So You Think You Can Dance (U.S
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So You Think You Can Dance (U.S
''So You Think You Can Dance'' is a franchise of reality television shows in which contestants compete in dance. The first series of the franchise, created by '' Idols'' producers Simon Fuller and Nigel Lythgoe, premiered in July 2005 and has broadcast seventeen seasons since. Adaptations of the show began airing in other countries in late 2005 and to date 30 localized adaptations have been produced, representing 41 countries and comprising more than ninety individual seasons. Format Although each varies in the particulars of its format and presentation, all shows in the ''So You Think You Can Dance'' franchise share a premise of placing dancers-—who come from a wide variety of dance backgrounds and are often amateur or semi-professional in experience—-in a competition which requires them to adapt to multiple styles of dance. As the competition progresses, a combination of judge decisions and at-home-viewer votes determine which dancers will advance in the competition fro ...
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Simon Fuller
Simon Robert Fuller (born 17 May 1960) is a British entrepreneur, artist manager, and film and television producer. He is the creator of the Idols (franchise), ''Idols'' TV format, including the British series ''Pop Idol'' and the American series ''American Idol''. Fuller came to prominence in the 1990s for managing the British girl group the Spice Girls, and he has since managed acts in various fields of entertainment, from sports stars David Beckham and Lewis Hamilton to other musicians such as Amy Winehouse and Annie Lennox. Since 2020, Fuller has been working with tech firm TikTok to aid development of new TikTok creatives and in the same year he announced a partnership with Verizon Communications to develop 5G content. In 2021, Pearson PLC announced a partnership with Fuller to create a new global education business in Performing Arts. In 2016, Fuller persuaded Swedish quartet ABBA to reunite to explore working in virtual reality, which led to the ABBA Voyage project. '' ...
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Electric Boogaloo (dance)
Electric boogaloo (sometimes referred to as electric boogie on the East Coast) is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles. It is characterized as a fluid leg-oriented style danced to funk music, utilizing rolls of the hips, knees, legs, and head, which was later combined with popping. Dance steps ;Creepin : A foundational step of Boogaloo done in Oakland inspired by cartoon's Goofy, typically done as an entry and exit step with arms out, legs extended. Sometimes the Creep can be combined with a physical pointing hand gesture to challenge an opponent. ;Crazy legs :A footwalk that was created by Poppin Pete. He invented "Crazy Legs" by watching a b ...
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English Waltz
Waltz is one of the five dances in the Standard (or Modern) category of the International Style ballroom dances. It was previously referred to as slow waltz or English waltz. Waltz is usually the first dance in the dancesport competition rounds. It is danced exclusively in the closed position, unlike its American Style counterpart. History The Waltz originated as a folk dance from Austria. Predecessors include the matenick and a variation called the furiant that were performed during rural festivals in Bohemia. The French dance, "Walt", and the Austrian Ländler are the most similar to the waltz among its predecessors. The "king of dances" acquired different national traits in different countries. Thus there appeared the English waltz, the Hungarian waltz, and the waltz-mazurka. The word "waltz" is derived from the old German word "walzen" meaning "to roll, turn", or "to glide". Waltz has been danced competitively since 1923 or 1924. Music International Standard Waltz is a ...
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Waltz
The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the Printmaking, printmaker Sebald Beham, Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The ...
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Quickstep
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Its origins are in combination of slow foxtrot combined with the Charleston (dance), Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston (dance), Charleston, Collegiate shag (dance), shag, Peabody (dance), peabody, and One-Step, one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the lead and follow, leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, ...
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Argentine Tango
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a Time signature, or rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by ''nostalgia'', sadness, and laments for lost love. The Orquesta típica, typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos di Sarli, Carlos Di Sarli, Osvaldo Pugliese, Elvira Santamaría, and Ástor Piazzolla. History of tango The origins of tango are unclear because little historical documentation from that era exists. In recent years, a few tango aficionados have undertaken a tho ...
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Ballroom Tango
Ballroom tango is a ballroom dance that branched away from its original Argentine roots by allowing European, American, Hollywood, and competitive influences into the style and execution of the dance. The present day ballroom tango is divided into two disciplines: American Style and International Style. Both styles may be found in social and competitive dances, but the International version is more globally accepted as a competitive style. Both styles share a closed dance position, but the American style allows its practitioners to separate from closed position to execute open moves, like underarm turns, alternate hand holds, dancing apart, and side-by-side choreography. History upAmerican tango American style tango American style tango's evolutionary path is derived from Argentina to the United States, when it was popularized by silent film star Rudolph Valentino in 1921, who demonstrated a highly stylized form of Argentine tango in '' The Four Horsemen of the Apocalypse''. ...
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Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ...
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Waacking
Waacking (also ''whacking'') is a street dance style with origins stemming from punking, a dance created in the gay clubs of Los Angeles during the 1970s disco era. The style is typically done to 1970s disco and 1980s post-disco music and is mainly distinguishable by its rotational arm movements, posing and emphasis on expressiveness. History In the early 1970s a dance style known as punking emerged, with "wikt:punk#Noun, punk" being a derogatory term for gay men at the time. The term "whack" was a specific movement within the punking style which involved moving the arms over the head in a rhythmic fashion. Although the wider club-going community took part in punking, they did not want the dance to have negative connotations attached to it and therefore renamed the genre "Waackin". Later, dancer and singer-songwriter Jeffrey Daniel added the "g" to waackin to make it "waacking", the name by which the style is commonly known today. The terms 'Whacking' and 'Wacking' are also occas ...
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Voguing
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. It is inspired by the poses of models in fashion magazines. It gained mainstream exposure when it was featured in Madonna's song and video "Vogue" (1990), and when showcased in the 1990 documentary '' Paris Is Burning'' (which went on to win the Grand Jury Prize at the 1991 Sundance Film Festival). In its modern form, this dance has become a global phenomenon that continues to evolve both stylistically and demographically. History This style of dance arose from African American Harlem ballroom cultures, as danced by African-American and participating Latino gay men and transfeminine individuals, from the early 1960s through the 1980s. The Harlem Renaissance shaped a distinctly African American and Latino LGBTQ culture in Harlem from 1920 to 1935, which included advancement in literature, arts and music and attempted to demonstr ...
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Stepping (African-American)
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture. The performer's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the step depends upon the desired beat and rhythm of the performers. Some forms of stepping include the use of props, such as canes, rhythm sticks and/or fire and blindfolds. The dance tradition of stepping draws from a variety of roots in American and African culture but was fostered and popularized by African American fraternities and sororities, beginning in the 1900s. These group ...
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Popping
Popping is a street dance adapted out of the earlier Boogaloo (funk dance), boogaloo cultural movement in Oakland, California. As boogaloo spread, it would be referred to as "robottin'" in Richmond, California; strutting movements in San Francisco, California, San Francisco and San Jose, California, San Jose; and the Strikin' dances of the Oak Park, Sacramento, California, Oak Park community in Sacramento, California, Sacramento, which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high school gatherings of track and meet events: the West Coast Relays. The dance is rooted in the rhythms of live Funk, funk music, and is based on the technique of boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk, or can be ...
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