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Sistine Chapel Ceiling
The Sistine Chapel ceiling (), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built within the Vatican City, Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created Raphael Cartoons, a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create ''The Last Judgment (Michelangelo), The Last Judgment'', a large wall fresco situated behind the altar. The chapel's decoration illustrates m ...
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Sistine Chapel
The Sistine Chapel ( ; ; ) is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, it has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and ''The Last Judgment (Michelangelo), The Last Judgment'', both by Michelangelo. During the reign of Sixtus IV, a team of Italian Renaissance painting, Renaissance painters including Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescoes depicting the ''Life of Moses'' and the ''Life of Christ'', offset by papal portraits above and ''trompe-l'œil'' drapery below. They w ...
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Papal Conclave
A conclave is a gathering of the College of Cardinals convened to appoint the pope of the Catholic Church. Catholics consider the pope to be the apostolic successor of Saint Peter and the earthly head of the Catholic Church. Concerns around political interference led to reforms after the interregnum of 1268–1271 and Pope Gregory X's decree during the Second Council of Lyons in 1274 that the cardinal electors should be locked in seclusion and not permitted to leave until a new pope had been elected. Conclaves are now held in the Sistine Chapel of the Apostolic Palace in Vatican City.John Paul II (22 February 1996)''Universi Dominici gregis''. '' Apostolic constitution''. Vatican City: Vatican Publishing House. From the Apostolic Age until 1059, the pope, like other bishops, was chosen by the consensus of the clergy and laity of the diocese.Baumgartner 2003, p. 4. In 1059, the body of electors was more precisely defined, when the College of Cardinals was designated the ...
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Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto, was an List of Italian painters, Italian painter and architect from Florence during the Late Middle Ages. He worked during the International Gothic, Gothic and Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine art, Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred ...
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Arena Chapel
The Scrovegni Chapel ( ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Musei Civici di Padova. The chapel contains a fresco cycle by Giotto, completed around 1305 and an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of 14th-century fresco cycles composed of 8 historical buildings in Padua city centre. The Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Description Giotto and his team covered all the internal surfaces of the chapel with frescoes, including the walls and the ceiling. The nave is 20.88 metres long, 8.41 metres wide, and 12.65 metres high. The apse area is composed of a square area (4.49 m ...
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Pier Matteo D'Amelia
Piermatteo de' Manfredi da Amelia (circa 1445 - died 1503/1508) was an Italian painter of the Renaissance art, Renaissance period. Biography Piermatteo was born in Amelia, Umbria, Amelia, in Umbria. He is first recorded as being part of the circle of Filippo Lippi, active between 1467 and 1469, working on the decoration of the Spoleto Cathedral. From 1479 until 1480 he was in Rome, where he was one of the painters working in the Sistine Chapel; he contributed to the decoration of the stars on the ceiling. From 1480 until 1482 he was active in Orvieto, painting statues and decorating church fixtures and clocks. It was at this time that he did some work for the church of Sant'Agostino, Orvieto, Sant'Agostino; these pieces have since been removed and are scattered among a number of collections. He returned to Rome, but was recalled in 1482 by the Council of Works for the Orvieto Cathedral, and was commissioned to help decorate the ''San Brizio Chapel''. Ultimately this work was ...
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Cappella Sistina, Ricostruzione Dell'interno Prima Degli Interventi Di Michelangelo, Stampa Del XIX Secolo
Cappella may refer to: * Cappella (band), Italian electronic music group * a cappella, unaccompanied singing People with the surname * Felix Cappella (1930–2011), Canadian race walker * Scipione Cappella (fl. 18th century), Italian painter See also

* A cappella (other), including "A Cappella" * Capella (other) * Capela (other) * ''Kappela'', a 2020 Indian film {{disambiguation, surname ...
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Illusionism (art)
Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer"Illusionism," ''Grove Art Online''. Oxford University Press, ccessed 17 March 2008 or more broadly the attempt to represent physical appearances precisely – also called mimesis. The term '' realist'' may be used in this sense, but that also has rather different meanings in art, as it is also used to cover the choice of ordinary everyday subject-matter, and avoiding idealizing subjects. Illusionism encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes '' trompe-l'œil'', anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as ''di sotto in sù'' and ''quadratura''. Sculptural illusionism includes works, often painted, that appear real from a distance. Other forms, such as th ...
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Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli.
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Luca Signorelli
Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–1503) in Orvieto Cathedral are considered his masterpiece. In his early 40s he returned to live in Cortona, after working in Florence, Siena and Rome (1478–84, painting a now lost section of the Sistine Chapel). With an established reputation, he remained based in Cortona for the rest of his life, but often travelled to the cities of the region to fulfill commissions. He was probably trained by Piero della Francesca in Florence, as his cousin Giorgio Vasari wrote. Cortona hosted a major exhibition in 2023 to celebrate the 500th anniversary of his death. Biography He was born Luca d'Egidio di Ventura in Cortona, Tuscany (some sources call him Luca da Cortona). The precise date of his birth is uncertain, but birth dates between 1441 ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. http://www.oxfordartonline.com/subscriber/article/benezit/B00142364 . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser-known Perugian painters such as Benedetto Bonfigli, Bonfigli and Fiorenzo di Lorenzo. According to Giorgio Vasari, Vasari, Pinturicchio was a paid assistant of Pietro Perugino, Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo S ...
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Moses
In Abrahamic religions, Moses was the Hebrews, Hebrew prophet who led the Israelites out of slavery in the The Exodus, Exodus from ancient Egypt, Egypt. He is considered the most important Prophets in Judaism, prophet in Judaism and Samaritanism, and one of the most important prophets in Christianity, Prophets and messengers in Islam, Islam, the Manifestation of God (Baháʼí Faith)#Known messengers, Baháʼí Faith, and Table of prophets of Abrahamic religions, other Abrahamic religions. According to both the Bible and the Quran, God in Abrahamic religions, God dictated the Mosaic Law to Moses, which he Mosaic authorship, wrote down in the five books of the Torah. According to the Book of Exodus, Moses was born in a period when his people, the Israelites, who were an slavery, enslaved minority, were increasing in population; consequently, the Pharaohs in the Bible#In the Book of Exodus, Egyptian Pharaoh was worried that they might ally themselves with New Kingdom of Egypt, Eg ...
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Life Of Christ In Art
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element. They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the choice of scenes for the remainder of the Middle Ages became largely settled in the Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars. The most common subjects were grouped around the birth and childhood of Jesus, and the Passion of Christ, leading to his Crucifixion and Resurrection ...
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