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Spitta's Johann Sebastian Bach
''Johann Sebastian Bach'' is a 19th-century biography of Johann Sebastian Bach by Philipp Spitta. The work was published in German in two volumes, in 1873 and 1880 respectively. The English translation by Clara Bell and J. A. Fuller Maitland, ''Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750'', was published by Novello & Co in three volumes. Content and style Spitta's Bach biography gives a chronological account. This includes the discussion of Bach's compositions: these are discussed within the chronological account at the time they were composed. Only for the sixth and last part, covering the last decennia of the Leipzig period, some compositions are grouped by type in subsections. Spitta writes in long paragraphs and very few divisions in subsections. Coming from a Protestant background himself, he is able, like Albert Schweitzer after him, to give insight in the religious context of Bach's time. Significance for Bach studies Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kindleinwiegen
''Kindleinwiegen'' or (Rocking the Christchild) is a tradition during the Nativity of Jesus celebrations which can be traced back to the liturgical dramas of the later medieval period. It is a tradition primarily from the German speaking parts of central Europe which appeared across the region in a variety of forms, chiefly though not exclusively, in monasteries and churches. It was at its most widespread between the fifteenth and nineteenth centuries, and survived more strongly in Roman Catholic regions than in those areas that switched to protestantism, following the interventions of Martin Luther and others. The celebration involved a form of congregational dancing accompanied by singing around a picture of Jesus placed on a crib or adjacent altar. The performance was led by the priests, and the singing, at least initially, appears to have consisted of duet sung by two priests. The ceremony is still carried out, believed now to be uniquely, in the Church of St Mary of the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archive
An archive is an accumulation of historical records or materials, in any medium, or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the history and function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on the grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel () is a German Music publisher, music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. Overview The catalogue contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. Breitkopf pianos were highly esteemed in the 19th century by such pianists as Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported composers and had close editorial collaboration with Ludwig van Beethoven, Beethoven, Joseph Haydn, Haydn, Felix Mendelssohn, Mendelssohn, Robert Schumann, Schumann, Frédéric Chopin, Chopin, Franz Liszt, Liszt, Richard Wagner, Wagner a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basic Books
Basic Books is a book publisher founded in 1950 and located in New York City, now an imprint of Hachette Book Group. It publishes books in the fields of psychology, philosophy, economics, science, politics, sociology, current affairs, and history. History Basic Books originated as a small Greenwich Village-based book club marketed to psychoanalysts. Arthur Rosenthal took over the book club in 1950, and under his ownership it soon began producing original books, mostly in the behavioral sciences. Early successes included Ernest Jones's ''The Life and Work of Sigmund Freud'', as well as works by Claude Lévi-Strauss, Jean Piaget and Erik Erikson. Irving Kristol joined Basic Books in 1960, and helped Basic to expand into the social sciences. Harper & Row purchased the company in 1969. In 1997, HarperCollins announced that it would merge Basic Books into its trade publishing program, effectively closing the imprint and ending its publishing of serious academic books. That sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann August Ernesti
Johann August Ernesti (; ; 4 August 1707 – 11 September 1781) was a German Rationalist Lutheran theologian and philology, philologist. Ernesti was the first who formally separated the hermeneutics of the Old Testament from those of the New Testament, New. Biography Ernesti was born in Bad Tennstedt, Tennstedt, Electorate of Saxony, Saxony (in present-day Thuringia), where his father, Johann Christoph Ernesti, was pastor, besides being superintendent of the electoral dioceses of Thuringia, Salz and Sangerhausen. At the age of sixteen, Ernesti was sent to the celebrated Saxon cloister school of Pforta (''Schulpforta''). At twenty he entered the University of Wittenberg, and studied afterwards at the University of Leipzig. In 1730 he was made master in the faculty of philosophy. In the following year he accepted the office of conrector in the Thomasschule zu Leipzig, Thomas school of Leipzig, of which Johann Matthias Gesner was then rector, an office to which Ernesti succeeded in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord Jesus Christ according to the Evangelist Matthew". Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation process of the ''St Matthew Passion''. The available information derives from extant early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's Magnificat
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque instruments, Baroque orchestra including trumpets and timpani. It is the first major Bach's church music in Latin, liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve Movement (music), movement composition in the key signature, key of E-flat major. For a performance at Christmas he inserted four hymns (''Trope (music), laudes'') related to that feast. This version, including the Christmas interpolations, was given the number Magnificat in E-flat major, BWV 243a, 243.1 (previously 243a) in the BWV, catalogue of Bach's works. Likely for the feast of Visitation (Christianity), Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Marchand
Louis Marchand (2 February 1669 – 17 February 1732) was a French organist, harpsichordist and composer. Born into an organist's family, Marchand was a child prodigy and quickly established himself as one of the best known French virtuosos of his time. He worked as organist of numerous churches and, for a few years, as one of the four ''organistes du roy''. Marchand had a violent temperament and an arrogant personality, and his life was filled with scandals, publicized and widely discussed both during his lifetime and after his death. Despite his fame, few of his works survive to this day, and those that do almost all date from his early years. Nevertheless, a few pieces of his, such as the organ pieces ''Grand dialogue'' and ''Fond d'orgue'' have been lauded as classic works of the French organ school. Life Marchand came from a musical family: his grandfather, Pierre (d.1676) had been a schoolmaster and music teacher and his three sons, Jean (Marchand's father), Pierre and Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
