the current church; these monuments date back to the mid-15th century. The chancel was built in 1855 by R. C. Hussey, and is described by architectural historian John Newman as having "flintwork hatis laboriously galleted with flint flakes", and was originally built as a burial chapel. The nave and the lean-to south aisle are combined under a single roof built by W. M. Teulon between 1880 and 1881. The south-west porch is timber-frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret The Virgin
Margaret, known as Margaret of Antioch in the West, and as Saint Marina the Great Martyr () in the East, is celebrated as a saint on 20 July in Western Christianity, on 30th of July (Julian calendar) by the Eastern Orthodox Church, and on Epip 23 and Hathor (month), Hathor 23 in the Coptic Orthodox Church. She was reputed to have promised very powerful indulgences to those who wrote or read her hagiography, life or invoked her intercessions; these no doubt helped the spread of her following. Margaret is one of the Fourteen Holy Helpers in Roman Catholic tradition. Hagiography According to a 9th-century martyrology of Rabanus Maurus, Margaret suffered at Antioch of Pisidia, Antioch in Pisidia (in what is now Turkey) in c. 304, during the Diocletianic Persecution. She was the daughter of a pagan priest named Aedesius. Her mother having died soon after her birth, Margaret was nursed by a Christian woman five or six League_(unit), leagues () from Antioch. Having embraced Christiani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lean-to
A lean-to is a type of simple structure originally added to an existing building with the rafters "leaning" against another wall. Free-standing structures open on one or more sides (colloquially referred to as lean-tos in spite of being unattached to anything) are generally used as shelters. A lean-to addition is an appendix to an existing structure constructed to fulfill a new need. Sometimes, it covers an external staircase, as in a 15th century addition against one of the walls of the large chapter room of the cathedral of Meaux. Other uses include protecting entrances, or establishing covered markets outside existing buildings. Examples A lean-to is originally defined as a structure in which the rafters lean against another building or wall, also referred to in prior times as a penthouse."Lean-to" def. A. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0), Oxford University Press 2009 These structures characteristically have shed roofs, also referred to as "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory () is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part of the fourth cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic leadlight, lead light and ''objet d'art, objets d'art'' created from glasswork, for example in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding Salt (chemistry), metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, say, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured Silver staining, silver stain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (British English), or molding (American English), also coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. In historic architecture, and some expensive modern buildings, it may be formed in place with plaster. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded polyvinyl chl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section (geometry), cross section of the pier is square (geometry), square, or rectangle, rectangular, but other shapes are also common. In medieval architecture, massive circle, circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base; in many contexts columns may also be called piers. In buildings with a sequence of Bay (architecture), bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or Pier (architecture), piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians; they include many loggias, but here arches are not an essential element. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. A different, related meaning is "a covered passage with shops on one or both sides". Many medieval open arcades housed shops or stalls, either in the arcaded space itself, or set into the mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Piers St Aubyn
James Piers St Aubyn (6 April 1815 – 8 May 1895), often referred to as J P St Aubyn, was an English architect of the Victorian era, known for his church architecture and confident Victorian restoration, restorations. Early life St Aubyn was born at Powick Vicarage, Worcestershire, in the English Midlands, the home of his maternal grandfather, on 6 April 1815. He was the second son of the Rev Robert Thomas St Aubyn and his wife, Frances Fleming St John, and a cousin of John St Aubyn, 1st Baron St Levan, of St Michael's Mount, Cornwall. He was known to his family and friends by his second Christian name of Piers (sometimes spelt Pearse). He was educated at Penzance Grammar School before beginning his studies in architecture. He married Eliza Phillpott in 1852 at Stoke, Plymouth, Stoke Damerel, Devon. Eliza was born in Sri Lanka, Ceylon in 1816 and died on 13 September 1881 at their home, 108 Cambridge Street, Hanover Square, Westminster, Hanover Square, London. Actor James Bol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestry
A vestry was a committee for the local secular and ecclesiastical government of a parish in England, Wales and some English colony, English colonies. At their height, the vestries were the only form of local government in many places and spent nearly one-fifth of the budget of the British government. They were stripped of their secular functions in 1894 (1900 in London) and were abolished in 1921. The term ''vestry'' remains in use outside of England and Wales to refer to the elected governing body and legal representative of a parish church, for example in the Episcopal Church (United States), American and Scottish Episcopal Churches. Etymology The word vestry comes from Norman language, Anglo-Norman vesterie, from Old French ''vestiaire'', ultimately from Latin language, Latin ''vestiarium'' ‘wardrobe’. In a church building a Sacristy, vestry (also known as a sacristy) is a secure room for the storage or religious valuables and for changing into vestments. The vestry m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell-gable
The bell gable (, , ) is an architectural element crowning the upper end of the wall of church buildings, usually in lieu of a church tower. It consists of a gable end in stone, with small hollow semi-circular arches where the church bells are placed. It is a characteristic example of the simplicity of Romanesque architecture. Overview The bell-gables or ''espadañas'' are a feature of Romanesque architecture in Spain. They replaced the bell tower beginning the 12th century due to the Cistercian reformation that called for a more simplified and less ostentatious churches, but also for economical and practical reasons as the Reconquista accelerated and wider territory needed to be re-christianized building more temples and ''espadañas'' were cheaper and simpler to build. Today, they are a common sighting in small village churches throughout Spain and Portugal. This simple and sober architectural element would later be brought to the Americas and the Philippines by the Iberian c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timber-framed
Timber framing () and "post-and-beam" construction are traditional methods of building with heavy Beam (structure), timbers, creating structures using squared-off and carefully fitted and Woodworking joints, joined timbers with joints secured by large wooden pegs. If the Structural system, structural frame of Load-bearing wall, load-bearing timber is left exposed on the exterior of the building it may be referred to as half-timbered, and in many cases the infill between timbers will be used for decorative effect. The country most known for this kind of architecture is Germany, where timber-framed houses are spread all over the country. The method comes from working directly from logs and trees rather than pre-cut Lumber#Dimensional lumber, dimensional lumber. Artisans or framers would gradually assemble a building by hewing logs or trees with broadaxes, adzes, and draw knife, draw knives and by using woodworking tools, such as hand-powered Brace (tool), braces and Auger (dril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
