|
Six's Technique
Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through. It was first described by the Dutch scholar Jan Six in 1888, and was given its English name by J. D. Beazley.Beazley, in ''Greek Vases in Poland'', 1928 Around 530 BCE, the technique began to be used regularly for decorating the whole vase, rather than for details as in previous practice. The effect is similar to red-figure painting. Nikosthenes, Psiax, and the Diosphos Painter were among the early users of the technique. It remained in use until the mid-5th century, when it can be observed on a small number of oenochoe An oenochoe, also spelled ''oinochoe'' (; from , ''oînos'', "wine", and , ''khéō'', , sense "wine pourer"; : ''oinochoai''; Neo-Latin: ''oenochoë'', : ''oenochoae''; English : oenochoes or oinochoes), is a wine jug and a key form of anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Youth Horse CdM De Ridder 493
Youth is the time of life when one is young. The word, youth, can also mean the time between childhood and adulthood ( maturity), but it can also refer to one's peak, in terms of health or the period of life known as being a young adult. Youth is also defined as "the appearance, freshness, vigor, spirit, etc., characteristic of one, who is young". Its definitions of a specific age range varies, as youth is not defined chronologically as a stage that can be tied to specific age ranges; nor can its end point be linked to specific activities, such as taking unpaid work, or having sexual relations. Youth is an experience that may shape an individual's level of dependency, which can be marked in various ways according to different cultural perspectives. Personal experience is marked by an individual's cultural norms or traditions, while a youth's level of dependency means the extent to which they still rely on their family emotionally and economically. Terminology and definitions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; ) is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Six (art Historian)
Jan Six (14 January 1618, Amsterdam – 28 May 1700, Amsterdam) was an important cultural figure in the Dutch Golden Age. Biography From a well-to-do cloth merchant family Six (family name), Jan Six was the son of Jean Six (1575–1617) and his wife Anna Wijmer (1584–1654). His father died two months before Jan was born. Jan studied liberal arts and law in Leiden in 1634. He became the son-in-law of the mayor of Amsterdam, Nicolaes Tulp, in 1655, when he married Tulp's daughter Margaretha. Thanks to his father-in-law, he became magistrate of family law and various other appointments on the city council, eventually becoming mayor of Amsterdam himself in 1691, aged 73. Six was good friends with the poet Joost van den Vondel and the painter Rembrandt van Rijn, during the forties. Rembrandt depicted Six in the '' Portrait of Jan Six'', and in the etching of the same title. Six remained a devotee of the arts all his life and wrote plays himself, the most famous being ''Medea'', pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikosthenes
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery. The pottery workshop Nikosthenes was the owner of a workshop in Athens in the latter part of the 6th century BC. On the theory that the number of signed works reflects the number of total works, the high number of signatures referring to Nikosthenes suggests that he had one of the largest if not the largest manufacturing center in Athens. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diosphos Painter
The Diosphos Painter was an Athenian Attic black-figure vase painter thought to have been active from 500–475 BCE, many of whose surviving works are on lekythoi. The Diosphos Painter was a pupil of the Edinburgh Painter, who also trained the Sappho Painter. He was first identified by C.H.E. Haspels in her ''Attic Black-figure Lekythoi'' (Paris, 1936). See also * List of Greek vase painters The following is a list of ancient Greek vase painters who have been identified either by name or by style. Because of the research of academics like John Davidson Beazley, Arthur Dale Trendall, Robert Manuel Cook, Darrell A. Amyx and Conrad ... External links Works by the Diosphos Painterat the Metropolitan Museum of Art {{Authority control Ancient Greek vase painters Archaic Greek art Ancient Athenians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oenochoe
An oenochoe, also spelled ''oinochoe'' (; from , ''oînos'', "wine", and , ''khéō'', , sense "wine pourer"; : ''oinochoai''; Neo-Latin: ''oenochoë'', : ''oenochoae''; English : oenochoes or oinochoes), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B: "wo-no") appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The ''oinochoe'' could pour any fluid, not just wine. The English word, pitcher, is perhaps the closest in function. Beazley's ten types There are many different for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Vase-painting Styles
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
