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St Luke's Church, Kentish Town
St Luke's Kentish Town is an active Church of England parish church on Oseney Crescent in Kentish Town, North London, closed from 1991 to 2011 and now hosting a Holy Trinity Brompton church plant. The church has been designated by English Heritage as a Grade II* listed building, History The church was built between 1867 and 1869 using £12,500 compensation provided by the railway company for the demolition of St Luke's Church, Euston Road, along with money from the sale of the church building on the Euston Road. John Johnson had built the church on Euston Road and hoped to be commissioned to design the new church in Kentish Town. However, he was disappointed when he was in fact passed over in favour of the 25-year-old Basil Champneys. It was his first church and one of his first buildings. His father, William Weldon Champneys, who commissioned the church, was the vicar of the parish of St Pancras. The original construction phase included the three east stained glass windo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglicanism
Anglicanism, also known as Episcopalianism in some countries, is a Western Christianity, Western Christian tradition which developed from the practices, liturgy, and identity of the Church of England following the English Reformation, in the context of the Protestant Reformation in Europe. It is one of the largest branches of Christianity, with around 110 million adherents worldwide . Most are members of national or regional Ecclesiastical province#Anglican Communion, ecclesiastical provinces of the international Anglican Communion, one of the largest Christian bodies in the world, and the world's third-largest Christian communion. When united and uniting churches, united churches in the Anglican Communion and the breakaway Continuing Anglican movement were not counted, there were an estimated 97.4 million Anglicans worldwide in 2020. Adherents of Anglicanism are called ''Anglicans''; they are also called ''Episcopalians'' in some countries. The provinces within the Anglican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heaton, Butler And Bayne
Heaton, Butler and Bayne was a British firm that produced stained-glass windows from 1862 to 1953. History Clement Heaton (1824–1882) Fleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 371. founded his own stained glass firm in 1852, joined by James Butler (1830–1913) in 1855. Between 1859 and 1861 they worked alongside Clayton and Bell and were joined by Robert Turnill Bayne (1837–1915), who became their sole designer and a full partner in the firm in 1862. The firm was known as Heaton, Butler and Bayne from 1862. His windows show strong design and colour, and are often recognisable by the inclusion of at least one figure with Bayne's features and long beard. They established their studio in Covent Garden, London, and went on to become one of the leading firms of Gothic Revival stained glass manufacturers, whose work was commissioned by the principal Victorian architects. A change in direction came with their pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brick Gothic
Brick Gothic (, , ) is a specific style of Gothic architecture common in Baltic region, Northeast and Central Europe especially in the regions in and around the Baltic Sea, which do not have resources of standing rock (though Glacial erratic, glacial boulders are sometimes available). The buildings are essentially built using bricks. Buildings classified as Brick Gothic (using a strict definition of the architectural style based on the geographic location) are found in Belgium (and the very north of France), Netherlands, Germany, Poland, Lithuania, Latvia, Estonia, Kaliningrad oblast, Kaliningrad (former East Prussia), Switzerland, Denmark, Sweden and Finland. As the use of baked red brick arrived in Northwestern and Central Europe in the 12th century, the oldest such buildings are classified as the Brick Romanesque. In the 16th century, Brick Gothic was superseded by Brick Renaissance architecture. Brick Gothic is marked by lack of figurative architectural sculpture, widespr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the 'gable roof', is named after its prominent gables. A parapet made of a series of curves (shaped gable, see also Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through post and lintel, trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saddleback Roof
A saddleback roof is usually on a tower, with a ridge and two sloping sides, producing a gable at each end. See also * List of roof shapes Roof shapes encompass a broad range of designs, including flat (or shed roof, shed), gabled, hip roof, hipped, arched, domed, and a wide variety of other configurations An essential aspect of roof design is the roof angle or roof pitch, pitch, w ... * Saddle roof References Architectural elements Roofs {{architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tile
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, Rock (geology), stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games (see tile-based game). The word is derived from the French Language, French word ''tuile'', which is, in turn, from the Latin Language, Latin word ''tegula'', meaning a roof tile composed of fired clay. Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of pottery, ceramic, typically Ceramic glaze, glazed for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churches Conservation Trust
The Churches Conservation Trust is a registered charity whose purpose is to protect historic churches at risk in England. The charity cares for over 350 churches of architectural, cultural and historic significance, which have been transferred into its care by the Church of England. The Trust works to prevent any deterioration in the condition of the buildings in its care and to ensure they are in use as community assets. Local communities are encouraged to use them for activities and events and the buildings provide an educational resource, allowing children and young people to study history, architecture and other subjects. Most of the churches saved from closure are Grade I or Grade II* listed. Many are open to visitors as heritage sites on a daily basis and nearly 2 million people visit the Trust's churches each year. The majority of the churches remain consecrated, though they are not used for regular worship. History The trust was established by the Pastoral Measur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eagle Lectern
An eagle lectern is a lectern in the shape of an eagle on whose outstretched wings the Bible or other texts rest. They are common in Christian churches and may be in stone, wood or metal, usually brass. History Eagle lecterns in stone were a well-established feature of large Romanesque art, Romanesque pulpits in Italy. The carved marble eagle on the Pulpit in the Pisa Baptistery by Nicola Pisano (1260) is a famous example, and they also feature on his Siena Cathedral Pulpit (1268), and his son's at Pulpit of Sant' Andrea, Pistoia (Giovanni Pisano), Sant' Andrea, Pistoia (Giovanni Pisano, 1301). These are projections from the stone ledge or the pulpit, but wood and brass examples usually top a stand that brings them to the appropriate height. Middle Ages, Medieval examples survive in a number of English churches, including the church of St Margaret in King's Lynn and the parish church in Ottery St Mary; they appear to have been often regarded as harmless by the iconoclasts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with Niche (architecture), niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is Etymology, derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin . (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Henry Dearle
John Henry Dearle (22 August 1859 – 15 January 1932) was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898. Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August 183317 June 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris & Co., Morris, Marshall, Faulkner & Co in the design of decorative arts. His early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery, a new rival to the Royal Academy of Arts. These included ''The Beguiling of Merlin''. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestry, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerestory
A clerestory ( ; , also clearstory, clearstorey, or overstorey; from Old French ''cler estor'') is a high section of wall that contains windows above eye-level. Its purpose is to admit light, fresh air, or both. Historically, a ''clerestory'' formed an upper level of a Roman basilica or of the nave of a Romanesque architecture, Romanesque or Gothic architecture, Gothic church (building), church, the walls of which rise above the rooflines of the lower aisles and which are pierced with windows. In addition to architecture, #Transportation, clerestories have been used in transportation vehicles such as buses and trains to provide additional lighting, ventilation, or headroom. History Ancient world Clerestories appear to originate in Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. They appeared in Egypt at least as early as the Amarna Period. Minoan palaces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
