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Spectacle Multimedia Si Montréal M'était Conté Pointe-à-Callière
In general, spectacle refers to an event that is memorable for the appearance it creates. Derived in Middle English from c. 1340 as "specially prepared or arranged display" it was borrowed from Old French ''spectacle'', itself a reflection of the Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''spectacle'', itself a reflection of the Latin ''spectaculum'' "a show" from ''spectare'' "to view, watch" frequentative form of ''specere'' "to look at." The word ''spectacle'' has also been a term of art in theater dating from the 17th century in English drama. The masque and spectacle Court masques and masques of the nobility were most popular in the James I of England, Jacobean and Charles I of England, Caroline era. Such masques, as their name implies, relied heavily upon a non-verbal theater. The character lists for masques would be quite small, in keeping with the ability of a small family of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman Conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the University of Valencia states the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly coincided with the High Middle Ages, High and Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English literary variety broke down and writing in English became fragmented and localized and was, for the most part, being improvised. By the end of the period (about 1470), and aided by the movabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Stuart Restoration was the reinstatement in May 1660 of the Stuart monarchy in Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II of England, Charles II. The Commonwealth of England had been governed by Lord Protector Oliver Cromwell and then his son Richard Cromwell. The term is also used to describe the reign of Charles II (1660–1685), and sometimes that of his younger brother King James II, James II (1685–1688). The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John Lambert (general), John Lambert then dominated government for a year. On 20 October 1659, George Monck, the governor of Scotland under the Cromwells, marched south with his army from Scotland to oppose Fleetwood and Lambert. Lambert's a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consumption (economics)
Consumption refers to the use of resources to fulfill present needs and desires. It is seen in contrast to investing, which is spending for acquisition of ''future'' income. Consumption is a major concept in economics and is also studied in many other social sciences. Different schools of economists define consumption differently. According to mainstream economics, mainstream economists, only the final purchase of newly produced Good (economics), goods and Service (economics), services by individuals for immediate use constitutes consumption, while other types of expenditure — in particular, fixed investment, intermediate consumption, and government spending — are placed in separate categories (see consumer choice). Other economists define consumption much more broadly, as the aggregate of all economic activity that does not entail the design, production and marketing of goods and services (e.g., the selection, adoption, use, disposal and recycling of goods and services). E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Media
Electronic media are media that use electronics or electromechanical means for the audience to access the content. This is in contrast to static media (mainly print media), which today are most often created digitally, but do not require electronics to be accessed by the end user in the printed form. The primary electronic media sources familiar to the general public are video recordings, audio recordings, multimedia presentations, slide presentations, CD-ROM and online content. Most new media are in the form of digital media. However, electronic media may be in either analogue electronics data or digital electronic data format. Although the term is usually associated with content recorded on a storage medium, recordings are not required for live broadcasting and online networking. Any equipment used in the electronic communication process (e.g. television, radio, telephone, game console, handheld device) may also be considered electronic media. History of Developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Crary
Jonathan Crary is an American art critic and essayist and is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University. His first notable works were ''Techniques of the Observer: On Vision and Modernity in the 19th Century'' (1990), and ''Suspensions of Perception: Attention, Spectacle, and Modern Culture'' (2000). He has published critical essays for more than 30 exhibition catalogues, mostly on contemporary art. His style is often classified as observational mixed with scientific, and a dominant theme in his work is the role of the human eye. Biography Crary attended high school at the Putney School in Vermont. He graduated from Columbia College, where he was an art history major. In 1987, he received his Ph.D. from Columbia as well. Crary also earned a B.F.A. from the San Francisco Art Institute, where he studied film and photography. He first taught in the Visual Arts Department at the University of California, San Diego. In 1989, he began teaching at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectacle (critical Theory)
The spectacle is a central notion in the Situationist International, Situationist theory, developed by Guy Debord in his 1967 book ''The Society of the Spectacle''. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government which accompanied this reign." It also exists in a more limited sense, where ''spectacle'' means the mass media, which are "its most glaring superficial manifestation." The critique of the spectacle is a development and application of Karl Marx's concept of fetishism of commodities, Reification (Marxism), reification and Marx's theory of alienation, alienation,Guy Debord (1967''Society of the Spectacle''. (Paris, June 1967). Chapter I: Separation Perfected./ref> and the way it was reprised by György Lukács in 1923. In the society of the spectacle, commodities rule the workers and consumers, instead of being ruled by them; in this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arrivée D'un Train En Gare De La Ciotat
(translated from French into English as ''The Arrival of a Train at La Ciotat Station'', ''Arrival of a Train at La Ciotat'' Sand ''The Arrival of the Mail Train'', and in the United Kingdom as ''Train Pulling into a Station'') is an 1896 French short silent documentary film directed and produced by Auguste and Louis Lumière. Contrary to myth, it was not shown at the Lumières' first public film screening on 28 December 1895 in Paris, France: the programme of ten films shown that day makes no mention of it. Its first public showing took place in January 1896 in Lyon. It is indexed as Lumière No. 653. Synopsis This 50-second silent film shows the entry of a train pulled by a steam locomotive into the Gare de La Ciotat, the train station of the French southern coastal town of La Ciotat, near Marseille. Like most of the early Lumière films, consists of a single, unedited view illustrating an aspect of everyday life, a style of filmmaking known as actuality. There is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
