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Sonnet Sequence
A sonnet sequence or sonnet cycle is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. This article is about sonnet sequences as integrated wholes. For the form of individual sonnets, see Sonnet. Sonnet sequences are typically closely based on Petrarch, either closely emulating his example or working against it. The subject is usually the speaker's unhappy love for a distant beloved, following the courtly love tradition of the troubadours, from whom the genre ultimately derived. An exception is Edmund Spenser's ''Amoretti'', where the wooing is successful, and the sequence ends with an Epithalamion, a marriage song. The arrangement of the sonnets generally reflects thematic concerns, with chronological arrangements (whether linear, like a progression, or c ...
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Sonnet
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II, Holy Roman Emperor, Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form c ...
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Epithalamion
An epithalamium (; Latin form of Greek ἐπιθαλάμιον ''epithalamion'' from ἐπί ''epi'' "upon," and θάλαμος ''thalamos'' " nuptial chamber") is a poem written specifically for the bride on the way to her marital chamber. This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho. According to Origen, the Song of Songs might be an epithalamium on the marriage of Solomon with the Pharaoh's daughter. History It was originally among the Greeks a song in praise of bride and bridegroom, sung by a number of boys and girls at the door of the nuptial chamber. According to the scholiast on Theocritus, one form was employed at night, and another, to rouse the bride and bridegroom on the following morning. In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happi ...
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Middle Scots
Middle Scots was the Anglic language of Lowland Scotland in the period from 1450 to 1700. By the end of the 15th century, its phonology, orthography, accidence, syntax and vocabulary had diverged markedly from Early Scots, which was virtually indistinguishable from early Northumbrian Middle English. Subsequently, the orthography of Middle Scots differed from that of the emerging Early Modern English standard that was being used in England. Middle Scots was fairly uniform throughout its many texts, albeit with some variation due to the use of Romance forms in translations from Latin or French, turns of phrases and grammar in recensions of southern texts influenced by southern forms, misunderstandings and mistakes made by foreign printers. History The now established Stewart identification with the lowland language had finally secured the division of Scotland into two parts, the Gaelic Highlands and the Anglic Lowlands. The adherence of many Highlanders to the Catholi ...
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Alexander Montgomerie
Alexander Montgomerie (Scottish Gaelic: Alasdair Mac Gumaraid) (c. 1550?–1598) was a Scottish Jacobean courtier and poet, or makar, born in Ayrshire. He was a Scottish Gaelic speaker and a Scots speaker from Ayrshire, an area which was still part of the Scottish Gàidhealtachd in his day. He was one of the principal members of the Castalian Band, a circle of poets in the court of James VI in the 1580s which included the king himself. Montgomerie was for a time in favour as one of the king's "favourites". He was a Catholic in a largely Protestant court and his involvement in political controversy led to his expulsion as an outlaw in the mid-1590s. Montgomerie's poetry, much of which examines themes of love, includes autobiographical sonnets and foreshadows the later metaphysical poets in England. He is sometimes, by tradition, given the epithet "Captain". Early life Montgomerie was a younger son of the Ayrshire laird Hugh Montgomerie of Hessilhead (d. 1558) and ...
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Thomas Watson (poet)
Thomas Watson (1555–1592) was an English poet and translator, and the pioneer of the English madrigal. His lyrics aside, he wrote largely in Latin, also being the first to translate Sophocles's ''Antigone'' from Greek. His incorporation of Italianate forms into English lyric verse influenced a generation of English writers, including Shakespeare, who was referred to in 1595 by William Covell as "Watson's heyre" (heir). He wrote both English and Latin compositions, and was particularly admired for the Latin. His unusual 18-line sonnets were influential, although the form was not generally taken up. Early life Thomas Watson was born in mid-1555, probably in the parish of St Olave, Hart Street, London, to a prosperous London couple, William Watson and Anne Lee. His father's death in November 1559 was followed by his mother's in 1561, and Watson and his older brother went to live with their maternal uncle in Oxfordshire. From 1567, Watson attended Winchester College in Westmin ...
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Anne Lok
Anne Locke (Lock, Lok) (née Vaughan) (c.1533 – after 1590) was an English poet, translator and Calvinist religious figure. She has been called the first English author to publish a sonnet sequence, ''A Meditation of a Penitent Sinner'' (1560), although authorship of that work has arguably been attributed to Thomas Norton. Early life Anne was a daughter of Stephen Vaughan, a merchant, royal envoy, and prominent early supporter of the Protestant Reformation. Her mother was Margaret (or Margery) Gwynnethe (or Guinet), sister of John Gwynneth, rector of Luton (1537–1558) and of St. Peter, Westcheap in the City of London (1543–1556). Stephen and Margaret's marriage followed the death of her first husband, Edward Awparte, citizen and Girdler, in 1532, by whom she had five children. Anne was the eldest surviving child of her second marriage, and had two siblings, Jane and Stephen (b. 4 October 1537). Vaughan obtained a position for his wife as silkwoman to both Anne Boleyn ...
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The Countess Of Montgomery's Urania
''The Countess of Montgomery's Urania'', also known as ''Urania'', is a prose romance by English Renaissance writer Lady Mary Wroth. Composed at the beginning of the 17th century, it is the first known prose romance written by an English woman. The full work exists in two volumes, the first published in 1621 and the second written, but unpublished, during Wroth's lifetime. The novel also contains several versions of Wroth's sonnet sequence '' Pamphilia to Amphilanthus'', distributed throughout the prose and reproduced in sequence at the end of the volume. Composition The precise dates for ''Urania's'' composition are unknown, but Wroth probably began writing the first volume between 1615 and 1620. Initially, it was written for the enjoyment of Wroth's family circle, and could have been composed, in part, at the home of William Herbert, 3rd Earl of Pembroke, in London. The early manuscript of ''Urania'' may have circulated amongst Wroth's household, family, and friends as evening ...
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Pamphilia To Amphilanthus
''Pamphilia to Amphilanthus'' is a sonnet sequence by the English Renaissance poet Lady Mary Wroth, first published as part of ''The Countess of Montgomery's Urania'' in 1621, but subsequently published separately. It is the second known sonnet sequence by a woman writer in England (the first was by Anne Locke). The poems are strongly influenced by the sonnet sequence ''Astrophel and Stella'' (1580) penned by her uncle Sir Philip Sidney. Like Sidney's sequence, Wroth's sonnets passed among her friends and acquaintances in manuscript form before they were published in 1621. In Wroth's sequence, she upends Petrarchan tropes by making the unattainable object of love male (as opposed to female). Composition Wroth began writing sonnets for the sequence as early as 1613, when the poet Josuah Sylvester referred to her poetry in his ''Lachrimae Lachrimarum''. She composed, in total, 105 sonnets. Versions Parts of the sequence appear in four versions: in the 1621 ''The Countess of Montg ...
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Lady Mary Wroth
Lady Mary Wroth (née Sidney; 18 October 1587 – 1651/3) was an English noblewoman and a poet of the English Renaissance. A member of a distinguished literary family, Lady Wroth was among the first female English writers to have achieved an enduring reputation. Mary Wroth was niece to Mary Herbert née Sidney (Countess of Pembroke and one of the most distinguished women writers and patrons of the 16th century), and to Sir Philip Sidney, a famous Elizabethan poet-courtier. Biography Because her father, Robert Sidney, was governor of Flushing, Wroth spent much of her childhood at the home of Mary Sidney, Baynard's Castle in London, and at Penshurst Place. Penshurst Place was one of the great country houses in the Elizabethan and Jacobean period. It was a centre of literary and cultural activity and its gracious hospitality is praised in Ben Jonson's famous poem ''To Penshurst''. During a time when most women were illiterate, Wroth had the privilege of a formal education, which ...
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Shakespeare's Sonnets
William Shakespeare (1565 –1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays ''Romeo and Juliet'', ''Henry V (play), Henry V'' and ''Love's Labour's Lost''. There is also a partial sonnet found in the play ''Edward III (play), Edward III''. Context Shakespeare's sonnets are considered a continuation of the sonnet tradition that swept through the Renaissance from Petrarch in 14th-century Italy and was finally introduced in 16th-century England by Thomas Wyatt (poet), Thomas Wyatt and was given its rhyming metre and division into quatrains by Henry Howard, Earl of Surrey, Henry Howard. With few exceptions, Shakespeare's sonnets observe the stylistic form of the English sonnet—the rhyme scheme, the 14 lines, and the Metre (poetry) ...
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Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592 he began a successful career in Lon ...
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Caelica
''Caelica'' or ''Cælica'' is a sequence of 110 sonnets and poems by Fulke Greville, Lord Brooke. Martha F. Crow thinks the large part of the poems youthful work composed before 1586, while the last poems in the series (more serious in tone) were written later. The collection includes a variety of verse forms and shows the Italian influence of courtiers like John Florio Giovanni Florio (1552 or 1553 – 1625), known as John Florio, was an English linguist, poet, writer, translator, lexicographer, and royal language tutor at the Court of James I. He is recognised as the most important Renaissance humanist in ... at the English court. ''Caelica'' was published posthumously i''Certaine Learned and Elegant Workes''(1633). References {{Authority control Poetry ...
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