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Songs From Dawson's Creek
''Songs from Dawson's Creek'' is the first soundtrack album for the teen drama television series ''Dawson's Creek''. Released by Columbia Records and Sony Music after the broadcasting of the series' first season on The WB network, it features a set of pop rock and folk pop songs by artists such as Sophie B. Hawkins, Jessica Simpson, Shooter, Heather Nova, Adam Cohen, Sixpence None the Richer, and Paula Cole, most of which appeared during the series' second season. A commercial success, it scattered two US charts hit singles, including Sixpence None the Richer's " Kiss Me" and ''Dawson's Creek''s theme song " I Don't Want to Wait", and reached the top of the Australian Albums Chart. The album also peaked within the top in Austria, Norway, Sweden, and the United States. During it first sixth months of release, ''Songs from Dawson's Creek'' sold more than 1.5 million copies worldwide and was certified triple platinum by the Australian Recording Industry Association (ARIA) and gol ...
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Various Artists
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one Performing arts#Performers, performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intend ...
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Sixpence None The Richer
Sixpence None the Richer is an American Christian alternative rock band that formed in New Braunfels, Texas, and eventually settled in Nashville, Tennessee. They are best known for their songs " Kiss Me" and " Breathe Your Name" and their covers of " Don't Dream It's Over" and " There She Goes". The band received two Grammy Award nominations, Best Pop Performance by a Duo or Group with Vocals for "Kiss Me" and Grammy Award for Best Rock Gospel Album for ''Sixpence None the Richer'' (1997). History Formation and early years (1992–1996) Guitarist/songwriter Matt Slocum met Leigh Nash in the early 1990s and recorded a demo, circulated as "The Original Demos", with bassist T.J. Behling at Verge Music Works recording studio in Dallas, and eventually an album, '' The Fatherless and the Widow'', for the independent label R.E.X. Records in 1994. After adding more members, the band toured in support of ''The Fatherless and The Widow''. The band released '' This Beautiful Mess'' ...
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Curtis Stigers
Curtis Stigers (born October 18, 1965) is an American jazz singer. He achieved a number of hits in the early 1990s, most notably the international hit " I Wonder Why" (1991), which reached No. 5 in the UK and No. 9 in the US. Career Stigers was born in Hollywood, California, but grew up in Boise, Idaho. He started his music career as a teenager, playing in rock and blues bands, as well as receiving an education in clarinet and saxophone in high school in Boise. He acquired much of his motivation for pursuing jazz from jam sessions led by Gene Harris at the Idanha Hotel. His song "Swingin' Down at Tenth and Main" is a tribute to those times with Harris. After receiving his diploma, he moved to New York City, intending to become a rock musician. But he spent more time in jazz clubs singing and playing saxophone. Arista released his debut album, which achieved multi-platinum sales. His combination of rock and soul was also popular on the soundtrack to the movie ''The B ...
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Shawn Mullins
Shawn Mullins (born March 8, 1968) is an American singer-songwriter who specializes in folk rock, instrumental rock, adult alternative, and Americana music. His 1998 single "Lullaby" hit number one on the Adult Top 40 and was nominated for a Grammy Award. Early life and military career Mullins was born in Atlanta, Georgia. He cultivated an interest in music beginning in his days at Clarkston High School in Clarkston, Georgia (where he made the acquaintance of friend and mentor Amy Ray of the Indigo Girls). Later, he honed his craft in his college days at University of North Georgia (then known as North Georgia College) as a solo acoustic musician and bandmaster of the military marching band ( Golden Eagle Band). He attended the University of North Georgia on an Army ROTC scholarship with an intention of possibly pursuing a military career. Although he quickly abandoned this notion in favor of songwriting, the contract nonetheless obliged him after graduation to serve a short ...
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Chantal Kreviazuk
Chantal Jennifer Kreviazuk ( ; born May 18, 1974) is a Canadian singer, songwriter, composer, and pianist. Born in Winnipeg, she played music from a young age before signing with Columbia Records in the 1990s. Her debut studio album, ''Under These Rocks and Stones'', was first released in Canada in 1996 and saw commercial success before being issued in the United States the following year to critical praise. Kreviazuk released two more studio albums with the Columbia label, ''Colour Moving and Still'' (1999) and ''What If It All Means Something'' (2002), both of which brought moderate commercial success worldwide. She signed with Sony BMG for her fourth album, ''Ghost Stories (Chantal Kreviazuk album), Ghost Stories'' (2006), which reached number two on the Canadian Albums Chart. Since 2003, Kreviazuk has co-written and composed numerous songs for other artists as well as film soundtracks, and has appeared in several Canadian independent and short films. Her fifth album, ''Plain ...
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Feels Like Home (Chantal Kreviazuk Song)
"Feels like Home" is a song written by Randy Newman for the musical '' Randy Newman's Faust'', in which it was sung by Bonnie Raitt. Linda Ronstadt, also involved in the musical, recorded it for '' Trio II'' in 1994 and released it on her solo album '' Feels like Home'' in March 1995. Raitt's version was released on the musical's album soundtrack in September 1995 and was also used the following year in the soundtrack to the film ''Michael''. Linda Ronstadt's original version, with Emmylou Harris and Dolly Parton, the latter of whom was mixed out of Ronstadt's original release due to label disputes, was released in 1999. The most successful version of the song was a version sung by Chantal Kreviazuk and released as a single from the 1999 soundtrack ''Songs from Dawson's Creek''. The Kreviazuk version reached the top 40 in Ireland and the top 20 in the Canadian adult contemporary chart, and was later included on some editions of her 2002 album '' What If It All Means Something'' ...
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Lose Your Way (song)
"Lose Your Way" is a song by American singer-songwriter Sophie B. Hawkins, which was released in 1999 as the sole single from her third studio album ''Timbre''. The song was written and produced by Hawkins. "Lose Your Way" peaked at No. 26 on the US ''Billboard'' Adult Contemporary chart. Shortly prior to its release as a single and on ''Timbre'', "Lose Your Way" was featured in a 1999 episode of the American teen drama television series ''Dawson's Creek'' and was included on the show's first soundtrack album ''Songs from Dawson's Creek''. In 2000, it was featured in the American romantic drama film '' Bounce'' and included on its soundtrack release. Background Despite its release in 1999, Hawkins' third album ''Timbre'' was completed for an expected release during 1996. On hearing Hawkins' new material, which she produced herself, Columbia disapproved of the album's musical direction and also felt Hawkins needed a new image. Wishing to maintain her artistic integrity, a lengthy b ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ...
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Australian Albums Chart
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the '' Countdown'' chart, was ...
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I Don't Want To Wait
"I Don't Want to Wait" is a song written, recorded, and produced by American singer-songwriter Paula Cole. Cole wrote the song in mid-1996 and released it as second single from her second studio album, '' This Fire'' (1996), on October 14, 1997. The single release was successful, reaching 11 in the United States and No. 5 in Canada. VH1 ranked "I Don't Want to Wait" as one of the 100 Greatest Songs of the '90s at No. 81. The chorus of the song later served as the opening theme for the American teen drama television series ''Dawson's Creek'', which ran from 1998 to 2003. Composition Paula Cole wrote "I Don't Want to Wait" at her spinet piano in her apartment in New York City during mid-1996. Described by Cole as "a very personal song", she wrote the song when she realized that her grandfather was near the end of his life. The song is about him and his wife, and specifically the relationship between their life and Cole's who realized "I don't want to make some of these mistakes ...
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Theme Song
Theme music is a musical composition which is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The purpose of a theme song is often similar to that of a leitmotif. The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance. Purpose From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies. One of the first big successes, which proved very influential, was the theme song for ''High Noon'' (1952). Types Television Theme music has been a featur ...
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