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Smokin' O.P.'s
''Smokin' O.P.'s'' is the fifth studio album by American rock singer-songwriter Bob Seger, released in 1972 (see 1972 in music). It marked Seger's return to rock and roll, after the sonic departure of his previous album, '' Brand New Morning''. The album was reissued on CD by Capitol Records in 2005. It is currently the earliest Bob Seger album available on CD. The cover art is a parody of the Lucky Strike cigarette logo. ''Smokin' O.P.'s'' refers to Smokin' Other People's Songs, a derivation on the slang phrase "Smoking O.P.'s" meaning to smoke other people's cigarettes exclusively (never purchasing your own for consumption). Most of the tracks on this release are covers of songs written by other artists. The album cover was created by Thomas Leroy Weschler, who was Seger's road manager at the time. The cover was inspired by an advertisement for Lucky Strike cigarettes. Weschler also went on to co-write ''Traveling Man: On the Road & Behind the Scenes with Bob Seger''. The fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Seger
Robert Clark Seger ( ; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, breaking through with his first album, '' Ramblin' Gamblin' Man'' (which contained his first national hit of the same name) in 1969. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album '' Live Bullet'' (1976), recorded live in 1975 at Cobo Hall. In 1976, he achieved a national breakout with the studio album '' Night Moves''. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley (Bo Diddley Song)
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including ''Bo Diddley'' (1958) and '' His Best'' (1997). Buddy Holly recorded a version that posthumously became his 2nd highest-charting single in the UK after " It Doesn't Matter Anymore". Composition and recording The song is rhythmically similar to hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. Diddley's electric guitar along with his backup musicians on maracas and drums contributed to the patted juba rhythm. This fusion of rock and roll, African rhythms, and guitar was a breakthrough and became known as the Bo Diddley Beat. Lyrically, it is similar to the traditional lullaby " Hush Little Baby". "Bo Diddley" was recorded in Chicago at his first formal session for Leon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Ashford
Jack Ashford (born May 18, 1934) is an American musician who was a percussionist for Motown Records' in-house Funk Brothers band during the 1960s and early 1970s. Ashford is most famous for playing the tambourine on hundreds of Motown recordings. Biography Ashford played tambourine, vibraphone, marimba, maracas, cabasa, bells, chimes, bell tree, finger cymbals, kazoo, triangle, wood block, handclaps, foot stomps and hotel sheet. His definitive performance is on " War" by Edwin Starr. Other notable songs Ashford played tambourine on include " Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by the Supremes, " Going to a Go-Go" by the Miracles, " I Heard It Through the Grapevine" by Marvin Gaye, and " Don't Leave Me This Way" by Thelma Houston. Influenced by Milt Jackson and Lionel Hampton, he played the vibes on Motown recordings such as the Miracles' " Ooo Baby Baby", the Supremes' " Where Did Our Love Go", and Marvin Gaye's " What's Going On". In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse James (folk Song)
"The Ballad of Jesse James", or simply "Jesse James", is a 1882 American folk song about the outlaw of the same name, first recorded by Bentley Ball in 1919 and subsequently by many others, including Bascom Lamar Lunsford, Vernon Dalhart, Woody Guthrie, Pete Seeger, The Kingston Trio, The Pogues, The Ramblin' Riversiders, The Country Gentlemen, Willy DeVille, Van Morrison, Harry McClintock, Grandpa Jones, Bob Seger, The Nitty Gritty Dirt Band, Carl Sandburg, Sons of the Pioneers, Johnny Cash, Jackson C. Frank Liam Clancy, Mungo Jerry and Bruce Springsteen. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Description The lyrics are largely biographical containing a number of details from Jesse James' life, portraying him as an American version of Robin Hood, though there is no evidence to indicate that he actually "stole from the rich and gave to the poor". The song is the starting point of the ''Jesse James'' panel of a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Wade Scott
Joseph Wade Scott (December 2, 1924 – March 6, 1979) was an American R&B trumpeter, bandleader, songwriter, arranger, record producer and A&R man, best known for his work at Duke and Peacock Records in the 1950s and 1960s, notably with Bobby "Blue" Bland. Biography Born in Texarkana, Texas, United States, he settled in Houston, Texas, by about 1950, becoming established as the principal bandleader, A&R man and arranger at Don Robey's Duke and Peacock Records. He wrote and arranged songs for Johnny Ace, Big Mama Thornton, Bobby Bland, and Junior Parker, as well as leading their touring bands. Among the songs that Scott wrote – although in most cases Robey claimed a co-writing credit with him, or in some cases sole credit (unassumingly) – were Bobby Bland's "Lead Me On", "Turn On Your Love Light" and "Ain't Nothing You Can Do"; Larry Davis' " Texas Flood"; Johnny Ace's "Never Let Me Go"; and Junior Parker's "Annie Get Your Yo-Yo". Scott's arrangements featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadric Malone
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However, in many cases, he was merely a publisher and was not involved in the writing. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On Your Love Light
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including Them and the Grateful Dead, who made it part of their concert repertoire. Composition and recording "Turn On Your Love Light" was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante" with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top". Backing Bland are probably Joe Scott and Melvin Jackson on trumpets, Pluma Davis on trombone, Johnny Board and Jimmy Beck on saxophones, Rayfield Davers on baritone saxophone, Teddy Reynolds on piano, Wayne Bennett on guitar, Hamp Simmons on bass, and John "Jabo" Starks on drums. Charts and recognitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the "Honorific nicknames in popular music, Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music (song), Rock and Roll Music" (1957), and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar guitar solo, solos and Guitar showmanship, showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School (St. Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Rock (Chuck Berry Song)
"Let It Rock" is a song written and recorded by rock and roll pioneer Chuck Berry. Chess Records released it as single, which reached number 64 on the U.S. ''Billboard'' Hot 100 chart in February 1960. Chess later added it to Berry's album '' Rockin' at the Hops'' (1960). In 1963, Pye Records released it as a single in the UK, where it reached number six. "Let It Rock" was recorded by Berry on guitar and vocal, with long-time backing musicians Johnnie Johnson on piano, Willie Dixon on double bass, and Fred Below on drums. In a song review for AllMusic, critic Matthew Greenwald called it a "rock & roll masterpiece... Utilizing the same geographic images as 'Roll Over Beethoven' and ' Johnny B Goode,' (among others), Chuck Berry creates an atmosphere that is definitive rock & roll poetry". Renditions A live version of "Let It Rock" was recorded by the Rolling Stones during a performance in Leeds, England, in 1971. Described by critic Stephen Thomas Erlewine as "cooking" and "f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Russell
Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016) was an American musician and songwriter who was involved with numerous bestselling records during his 60-year career that spanned multiple genres, including rock and roll, country, gospel, bluegrass, rhythm and blues, southern rock, blues rock, folk, surf and the Tulsa sound. His recordings earned six gold records and he received two Grammy Awards from seven nominations. In 1973 ''Billboard'' named Russell the "Top Concert Attraction in the World." In 2011, he was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Russell collaborated with many notable artists and recorded 33 albums and 430 songs. He wrote "Delta Lady," recorded by Joe Cocker, and organized and performed with Cocker's '' Mad Dogs & Englishmen'' tour in 1970. His " A Song for You," which was named to the Grammy Hall of Fame in 2018, has been recorded by more than 200 artists, and his song " This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hardin
James Timothy Hardin (December 23, 1941 – December 29, 1980) was an American folk music and blues singer-songwriter and guitarist. In addition to his own success, his songs " If I Were a Carpenter", " Reason to Believe", " Misty Roses" and " The Lady Came from Baltimore" were hits for other artists. Hardin was raised in Oregon and had no interest in school, withdrawing before graduating high school, and joining the Marines. After his discharge, he moved to Greenwich Village and Cambridge, where he played and recorded several albums. He also performed at the Newport Folk Festival and at Woodstock. He struggled with drug abuse throughout most of his adult life and his live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from an accidental heroin overdose. Early life and career Tim Hardin was born in Eugene, Oregon to Hal and Molly Hardin, who both had musical backgrounds. His mother was a violinist and concertmaster of the Portlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
