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St Lawrence's Church, Appleby
St Lawrence's Church is in Boroughgate, Appleby-in-Westmorland, Cumbria, England. It is an active Anglican parish church in the deanery of Appleby, the archdeaconry of Carlisle, and the diocese of Carlisle. The parish is one of ten parishes which form the Heart of Eden benefice. Sunday worship is at 10.45am and on Fridays at 10am. The church is recorded in the National Heritage List for England as a designated Grade I listed building. History The lower part of the tower dates from about 1150. The south porch is from the 13th century, and the body of the church dates from the 14th and 15th centuries. In 1655 Lady Anne Clifford restored the church, and rebuilt the north chapel and the chancel. Ceilings were added by Christopher Hodgson in 1830–31. There were further restorations in 1861–62, and in 1960. Architecture Exterior The church is constructed in stone with lead roofs. Its plan consists of a nave with a clerestory, north and south aisles, a chance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eden District
Eden was a local government district in Cumbria, England, based at Penrith Town Hall in Penrith. It was named after the River Eden, which flowed north through the district toward Carlisle. Its population of 49,777 at the 2001 census, increased to 52,564 at the 2011 Census. A 2019 estimate was 53,253. In July 2021 it was announced that, in April 2023, Cumbria would be divided into two unitary authorities. On 1 April 2023, Eden District Council was abolished and its functions transferred to the new authority Westmorland and Furness, which also covers the former districts of Barrow-in-Furness and South Lakeland. Extent The Eden District area of 2,156 sq. km (832 square miles) made it, after 2009, the eighth largest in England and the largest non-unitary district. It also had the lowest population density of any district in England and Wales, with a mean of 25 persons per square kilometre. In 2011, the population was 5 per cent above its 2001 level. The district council was cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerestory
A clerestory ( ; , also clearstory, clearstorey, or overstorey; from Old French ''cler estor'') is a high section of wall that contains windows above eye-level. Its purpose is to admit light, fresh air, or both. Historically, a ''clerestory'' formed an upper level of a Roman basilica or of the nave of a Romanesque architecture, Romanesque or Gothic architecture, Gothic church (building), church, the walls of which rise above the rooflines of the lower aisles and which are pierced with windows. In addition to architecture, #Transportation, clerestories have been used in transportation vehicles such as buses and trains to provide additional lighting, ventilation, or headroom. History Ancient world Clerestories appear to originate in Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. They appeared in Egypt at least as early as the Amarna Period. Minoan palaces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effigy
An effigy is a sculptural representation, often life-size, of a specific person or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were used in the past for punishment in formal justice when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political protests. In India, for i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alabaster
Alabaster is a mineral and a soft Rock (geology), rock used for carvings and as a source of plaster powder. Archaeologists, geologists, and the stone industry have different definitions for the word ''alabaster''. In archaeology, the term ''alabaster'' includes objects and artefacts made from two different minerals: (i) the fine-grained, massive type of gypsum, and (ii) the fine-grained, banded type of calcite.''More About Alabaster and Travertine'': Brief Guide explains the different definitions used by geologists, archaeologists, and the stone trade. Oxford University Museum of Natural History, 2012/ref> Chemically, gypsum is a Water of crystallization, hydrous sulfate of calcium, whereas calcite is a carbonate of calcium. As types of alabaster, gypsum and calcite have similar properties, such as light color, translucence, and soft stones that can be sculpture, carved and sculpted; thus the historical use and application of alabaster for the production of carved, decorative art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Clifford, Countess Of Cumberland
Margaret Clifford (''née'' Russell), Countess of Cumberland (7 July 1560 – 24 May 1616) was an English noblewoman and maid of honor to Elizabeth I. Lady Margaret was born in Exeter, England to Francis Russell, 2nd Earl of Bedford and Margaret St John. On 24 June 1577 she married George Clifford, 3rd Earl of Cumberland the son of Henry Clifford, 2nd Earl of Cumberland and Anne Dacre. Her sister, Anne Russell, Countess of Warwick, was married to Ambrose Dudley, brother of Robert Dudley, the Earl of Leicester, and Anne too was a great literary patron and a close friend to Queen Elizabeth I, attending her on her death bed. In 1603 she travelled from London with her daughter Lady Anne Clifford and the Countess of Warwick to join others greeting Anne of Denmark and Prince Henry at Dingley, the house of Thomas Griffin on 24 June. Afterwards they rode with Anne Vavasour (later Lady Warburton) through Coventry to see Princess Elizabeth at Coombe Abbey. At this time her husban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Wailes
William Wailes (1808–1881) was the proprietor of one of England's largest and most prolific stained glass workshops. Life and career Wailes was born and grew up in Newcastle on Tyne, England's centre of domestic glass and bottle manufacturing. His first business was as a grocer and tea merchant. However, his artistic talent and practical skills led him to set up a small kiln in the backyard of his premises. He made and fired small decorative enamels which were sold in his shop. In 1830 he went to Germany to study stained glass design and production under Mayer of Munich. In 1838 he set up his own stained glass studio to design and manufacture windows and in 1841 the business began producing its own glass. In 1842 the architect Augustus Pugin approached Wailes about producing windows for him. Working with Pugin was a thankless task, as Pugin went from one workshop to another in an attempt to get his designs realised at the lowest possible cost. The working relationship laste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heaton, Butler And Bayne
Heaton, Butler and Bayne was a British firm that produced stained-glass windows from 1862 to 1953. History Clement Heaton (1824–1882) Fleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 371. founded his own stained glass firm in 1852, joined by James Butler (1830–1913) in 1855. Between 1859 and 1861 they worked alongside Clayton and Bell and were joined by Robert Turnill Bayne (1837–1915), who became their sole designer and a full partner in the firm in 1862. The firm was known as Heaton, Butler and Bayne from 1862. His windows show strong design and colour, and are often recognisable by the inclusion of at least one figure with Bayne's features and long beard. They established their studio in Covent Garden, London, and went on to become one of the leading firms of Gothic Revival stained glass manufacturers, whose work was commissioned by the principal Victorian architects. A change in direction came with their pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frosterley Marble
Frosterley Marble is a black, bituminous coraliferous limestone containing fossil crinoids of the Lower Carboniferous (Mississippian ), some 325 million years ago. It outcrops in Weardale, County Durham, England, including near the village of Frosterley whence it is named. Geology Unlike a true marble, it is not a metamorphic rock, but is so-called because it can take a fine polish. Concentrations of such corals as '' Dibunophyllum bipartitum'' and of brachiopod remains contribute to its attractiveness when sections are polished. Use It is cut and polished for use as ornate stone, and was much desired for church decoration, particularly during the Middle Ages. The decorative columns found in Durham Cathedral Durham Cathedral, formally the , is a Church of England cathedral in the city of Durham, England. The cathedral is the seat of the bishop of Durham and is the Mother Church#Cathedral, mother church of the diocese of Durham. It also contains the ... date from about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an Church architecture, ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of Infant baptism, infant and Believer's baptism, adult baptism. Aspersion and affusion fonts The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in Octagon, octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. Some fonts are three-sided as a reminder of the Holy T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between post (structural), posts, columns, or buttresses in the length of a building, the division in the widths being called aisle, aisles. This meaning also applies to overhead vaults (between rib vault, ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or Pier (architecture), piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians; they include many loggias, but here arches are not an essential element. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. A different, related meaning is "a covered passage with shops on one or both sides". Many medieval open arcades housed shops or stalls, either in the arcaded space itself, or set into the mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorated Gothic
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe. The Gothic style was introduced from France, where the various elements had first been used together within a single building at the choir of the Abbey of Saint-Denis north of Paris, completed in 1144. The earliest large-scale applications of Gothic architecture in England were Canterbury Cathedral and Westminster Abbey. Many features of Gothic architecture had e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
